Robert Browne (Elizabethan Actor)
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Robert Browne (Elizabethan Actor)
Robert Browne (died October 1603) was an English actor of the Elizabethan era, and the owner and manager of the Boar's Head Theatre. He was also part of an enduring confusion in the study of English Renaissance theatre. Two Robert Brownes The relevant documents of English Renaissance drama contain numerous references to "Robert Browne." Early twentieth-century scholars, like E. K. Chambers and Edwin Nunzeger, assumed that these records referred to a single individual. Later scholars, principally Charles Jasper Sisson and Herbert Berry, argued persuasively that two separate individuals had been confused and conflated into one. Or two at least: "There were obviously at least two and could easily have been three or more Robert Brownes who had to do with the companies and playhouses of the time." To distinguish between two Robert Brownes, the earliest years of the seventeenth century are key. One Robert Browne was busy running the Boar's Head Theatre in 1601 through 1603; another R ...
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Elizabethan Era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personification of Great Britain) was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate r ...
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King's Men Personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men (for all practical purposes a single continuous theatrical enterprise) from 1594 to 1642 (and after). The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists. The actors who performed the plays have left the most evidence of their lives and activities; but they were supported by musicians and other functionaries, and were enabled by managers and financial backers like Cuthbert Burbage. For more information on specific individuals, see individual entries: Robert Armin, Christopher Beeston, Robert Benfield, etc. Terms * "Sharer" – an actor who was ...
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16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ...
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1603 Deaths
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", ...
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17th-century English Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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16th-century English Male Actors
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of ...
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English Male Stage Actors
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * En ...
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Admiral's Men
The Admiral's Men (also called the Admiral's company, more strictly, the Earl of Nottingham's Men; after 1603, Prince Henry's Men; after 1612, the Elector Palatine's Men or the Palsgrave's Men) was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre (after the company of Shakespeare, the Lord Chamberlain's or King's Men). Beginnings They were first known as the Lord Howard's Men, named after their patron Charles Howard, 1st Earl of Nottingham. The company played once at Court on December 1576 (the play was called ''Tooley''), again on 17 February 1577 (''The Solitary Knight''), and a third time the following Christmas season, 5 January 1578 (all dates new style). They toured widely, from Bath to Nottingham, in the years 1577–79. A powerful patron like Howard could make a great difference in a company's fortunes. Though there is little evidence that he ...
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Queen Elizabeth's Men
Queen Elizabeth's Men was a playing company or troupe of actors in English Renaissance theatre. Formed in 1583 at the express command of Queen Elizabeth, it was the dominant acting company for the rest of the 1580s, as the Admiral's Men and the Lord Chamberlain's Men would be in the decade that followed. Foundation Since the Queen instigated the formation of the company, its inauguration is well documented by Elizabethan standards. The order came down on 10 March 1583 (new style) to Edmund Tilney, then the Master of the Revels; though Sir Francis Walsingham, head of intelligence operations for the Elizabethan court, was the official assigned to assemble the personnel. At that time the Earl of Sussex, who had been the court official in charge of the Lord Chamberlain's Men in its first Elizabethan incorporation, was nearing death. The Queen's Men assumed the same functional role in the Elizabethan theatrical landscape as the Lord Chamberlain's Men before and after them did: it wa ...
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Actor-manager
An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the business, sometimes taking over a theatre to perform select plays in which they usually star. It is a method of theatrical production used consistently since the 16th century, particularly common in 19th-century Britain and the United States. History The first actor-managers, such as Robert Browne, appeared in the late 16th century, to be followed by another Robert Browne (no relation) and George Jolly in the 17th century. In the 18th century, actor-managers such as Colley Cibber and David Garrick gained prominence. The system of actor-management generally produced high standards of performance, as demonstrated by such 19th-century actors as William Macready, Charles Wyndham, Henry Irving, Frank Benson and Herbert Beerbohm Tree, by husband-wife teams such as Squire Bancroft and Effie Bancroft, Frank Wyatt and Violet Melnotte, William Hunter Kendal and Madge Robertson Ken ...
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