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Robert Armin
Robert Armin (c. 1568 – 1615) was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, ''The History of the Two Maids of More-clacke'', as well as ''Foole upon Foole'', ''A Nest of Ninnies'' (1608) and ''The Italian Taylor and his Boy''. Armin changed the part of the clown or fool from the rustic servingman turned comedian to that of a high-comedy domestic wit. Early life :"…the clown is wise because he plays the fool for money, while others have to pay for the same privilege." – Leslie Hotson in ''Shakespeare's Motley'' Armin was one of three children born to John Armyn II of King's Lynn, a successful tailor and friend to John Lonyson, a goldsmith also of King's Lynn. His brother, John Armyn III, was a merchant tailor in London. Armin did not take up his father's craft; instead, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Armin
Robert Armin (c. 1568 – 1615) was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, ''The History of the Two Maids of More-clacke'', as well as ''Foole upon Foole'', ''A Nest of Ninnies'' (1608) and ''The Italian Taylor and his Boy''. Armin changed the part of the clown or fool from the rustic servingman turned comedian to that of a high-comedy domestic wit. Early life :"…the clown is wise because he plays the fool for money, while others have to pay for the same privilege." – Leslie Hotson in ''Shakespeare's Motley'' Armin was one of three children born to John Armyn II of King's Lynn, a successful tailor and friend to John Lonyson, a goldsmith also of King's Lynn. His brother, John Armyn III, was a merchant tailor in London. Armin did not take up his father's craft; instead, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Anglia
East Anglia is an area in the East of England, often defined as including the counties of Norfolk, Suffolk and Cambridgeshire. The name derives from the Anglo-Saxon kingdom of the East Angles, a people whose name originated in Anglia, in what is now Northern Germany. Area Definitions of what constitutes East Anglia vary. The Anglo-Saxon Kingdom of East Anglia, established in the 6th century, originally consisted of the modern counties of Norfolk and Suffolk and expanded west into at least part of Cambridgeshire, typically the northernmost parts known as The Fens. The modern NUTS 3 statistical unit of East Anglia comprises Norfolk, Suffolk and Cambridgeshire (including the City of Peterborough unitary authority). Those three counties have formed the Roman Catholic Diocese of East Anglia since 1976, and were the subject of a possible government devolution package in 2016. Essex has sometimes been included in definitions of East Anglia, including by the London Society o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianfrancesco Straparola
Giovanni Francesco "Gianfrancesco" Straparola, also known as Zoan or Zuan Francesco Straparola da Caravaggio (ca. 1485?–1558), was an Italian writer of poetry, and collector and writer of short stories. Some time during his life, he migrated from Caravaggio to Venice where he published a collection of stories in two volumes called '' The Facetious Nights'' or '' The Pleasant Nights''. This collection includes some of the first known printed versions of fairy tales in Europe, as they are known today. Biography Life Not much is known of Straparola's life except for a few facts regarding his published works. He was likely born some time around 1485 in Caravaggio, Italy (on the Lombard plain east of Milan). However, nothing more is known of his life until 1508 when he was found to be in Venice where he signed his name "Zoan" on the title page of his ''Opera nova de Zoan Francesco Straparola da Caravaggio novamente stampata'' (''New Works''). Prior to issuing the first volume o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Theatre
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend, and grandson, Sir Matthew Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closures of 1642. A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately from the site of the original theatre.Measured using Google earth Locations Examination of old property records has identified the plot of land occupied by the Globe as extending from the west side of modern-day Southwark Bridge Road eastwards as far as Porter Street and from Park Street southwards as far as the back of Gatehouse Square. The precise location of the building remained unknown until a small part of the foundations, including one original p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtain Theatre
The Curtain Theatre was an Elizabethan playhouse located in Hewett Street, Shoreditch (within the modern London Borough of Hackney), just outside the City of London. It opened in 1577, and continued staging plays until 1624. The Curtain was built some south of London's first playhouse, The Theatre, which had opened a year before, in 1576. It was called the "Curtain" because it was located near a plot of land called Curtain Close, which derived its name in turn from its proximity to the walls of Holywell Priory, a curtain wall being a section of wall between two bastions. (The name bears no relationship to the front curtain associated with modern theatres.) The remains of the theatre were rediscovered in archaeological excavations in 2012–16. The most significant revelation was that the Curtain was rectangular, not round. The excavation revealed a stage, and evidence of a tunnel under the stage and galleries at the first floor level. Small finds included a ceramic bird w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward De Vere, 17th Earl Of Oxford
Edward de Vere, 17th Earl of Oxford (; 12 April 155024 June 1604) was an English peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Edward de Vere was the only son of John de Vere, 16th Earl of Oxford, and Margery Golding. After the death of his father in 1562, he became a ward of Queen Elizabeth I and was sent to live in the household of her principal advisor, Sir William Cecil. He married Cecil's daughter, Anne, with whom he had five children.. Oxford was estranged from her for five years and refused to acknowledge he was the father of their first child. A champion jouster, Oxford travelled widely throughout France and the many s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward La Zouche, 11th Baron Zouche
Edward la Zouche, 11th Baron Zouche (6 June 1556 – 18 August 1625) was an English diplomat. He is remembered chiefly for his lone vote against the condemnation of Mary, Queen of Scots, and for organising the stag hunt where his guest, the Archbishop of Canterbury, accidentally killed a man. Early life Zouche was the son of George la Zouche, 10th Baron Zouche, of the noble Breton-origin Zouche dynasty, and his wife Margaret, ''née'' Welby. He was a royal ward from 1570, under the care of William Cecil. In a letter to Cecil written in 1596, Zouche confessed that he spent his patrimony as a youth, having indulged in "little searching for knowledge". Marriage In or around 1578, Zouche married his cousin Eleanor Zouche, daughter of Sir John Zouche and Eleanor, ''née'' Whalley. They had two daughters, Elizabeth and Mary, but, shortly after Mary's birth in 1582, Zouche left Eleanor and they lived apart until her death in 1611. Eleanor wrote to Lord Burghley, from her lodging in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hackney Village
Hackney Central is a sub-district of Hackney in the London Borough of Hackney in London, England and is four miles (6.4 km) northeast of Charing Cross. The Hackney Central area is focused on Mare Street and the retail areas to the north of it including Narrow Way and surrounding local area around Hackney Downs railway station. As such it extends north from Regent's Canal (with Bethnal Green), takes in most of Broadway Market and London Fields, and follows each side of Mare Street till it terminates in the vicinity of Hackney Central railway station. The area also includes the central retail area which extends from Hackney Downs station in the west to the Hackney Walk Outlet Village, on Morning Lane and goes in between Wick Road ( Homerton) and Cassland Road (South Hackney) till meeting Hackney Wick, to the east. Hackney Central is the area that once would have been known as Hackney Village. This was a place that flourished from the Tudor period, when principal members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persona
A persona (plural personae or personas), depending on the context, is the public image of one's personality, the social role that one adopts, or simply a fictional Character (arts), character. The word derives from Latin, where it originally referred to a theatrical mask. On the social web, users develop virtual personas as online identity, online identities. Etymology The Latin word probably derived from the Etruscan language, Etruscan word "", with the same meaning, and that from the Greek ('). Its meaning in the latter Roman period changed to indicate a "character" of a theatrical performance or court of law, when it became apparent that different individuals could assume the same role and that legal attributes such as rights, powers, and duties followed the role. The same individuals as actors could play different roles, each with its own legal attributes, sometimes even in the same court appearance. According to other sources, which also admit that the origin of the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marotte
A marotte is a prop stick or sceptre with a carved head on it. Jesters usually used a marotte. The word is borrowed from the French, where it signifies either a fool's (literal) "bauble" or a fad. Typically carried by a jester or Arlecchino, the miniature head often reflects the costume of the jester who carries it. Modern marottes typically have music boxes or other machinery built into the head. Older marottes may utilize swivel heads with bells. In popular culture In the children's TV series ''Rentaghost'', the stick was referred to as a "Tiny Timothy". In Verdi's opera ''Rigoletto'', the singer of the title role, a jester, carries a marotte, which often has on it the faces of comedy and tragedy. See also *Cap and bells Gallery Marotte - Niederwindemer Schindlejokel.jpg, Niederwindemer Schindlejokel Marotte.jpg, Marotte of Deutsch Marotte 2.jpg, Before 1848 Marotte - Welschkorngeister - Denzlingen.jpg, Welschkorngeister - Denzlingen Marotte - Hölle-Leue - Freiburg-Rie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandos's Men
Robert Armin (c. 1568 – 1615) was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, ''The History of the Two Maids of More-clacke'', as well as ''Foole upon Foole'', ''A Nest of Ninnies'' (1608) and ''The Italian Taylor and his Boy''. Armin changed the part of the clown or fool from the rustic servingman turned comedian to that of a high-comedy domestic wit. Early life :"…the clown is wise because he plays the fool for money, while others have to pay for the same privilege." – Leslie Hotson in ''Shakespeare's Motley'' Armin was one of three children born to John Armyn II of King's Lynn, a successful tailor and friend to John Lonyson, a goldsmith also of King's Lynn. His brother, John Armyn III, was a merchant tailor in London. Armin did not take up his father's craft; instea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Field
Nathan Field (also spelled Feild occasionally; 17 October 1587 – 1620) was an English dramatist and actor. Life His father was the Puritan preacher John Field, and his brother Theophilus Field became the Bishop of Llandaff. One of his brothers, named Nathaniel, often confused with the actor, became a printer. Nathan's father opposed London's public entertainments: he delivered a sermon that attributed Divine judgment to the collapse of the public seating area, during a bear baiting on a Sunday, at Beargarden in 1583, which resulted in several deaths. Nathan presumably did not intend a career in the theatre; he was a student of Richard Mulcaster at St. Paul's School in the late 1590s. At some point before 1600, he was impressed by Nathaniel Giles, the master of Elizabeth's choir and one of the managers of the new troupe of boy players at Blackfriars Theatre, called alternately the Children of the Chapel Royal and the Blackfriars Children. He remained in this profession for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
