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Nathan Field
Nathan Field (also spelled Feild occasionally; 17 October 1587 – 1620) was an English dramatist and actor. Life His father was the Puritan preacher John Field, and his brother Theophilus Field became the Bishop of Llandaff. One of his brothers, named Nathaniel, often confused with the actor, became a printer. Nathan's father opposed London's public entertainments: he delivered a sermon that attributed Divine judgment to the collapse of the public seating area, during a bear baiting on a Sunday, at Beargarden in 1583, which resulted in several deaths. Nathan presumably did not intend a career in the theatre; he was a student of Richard Mulcaster at St. Paul's School in the late 1590s. At some point before 1600, he was impressed by Nathaniel Giles, the master of Elizabeth's choir and one of the managers of the new troupe of boy players at Blackfriars Theatre, called alternately the Children of the Chapel Royal and the Blackfriars Children. He remained in this profession for t ...
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Dulwich Picture Gallery
Dulwich Picture Gallery is an art gallery in Dulwich, South London, which opened to the public in 1817. It was designed by Regency architect Sir John Soane using an innovative and influential method of illumination. Dulwich is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of the College of God's Gift, a charitable foundation established by the actor, entrepreneur, and philanthropist Edward Alleyn in the early 17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian, and Spanish Baroque paintings, and in British portraits from Tudor times to the 19th century. The Dulwich Picture Gallery and its mausoleum are listed Grade II* on the National Heritage List for England. History Early history of the gallery Edward Alleyn (1566 ...
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Cynthia's Revels
''Cynthia's Revels, or The Fountain of Self-Love'' is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the ''Poetomachia'' or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker. Performance The play was first performed in 1600 at the Blackfriars Theatre by the Children of the Chapel, one of the troupes of boy actors active in that era. The Children acted the play at the English Royal Court during the 1600/01 Christmas season – though it was not a success with the audience there. Publication The play was entered into the Stationers' Register on 23 May 1601, with the title ''Narcissus the Fountain of Self-Love.'' It was published in quarto later that year by the bookseller Walter Burre, under the title ''The Fountain of Self-Love, or Cynthia's Revels.'' The play next appeared in print when it was included in the first folio collection of Jonson's works in 1616. A prefatory note to the folio text ...
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The Faithful Shepherdess
''The Faithful Shepherdess'' is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher. Though the initial production was a failure with its audience, the printed text that followed proved significant, in that it contained Fletcher's influential definition of tragicomedy. Like many of Fletcher's later tragicomedies, ''The Faithful Shepherdess'' deals with the darker side of sexuality and sexual jealousy, albeit within a comic framework. Plot summary The play's eponymous heroine is Clorin, a virgin shepherdess who values chastity and devotion above all. A skilled healer, Clorin has chosen to live in solitude near the grave of her first love. During the course of the play, various couples will find themselves thrown into erotic turmoil, and it is Clorin who heals them and facilitates their reconciliation. In the first storyline, the shepherd Perigot and the shepherdess Amoret are in love, though their love is unconsummated and pure. The ...
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John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ...
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His Conspiracy
His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in China * Harare International School in Zimbabwe * Hokkaido International School, in Japan * Hsinchu International School, in Taiwan * Hollandsch-Inlandsche School a Dutch school for native Indonesians in the Dutch East Indies Science * Bundle of His, a collection of specialized heart cells * Health information system * Hospital information system * Host identical sequence ** Human identical sequence * His-tag, a polyhistidine motif in proteins * Histidine, an amino acid * His 1 virus, a synonyms of Halspiviridae * HIS-1, a long non-coding RNA, also known as VIS1 People * Wilhelm His, Sr. (1831–1904), Swiss anatomist * Wilhelm His, Jr. (1863–1934), Swiss anatomist Places * His, Agder, a village in Arendal municipality in Agder ...
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Volpone
''Volpone'' (, Italian for "sly fox") is a comedy play by English playwright Ben Jonson first produced in 1605–1606, drawing on elements of city comedy and beast fable. A merciless satire of greed and lust, it remains Jonson's most-performed play, and it is ranked among the finest Jacobean era comedies. Characters * Volpone (the Sly Fox) – a greedy and rich childless Venetian ''magnifico'' * Mosca (the Fly) – his servant * Voltore (the Vulture) – a lawyer * Corbaccio (the Raven) – an avaricious old miser * Bonario – Corbaccio's son * Corvino (the Carrion Crow) – a merchant * Celia – Corvino's wife * Sir Politic Would-Be – ridiculous Englishman * Lady Would-Be (the parrot) – English lady and wife of Sir Politic-Would-Be * Peregrine ("Pilgrim") – another, more sophisticated, English traveller * Nano – a dwarf, companion of Volpone * Androgyno – a hermaphrodite, companion of Volpone * Castrone – a eunuch, companion of Volpone * The Avocatori – the ...
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Commendatory Verse
The epideictic oratory, also called ceremonial oratory, or praise-and-blame rhetoric, is one of the three branches, or "species" (eidē), of rhetoric as outlined in Aristotle's ''Rhetoric'', to be used to praise or blame during ceremonies. Origin and pronunciation The term's root has to do with display or show (''deixis''). It is a literary or rhetorical term from the Greek ἐπιδεικτικός "for show". It is generally pronounced orAnother English form, now less common, is ''epidictic'' . Characteristics This is rhetoric of ceremony, commemoration, declamation, demonstration, on the one hand, and of play, entertainment and display, including self-display. It is also the rhetoric used at festivals, the Olympic Games, Olympic games, state visits and other formal events like the opening and closing ceremonies, and celebrations of anniversaries of important events, including illustrious victories, births, deaths, and weddings. Its major subject is praise and blame, acc ...
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The Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ...
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Francis Beaumont
Francis Beaumont ( ; 1584 – 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont's life Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father's footsteps by entering the Inner Temple in London in 1600. Accounts suggest that Beaumont did not work long as a lawyer. He became a student of poet and playwright Ben Jonson; he was also acquainted with Michael Drayton and other poets and dramatists, and decided that was where his passion lay. His first work, ''Salmacis and Hermaphroditu ...
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Bussy D'Ambois
''The Tragedy of Bussy D'Ambois'' (1603–1607) is a Literature in English#Jacobean literature, Jacobean stage play written by George Chapman. Classified as either a tragedy or "contemporary history," ''Bussy D'Ambois'' is widely considered Chapman's greatest play, and is the earliest in a series of plays that Chapman wrote about the French political scene in his era, including the sequel ''The Revenge of Bussy D'Ambois'', the two-part ''The Conspiracy and Tragedy of Charles, Duke of Byron'', and ''The Tragedy of Chabot, Admiral of France''. The play is based on the life of the real Louis de Bussy d'Amboise, who was murdered in 1579. Historical Performance and Publication ''Bussy D'Ambois'' was probably written in 1603–4, and was performed soon after by the Children of Paul's. The play was entered into the Stationers' Register on 3 June 1607 in literature, 1607, and published in book size, quarto the same year by the bookseller William Aspley, who issued a second quarto the ...
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George Chapman
George Chapman (Hitchin, Hertfordshire, – London, 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's ''Iliad'' and ''Odyssey'', and the Homeric ''Batrachomyomachia''. Life and work Chapman was born at Hitchin in Hertfordshire. There is conjecture that he studied at Oxford but did not take a degree, though no reliable evidence affirms this. Very little is known about Chapman's early life, but Mark Eccles uncovered records that reveal much about Chapman's difficulties and expectations. In 1585 Chapman was approached in a friendly fashion by John Wolfall Sr., who offered to supply a bond of surety for a loan to furnish Chapman money "for his proper use in Attendance upon the the ...
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