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Roadshow Theatrical Release
A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement. Roadshows had a number of features that distinguished them from normal releases. There would be an intermission between the two "acts" of the film, with the first act usually somewhat longer than the second. Films selected for roadshow treatment were typically longer than the usual motion picture, lasting anywhere from slightly more than two hours to four hours or more, counting the intermission. There would be no short subjects accompanying the film, and rarely any promotional trailers. Screenings would be limited to one or two a day, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wide Release
In the American motion picture industry, a wide release (short for nationwide release) is a film playing at the same time at cinemas in most markets across the country. This is in contrast to the formerly common practice of a roadshow theatrical release in which a film opens at a few cinemas in key cities before circulating among cinemas around the country, or a limited release in which a film is booked at fewer cinemas (such as " art house" venues) in larger cities in anticipation of lesser commercial appeal. In some cases, a film that sells well in limited release will then "go wide". Since 1994, a wide release in the United States and Canada has been defined by Nielsen EDI as a film released in more than 600 theaters. The practice emerged as a successful marketing strategy in the 1970s, and became increasingly common in subsequent decades, in parallel with the expansion of the number of screens available at multiplex cinemas. With the switch to digital formats – lowering the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hunchback Of Notre Dame (1923 Film)
''The Hunchback of Notre Dame'' is a 1923 American drama film starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. The film was Universal's "Super Jewel" of 1923 and was their most successful silent film, grossing $3.5 million. The film premiered on September 2, 1923 at the Astor Theatre in New York, New York, then went into release on September 6. The screenplay was written by Perley Poore Sheehan and Edward T. Lowe Jr., based on Victor Hugo's 1831 novel, and is notable for the grand sets that recall 15th century Paris as well as for Chaney's performance and make-up as the tortured hunchback bellringer Quasimodo. This was the seventh film adaptation of the novel. The film elevated Chaney, who was already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Desert Song (1929 Film)
''The Desert Song'' is a 1929 American Pre-Code operetta film directed by Roy Del Ruth and starring John Boles, Carlotta King, Louise Fazenda, and Myrna Loy. It was photographed partly in two-color Technicolor, the first film released by Warner Bros. to include footage in color. The film included a 10-minute intermission during which music was played. It was based on the hit musical play with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein, Otto Harbach, and Frank Mandel, which opened at the Casino Theatre on Broadway on November 30, 1926, and ran for a very successful 465 performances. Although some of the songs from the show have been omitted, the film is otherwise virtually a duplicate of the stage production and extremely faithful to it. On the basis of the success of ''The Desert Song'', Warner Bros. quickly cast John Boles in an all-color musical feature called '' Song of the West'', which was completed by June 1929 but had its release delayed until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hollywood Revue Of 1929
''The Hollywood Revue of 1929'', or simply ''The Hollywood Revue'', is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny. At the 2nd Academy Awards, the film received a Best Picture nomination (its sole nomination) but lost to another Irving Thalberg MGM production, The Broadway Melody. Production Unlike M-G-M's imposing feature films, which always boasted strong story values, ''The Hollywood Revue of 1929'' was a plotless parade of variety acts. Conrad Nagel, interviewed for the book ''The Real Tinsel'', recalled, "Everybody thought Harry Rapf was crazy for making it." Billed as an "All-Star Musical Extravaganza", the film i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show Boat (1929 Film)
''Show Boat'' is a 1929 American romantic drama film based on the 1926 novel ''Show Boat (novel), Show Boat'' by Edna Ferber. The film initially did not use the Show Boat, 1927 stage musical of the same name as a source, but scenes were later added into the film incorporating two of the songs from the musical as well as other songs. This version was released by Universal Studios, Universal in two editions, one a silent film for movie theatres still not equipped for sound, and one a part-talkie with a sound prologue. The film was long believed to be lost, but most of it has been found and released on LaserDisc and shown on Turner Classic Movies. A number of sections of the soundtrack were found in the mid-1990s on Vitaphone records, although the film was made with a Movietone sound system, Movietone soundtrack. Two more records were discovered in 2005. Plot The eighteen-year-old Magnolia meets, falls in love with, and elopes with riverboat gambler Gaylord Ravenal. After her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Broadway Melody
''The Broadway Melody'', also known as ''The Broadway Melody of 1929'', is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the first musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical. ''The Broadway Melody'' was written by Norman Houston and James Gleason from a story by Edmund Goulding, and directed by Harry Beaumont. Original music was written by Arthur Freed and Nacio Herb Brown, including the popular hit " You Were Meant for Me". The George M. Cohan classic "Give My Regards to Broadway" is used under the opening establishing shots of New York City, its film debut. Bessie Love was nominated for an Academy Award for Best Act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kander And Ebb
Kander and Ebb were a highly successful American songwriting team consisting of composer John Kander (born March 18, 1927) and lyricist Fred Ebb (April 8, 1928 – September 11, 2004). Known primarily for their stage musicals, which include ''Cabaret'' and '' Chicago'', Kander and Ebb also scored several movies, including Martin Scorsese's ''New York, New York''. Their most famous song is the theme song of that movie. Recorded by many artists, "New York, New York" became a signature song for Frank Sinatra. The team also became associated with two actresses, Liza Minnelli and Chita Rivera, for whom they wrote a considerable amount of material for the stage, concerts and television. History John Kander and Fred Ebb were introduced by their mutual music publisher Tommy Valando in 1962. Kander and Ebb met at Ebb's apartment and decided to test their compatibility as writing partners with a "mock title song" for a musical comedy already running on Broadway, a Hal Prince produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago (1927 Film)
''Chicago'' is a 1927 American silent crime comedy-drama film produced by Cecil B. DeMille and directed by Frank Urson. The first film adaptation of Maurine Dallas Watkins' play of the same name, the film stars Phyllis Haver as Roxie Hart, a fame-obsessed housewife who kills her lover in cold blood and, after trying to coerce her husband into taking the blame, is put on trial for murder. Plot The plot of the film is drawn from the 1926 play '' Chicago'' by Maurine Dallas Watkins which was in turn based on the true story of Beulah Annan, fictionalized as Roxie Hart (Phyllis Haver), and her spectacular murder of her boyfriend. The silent film adds considerably to the material in Watkins' play, some additions based on the original murder, and some for Hollywood considerations. The murder, which occurs in a very brief vignette before the play begins, is fleshed out considerably. Also, Roxie's husband Amos Hart has a much more sympathetic and active role in the film than he doe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Singer
''The Jazz Singer'' is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with both synchronized recorded music score as well as lip-synchronous singing and speech (in several isolated sequences). Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era. It was produced by Warner Bros. with the Vitaphone sound-on-disc system and features six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement". The film depicts the fictional story of Jakie Rabinowitz, a young man who defies the traditions of his devout Jewish family. After singing popular tunes in a beer garden, he is punished by his father, a hazzan (cantor), prompting Jakie to run away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer, performing in blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Picture
The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Oscars is eligible to submit a nomination and vote on the final ballot. The Best Picture category is often the final award of the night and is widely considered as the most prestigious honor of the ceremony. The Grand Staircase columns at the Dolby Theatre in Hollywood, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception. There have been 581 films nominated for Best Picture and 94 winners. History Category name changes At the 1st Academy Awards ceremony (for 1927 and 1928), there were two categories of awards that were each considered the top award of the night: ''Outstanding Picture'' and '' Unique and Artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wings (1927 Film)
''Wings'' is a 1927 American silent film known for winning the first Academy Award for Best Picture. The film stars Clara Bow, Charles "Buddy" Rogers, and Richard Arlen. Rogers and Arlen portray World War I combat pilots in a romantic rivalry over a woman. It was produced by Lucien Hubbard, directed by William A. Wellman, and released by Paramount Pictures. Gary Cooper appears in a small role which helped launch his career in Hollywood. The film, a romantic action-war picture, was rewritten by scriptwriters Hope Loring and Louis D. Lighton from a story by John Monk Saunders to accommodate Bow, Paramount's biggest star at the time. Wellman was hired, as he was the only director in Hollywood at the time who had World War I combat pilot experience, although Richard Arlen and John Monk Saunders had also served in the war as military aviators. The film was shot on location on a budget of $2 million (equivalent to $ million in ) at Kelly Field in San Antonio, between September 7, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
