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Renaissance In Spain
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492: * Unification of the longed-for Christian kingdom with the definitive taking of Granada, the last Islamic controlled territory in the Iberian Peninsula, and the successive expulsions of thousands of Muslim and Jewish believers, *The official discovery of the western hemisphere, the Americas, *The publication of the first grammar of a vernacular European language in print, the '' Gramática'' (''Grammar'') by Antonio de Nebrija. Historical background The beginning of the Renaissance in Spain is closely linked to the historical-political life of the monarchy of the Catholic Monarchs. Its figures are the first to leave th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valladolid Santa Cruz 20080
Valladolid () is a municipality in Spain and the primary seat of government and de facto capital of the autonomous community of Castile and León. It is also the capital of the province of the same name. It has a population around 300,000 people (2021 est.). Population figures from 1 January 2013. The city is located roughly in the centre of the northern half of the Iberian Peninsula's Meseta Central, at the confluence of the Pisuerga and Esgueva rivers before they join the Duero, surrounded by winegrowing areas. The area was settled in pre-Roman times by the Celtic Vaccaei people, and then by Romans themselves. The settlement was purportedly founded after 1072, growing in prominence within the context of the Crown of Castile, being endowed with fairs and different institutions such as a collegiate church, University (1241), Royal Court and Chancellery and a royal mint. The city was briefly the capital of the Habsburg Monarchy between 1601 and 1606. The city then declined un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramática De La Lengua Castellana
() is a book written by Antonio de Nebrija and published in 1492. It was the first work dedicated to the Spanish language and its rules, and the first grammar of a modern European language to be published. When it was presented to Isabella of Castile at Salamanca in the year of its publication, the queen questioned what the merit of such a work might be; Fray Hernando de Talavera, bishop of Avila, answered for the author in prophetic words, as Nebrija himself recalls in a letter addressed to the monarch: ''After Your Highness has subjected barbarous peoples and nations of varied tongues, with conquest will come the need for them to accept the laws that the conqueror imposes on the conquered, and among them our language; with this work of mine, they will be able to learn it, as we now learn Latin from the Latin Grammar''Quoted by Henry Kamen at the outset of ''Empire: how Spain became a world power, 1492-1763'', 2002. Contents Nebrija divided his study of the language into four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazarillo De Tormes
''The Life of Lazarillo de Tormes and of His Fortunes and Adversities'' ( es, La vida de Lazarillo de Tormes y de sus fortunas y adversidades ) is a Spanish novella, published anonymously because of its anticlerical content. It was published simultaneously in three cities in 1554: Alcalá de Henares, Burgos and Antwerp. The Alcalá de Henares edition adds some episodes which were most likely written by a second author. It is most famous as the book establishing the style of the picaresque satirical novel. Summary Lázaro is a boy of humble origins from Salamanca. After his stepfather is accused of thievery, his mother asks a wily blind beggar to take on Lazarillo (little Lázaro) as his apprentice. Lázaro develops his cunning while serving the blind beggar and several other masters, while also learning to take on his father's practice. Table of contents: *Prologue *Chapter* 1: childhood and apprenticeship to a blind man. *Chapter* 2: serving a priest. *Chapter* 3: serving a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Da San Leocadio
Pablo da San Leocadio or Paolo da Reggio (10 September 1447 – c. 1520) was an Italian painter from Reggio Emilia, who was mostly active in Spain. Biography In the 1450s or 1460 he moved to Ferrara, where he was influenced by local painters such as Bono da Ferrara and Ercole de' Roberti. In 1472 he sailed from Ostia to Valencia, for Cardinal Rodrigo Borgia, the future Pope Alexander VI. He painted, in 1506, in conjunction with Francesco Pagano, the doors of the high altar of the cathedral of Valencia, with subjects from the Life of the Virgin. His other works include a ''Virgin of the Grace'' in the church of San Miguel at Enguera (province of Valencia), a ''St. Michael'' in the Diocesan Museum of Valencia, the ''Virgin of the Knight of Montesa'' in the Museo del Prado of Madrid and the ''Holy Conversation'' in the National Gallery, London. See also *Route of the Borgias The Route of the Borgias is a cultural route, that includes sites associated with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicente Juan Masip
Vicente Juan Masip (also known as Joan de Joanes) (15071579) was a Spanish painter of the Renaissance period. He is commonly considered the foremost member of the Valencian school of painters. Masip was born in La Font de la Figuera. His father was Vicente Masip (Andilla 1475Valencia 1545), and his son was Vicente Masip Comes (–1623), known as Vicent de Joanes, who imitated his style. His two daughters, Dorotea Joanes (died 1609) and Margarita Joanes (d. 1613), were also painters. His most prominent pupil was Nicolas Borras. Biography Born in La Font de la Figuera, he is thought to have studied his art for some time in Italy due to Sebastiano del Piombo's influence, with which school his affinities are closest, but maybe he never went to Italy, and he received this influence by the Italian peintures arriving to Valencia. Furthermore, two Italian painters Paolo da San Leocadio and Francesco Pagano, were engaged by cardinal Rodrigo Borgia for painting in Valencia Cathedra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Berruguete
Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious imagery for Castilian retablos. He is considered by some as the first Renaissance painter in Spain. He was the father of Alonso Berruguete, considered the most important sculptor of the Spanish Renaissance. Because of the fame accrued by Alonso, Pedro Berruguete is sometimes referred to as Berruguete el Viejo ("Berruguete the Older") to differentiate between the two. It is speculated that Pedro travelled to Italy in 1480 and worked in the court of Federico III da Montefeltro in Urbino, where he could have seen some works by Melozzo da Forlì. The ''Portrait of Federico da Montefeltro with His Son Guidobaldo'' (c. 1475), now at the Galleria nazionale delle Marche, has been attributed to Berruguete by some art historians but the Flemish pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Renaissance Architecture
Spanish Renaissance architecture was that style of Renaissance architecture in the last decades of the 15th century. Renaissance evolved firstly in Florence and then Rome and other parts of the Italian Peninsula as the result of Renaissance humanism and a revived interest in Classical architecture. In Spain, the Renaissance began to be grafted to Gothic forms as mathematicians and engineers rediscovered building as one of the technological sciences. In the time of King Felipe II (1556–1589), the Renaissance influence expanded throughout the territory thanks to the dissemination of architectural treatises (Vitrubio, Alberti, Serlio, Palladio, Vignola and Sagredo, among others). In the Hispanic expression of the Renaissance, Italian forms merged with the reminiscences of other previous native styles. The style started to spread mainly by local architects: that is the cause of the creation of a specifically Spanish Renaissance, that brought the influence of Italian architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plateresque
Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.Bozal, Valeriano; ''Art history in Spain: From the origins to the Enlightenment'', pp. 157, 165. Ed Akal (1978). . Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor,Arellano, Fernando; ''The Hispanic American Art'', pp. 13–14. Ed. Universidad Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Mendoza
The Mendoza family was a powerful line of Spanish nobles. Members of the family wielded considerable power, especially from the 14th to the 17th centuries in Castile. The family originated from the village of Mendoza (Basque ''mendi+oza'', 'cold mountain') in the province of Álava in the Basque countries The seigneury of Mendoza became part of the Kingdom of Castile during the reign of Alfonso XI (1312–1350), and thereafter the Mendozas participated in Castilian politics, becoming advisers, administrators, and clerics. The family's branches and name expanded out of its original nucleus in later centuries. Prehistory Álava is a hilly region with a core flat area (the Plains of Álava) bounded at the time by the kingdoms of Castile, and the Navarre in the 13th and 14th century. It had been loosely controlled by Navarre earlier, and retained its own distinctive customs and traditions. The town of Mendoza and the province of Álava itself was also a battlefield, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
