Remix (Le Tigre Album)
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Remix (Le Tigre Album)
''Remix'' is a remix album by American dance-punk trio Le Tigre. It was released by Mr. Lady Records in 2001 in the United States. It was reissued on August 24, 2004 with a bonus track."Discography"
LeTigreWorld.com. Retrieved January 27, 2009.
Pitchfork Media called the album "just about as standard as remix albums can get", adding that the album's biggest weakness "is that, for the most part, it puts the disco before the discussion." The publication ranked 's remix of "Deceptacon" 226th on its list of the best songs of the 2000s. ''

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Le Tigre
Le Tigre (, ; French for "The Tiger") is an American electronic rock band formed by Kathleen Hanna (of Bikini Kill), Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson for the rest of the group's existence. They mixed punk's directness and politics with playful samples, eclectic pop, and lo-fi electronics. The group also added multimedia and performance art elements to their live shows, which often featured support from like-minded acts such as The Need. History 1998–2000: Formation and ''Le Tigre'' Following the breakup of Bikini Kill in 1998, Kathleen Hanna released a solo album under the pseudonym '' Julie Ruin'' and moved to New York, where she wanted to perform ''Julie Ruin'' songs live. Not wanting to perform the material alone, she recruited Johanna Fateman, whom Hanna had known since meeting at a Bikini Kill concert several years prior. Sadie Benning, who had helped Hanna make a music video for the ''J ...
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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) â€Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ...
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Chris Stamey
Christopher Charles Stamey (born December 6, 1954) is an American musician, singer, songwriter, and record producer. After a brief time playing with Alex Chilton, as well as Mitch Easter under the name Sneakers, Stamey formed The dB's with Peter Holsapple. Early life Stamey was born in Chapel Hill, North Carolina, United States. He grew up in Winston-Salem, North Carolina, and graduated from R. J. Reynolds High School. Career In 1977, Stamey founded the independent New York City record label, Car Records, which released the 1978 Chris Bell single with the tracks "I Am The Cosmos" and "You And Your Sister". Stamey recorded and released two critically acclaimed albums with The dB's, '' Stands for Decibels'' (1981) and '' Repercussion'' (1982), which were initially only released in the UK, before leaving the band to pursue a solo career. In 1991, Stamey and Holsapple reunited to record the album, ''Mavericks'', which led to live concerts in London, England. In 1996, Stamey mo ...
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Feminist Sweepstakes
''Feminist Sweepstakes'' is the second studio album by American dance-punk band Le Tigre. It was released on October 16, 2001 by record label Mr. Lady. ''Feminist Sweepstakes'' is Le Tigre's first album to feature JD Samson as a member of the band. She had previously worked with the band as a roadie and the operator of former member Sadie Benning's slide show during live performances in support of their first record. Background The album title "Feminist Sweepstakes" was explained by JD Samson:"The idea came to us when pondering the idea of what a feminist Easter basket may look like. We began planning a basket of goodies that would be a prize that could be won by an unsuspecting record buyer. Soon enough, after bouncing the word sweepstakes around, we looked up 'sweepstakes' in the dictionary and there was instant gratification. A sweepstakes is a contest in which the members of the contest put together their own (be it money or objects, etc.) in order to come out with a large ...
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This Island (Le Tigre Album)
''This Island'' is the third and final album by American dance-punk band Le Tigre. It was released by Universal Records on October 19, 2004. The album was the band's only one for a major label and reached number 130 on the ''Billboard'' 200. As of 2008, the album had sold 90,000 copies. Recording and production Following the conclusion of the ''Feminist Sweepstakes'' touring cycle in 2002, the band envisioned a different approach to their recording. They decided to remove studio deadlines, and instead of going to North Carolina to record material (because New York recording studios were too expensive), the band used their touring money to set up their own individual home studios with Pro Tools in Manhattan, New York, and were switching around hard drives of music while working on the record. "It’s done so much", JD Samson commented on the new recording approach. "One thing is that it lends it self so well to the bands music and it's a non-linear process where we can just patc ...
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Remix Album
A remix album is an album consisting of remixes or rerecorded versions of an artist's earlier released material. The first act who employed the format was American singer-songwriter Harry Nilsson (''Aerial Pandemonium Ballet'', 1971). As of 2007, the best-selling remix album of all time is Michael Jackson's ''Blood on the Dance Floor: HIStory in the Mix'' (1997). History and concept ''Aerial Pandemonium Ballet'' (1971) by Harry Nilsson is credited as the first remix album. It was released after the successes of "Everybody's Talkin'" and ''The Point!'', when he decided that his older material had started to sound dated. Neu!'s ''Neu! 2'' (1973) has also been described as "in effect the first remix album", as many tracks see the duo "speed up, slow down, cut, doctor, and mutilate the material, sometimes beyond recognition". In the 1980s, record companies would combine several kinds of electronic dance music, such as dance-pop, House music, house, techno, Trance music, trance, drum ...
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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) â€Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ...
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Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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The DFA
DFA Records is an American independent record label founded in 2001 by Mo' Wax co-founder Tim Goldsworthy, musician James Murphy, and manager Jonathan Galkin. They previously had a production team called The DFA, consisting of Goldsworthy and Murphy. History James Murphy and Tim Goldsworthy met while working in New York on the David Holmes album ''Let's Get Killed''. After the recording was completed, Goldsworthy stayed in New York, and the two began to throw parties in the Lower East Side. They created the production duo, The DFA, but wished to grow The DFA into more than what it was. It was not until they met Jonathan Galkin, who subsequently quit his event-production job to work with James and Tim, that they turned DFA into a label. DFA Records began on a series of 12" single vinyl releases starting with The Rapture's "House of Jealous Lovers" and The Juan Maclean's "By the Time I Get to Venus". "House of Jealous Lovers" went on to sell 7500 copies. Many of the early ...
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Out (magazine)
''Out'' is an American LGBTQ news, fashion, entertainment, and lifestyle magazine, with the highest circulation of any LGBTQ monthly publication in the United States. It presents itself in an editorial manner similar to ''Details'', ''Esquire'', and '' GQ''. ''Out'' was owned by Robert Hardman of Boston, its original investor, until 2000, when he sold it to LPI Media, which was later acquired by PlanetOut Inc. In 2008, PlanetOut Inc. sold LPI Media to Regent Entertainment Media, Inc., a division of Here Media, which also owns Here TV. In 2017, Here Media sold its magazine operations to a group led by Oreva Capital, who renamed the parent company Pride Media. On June 9th, 2022 Pride Media was required by Equal Entertainment LLC known as equalpride putting the famous magazine back under queer ownership. The Out100 is their annual list of the most "impactful and influential LGBTQ+ people". History ''Out'' was founded by Michael Goff in 1992 as editor in chief and president. The ex ...
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DFA Records
DFA Records is an American independent record label founded in 2001 by Mo' Wax co-founder Tim Goldsworthy, musician James Murphy, and manager Jonathan Galkin. They previously had a production team called The DFA, consisting of Goldsworthy and Murphy. History James Murphy and Tim Goldsworthy met while working in New York on the David Holmes album '' Let's Get Killed''. After the recording was completed, Goldsworthy stayed in New York, and the two began to throw parties in the Lower East Side. They created the production duo, The DFA, but wished to grow The DFA into more than what it was. It was not until they met Jonathan Galkin, who subsequently quit his event-production job to work with James and Tim, that they turned DFA into a label. DFA Records began on a series of 12" single vinyl releases starting with The Rapture's " House of Jealous Lovers" and The Juan Maclean's "By the Time I Get to Venus". "House of Jealous Lovers" went on to sell 7500 copies. Many of the e ...
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