|
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. These refrains are notated on a rotatable transparent plastic strip, superimposed on curved sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperialism, The Highest Stage Of Capitalism
''Imperialism, the Highest Stage of Capitalism'' (russian: Империализм как высшая стадия капитализма, Imperializm kak vysshaja stadija kapitalizma, link=no), originally published as ''Imperialism, the Newest Stage of Capitalism'' (russian: Империализм как новейший этап капитализма, Imperializm kak novejshij etap kapitalizma, link=no), is a book written by Vladimir Lenin in 1916 and published in 1917. It describes the formation of oligopoly, by the interlacing of bank and industrial capital, in order to create a financial oligarchy, and explains the function of financial capital in generating profits from the exploitation colonialism inherent to imperialism, as the final stage of capitalism. The essay synthesises Lenin's developments of Karl Marx's theories of political economy in ''Das Kapital'' (1867). Summary In the Prefaces to the essay, Lenin said the First World War (1914–1918) was "an annexationis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marxism
Marxism is a Left-wing politics, left-wing to Far-left politics, far-left method of socioeconomic analysis that uses a Materialism, materialist interpretation of historical development, better known as historical materialism, to understand Social class, class relations and social conflict and a dialectical perspective to view social transformation. It originates from the works of 19th-century German philosophers Karl Marx and Friedrich Engels. As Marxism has developed over time into various branches and schools of thought, no single, definitive Marxist philosophy, Marxist theory exists. In addition to the schools of thought which emphasize or modify elements of classical Marxism, various Marxian concepts have been incorporated and adapted into a diverse array of Social theory, social theories leading to widely varying conclusions. Alongside Marx's critique of political economy, the defining characteristics of Marxism have often been described using the terms dialectical mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Keller
Hans (Heinrich) Keller (11 March 19196 November 1985) was an Austrian-born British musician and writer, who made significant contributions to musicology and music criticism, as well as being a commentator on such disparate fields as psychoanalysis and football. In the late 1950s, he invented the method of " wordless functional analysis", in which a musical composition is analysed in musical sound alone, without any words being heard or read. He worked full-time for the BBC between 1959 and 1979. Life and career Keller was born into a wealthy and culturally well-connected Jewish family in Vienna,Oxford Dictionary of National Biography "he described himself as an 'unpious Jew'" and, as a boy, was taught by the same |
Tim Souster
Tim Souster (29 January 1943 – 1 March 1994) was a British composer and writer on music, best known for his electronic music output. Biography Education Born Timothy Andrew James Souster in Bletchley, Buckinghamshire, Souster was educated at Bedford Modern School (from 1952 through 1961) and New College, Oxford (from 1961 through 1964). His teachers included Bernard Rose, Sir David Lumsden and Egon Wellesz. In 1964, he attended summer courses at Darmstadt taught by Karlheinz Stockhausen, and took composition lessons with Richard Rodney Bennett the following year. Before the end of 1965, Souster was a producer with the BBC Third Programme, and put on many performances of contemporary music by composers such as Boulez, Berio, Barraqué, Cardew, Feldman, Henze and Stockhausen. After leaving the BBC in 1967, he began to devote more time to composing and songwriting. Foray into electronic music In the late 1960s Souster began experimenting with electronics. His first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Television
BBC Television is a service of the BBC. The corporation has operated a public broadcast television service in the United Kingdom, under the terms of a royal charter, since 1927. It produced television programmes from its own studios from 1932, although the start of its regular service of television broadcasts is dated to 2 November 1936. The BBC's domestic television channels have no commercial advertising and collectively they accounted for more than 30% of all UK viewing in 2013. The services are funded by a television licence. As a result of the 2016 Licence Fee settlement, the BBC Television division was split, with in-house television production being separated into a new division called BBC Studios and the remaining parts of television (channels and genre commissioning, BBC Sport and BBC iPlayer) being renamed as BBC Content. History of BBC Television The BBC operates several television networks, television stations (although there is generally very little distincti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Stadlen
Peter Stadlen (14 July 1910 – 21 January 1996) was an Austrian pianist, musicologist and critic, specialising in the study and interpretation of Beethoven and the composers of the Second Viennese School. Stadlen, who was born in Vienna, initially studied piano there with Paul Weingartner and composition with Joseph Marx and Max Springer (1877–1954). He then continued his piano studies in Berlin between 1929 and 1933 with Leonid Kreutzer. By 1934 he had embarked on a career as concert pianist. Stadlen premiered the Variations for piano, Op. 27 by Webern on 26 October 1937 in Vienna under the direction of the composer. (Much later he edited the definitive interpretive edition, published by Universal Edition in 1979). Stadlen was also the soloist in the German premiere of Schoenberg’s Piano Concerto at the Darmstadt Summer School on 17 July 1948. After the Anschluss, Stadlen left Austria and sought refuge in Britain in 1938. However, two years later he was interned and dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Johnston (composer)
Benjamin Burwell Johnston Jr. (March 15, 1926 – July 21, 2019) was an American contemporary music composer, known for his use of just intonation. He was called "one of the foremost composers of microtonal music" by Philip Bush and "one of the best non-famous composers this country has to offer" by John Rockwell. Biography Johnston was born in Macon, Georgia, and taught composition and theory at the University of Illinois at Urbana–Champaign from 1951 to 1986, before retiring to North Carolina. During his time teaching, he was in contact with avant-garde figures such as John Cage, La Monte Young, and Iannis Xenakis. Johnston's students have included Stuart Saunders Smith, Neely Bruce, Thomas Albert, Michael Pisaro, Manfred Stahnke, and Kyle Gann. He also considered his practice of just intonation to have influenced other composers, including James Tenney and Larry Polansky. In 1946 he married dance band singer Dorothy Haines, but they soon divorced. In 1950 he married artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kontakte (Stockhausen)
''Kontakte'' ("Contacts") is an electronic music work by Karlheinz Stockhausen, realized in 1958–60 at the ''Westdeutscher Rundfunk'' (WDR) electronic-music studio in Cologne with the assistance of Gottfried Michael Koenig. The score is Nr. 12 in the composer's catalogue of works, and is dedicated to . David Stubbs has referred to the 1960 recording as "a classic of early electronics" and a piece of '' musique concrète'' which aimed to disregard all received notions found in musical narrative, adding it was " attempt at a new musical lexicon that was never really followed through." Work history The title of the work "refers both to contacts between instrumental and electronic sound groups and to contacts between self-sufficient, strongly characterized moments. In the case of four-channel loudspeaker reproduction, it also refers to contacts between various forms of spatial movement". The composition exists in two forms: (1) for electronic sounds alone, designated "Nr. 12" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
