Raymond And Agnes
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Raymond And Agnes
''Raymond and Agnes'' is an opera in 3 (originally 4) acts by the composer Edward Loder to an English libretto by Edward Fitzball. It is very loosely based on elements from Matthew Lewis's classic Gothic novel, ''The Monk'' (1796) and also includes elements of Lewis's The Castle Spectre (1797). The opera's plot contains elements of love and revenge, brigandry, incarceration, a shooting match and the supernatural."''Raymond and Agnes'' – The Recording"
Retrospect Opera, October 2017
The opera is considered to be among the most important serious operas of the British . The opera was first performed on 14 August 1855 at the

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Edward Loder
Edward James Loder (10 July 1809 – 5 April 1865) was an English composer and conductor. His best remembered work is perhaps the 1855 opera ''Raymond and Agnes'', though his most successful opera during his lifetime was ''The Night Dancers''. Biography Loder was born in Bath, Somerset. He was the son of John David Loder (1788–1846), a violinist and musical director of the Theatre Royal, Bath, and his wife Rosamund, née Mills (1787–1856), a step-daughter of the comedian John Fawcett. Edward Loder's twin brother John Fawcett Loder (1809–1853) was a violinist, and a younger brother William Sowerby Loder (1812–1851) was a cellist who married the soprano Emily Woodyatt. His cousins included the composer and conductor George Loder (1816–1868) and George's sister, composer and pianist Kate Loder. Loder's family sent him to Frankfurt in 1826 to study under Ferdinand Ries, who was an old friend of the family. He returned to England in 1828 and embarked on a successful car ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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1855 Operas
Events January–March * January 1 – Ottawa, Ontario, is incorporated as a city. * January 5 – Ramón Castilla begins his third term as President of Peru. * January 23 ** The first bridge over the Mississippi River opens in modern-day Minneapolis, a predecessor of the Father Louis Hennepin Bridge. ** The 8.2–8.3 Wairarapa earthquake claims between five and nine lives near the Cook Strait area of New Zealand. * January 26 – The Point No Point Treaty is signed in the Washington Territory. * January 27 – The Panama Railway becomes the first railroad to connect the Atlantic and Pacific Oceans. * January 29 – Lord Aberdeen resigns as Prime Minister of the United Kingdom, over the management of the Crimean War. * February 5 – Lord Palmerston becomes Prime Minister of the United Kingdom. * February 11 – Kassa Hailu is crowned Tewodros II, Emperor of Ethiopia. * February 12 – Michigan State University (the "pioneer" land-g ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Mark Milhofer
Mark Milhofer is an English operatic tenor, who has performed at major international opera houses, beginning his career in Italy. Besides the standard repertoire, the singer has appeared in historically informed performances such as Monterverdi's ''L'incoronazione di Poppea'', in 20th-century operas by Benjamin Britten and Gian Carlo Menotti, and in premieres of new operas. Career Born in England, Milhofer studied voice as a choral scholar at Magdalen College, Oxford. He studied further at the Guildhall School of Music in London. He appeared as Giannetto in Rossini's ''La gazza ladra'' with the British Youth Opera, and was then invited to study with Renata Scotto and Leyla Gencer in Italy. He made his international debut at the Teatro Regio in Parma in Rossini's ''La Cenerentola''. He appeared in ''Il matrimonio segreto'', Donizetti's ''Don Pasquale'', Rossini's '' La scala di seta'' and ''Il Turco in Italia'', Puccini's ''La Rondine''. He performed in 20th-century operas such ...
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Royal Ballet Sinfonia
The Royal Ballet Sinfonia is the orchestra of Birmingham Royal Ballet. The Sinfonia appears with Birmingham Royal Ballet in its home town, in London and around the United Kingdom, UK, and frequently appears with The Royal Ballet at the Royal Opera House and on tour. It is the most regularly contracted ballet orchestra in the country, and appears and tours with many different ballet companies. In 2006 the Sinfonia entered the UK Singles Chart at number 29 with a new recording of the Radio 4 UK Theme. External links Official siteFans battle to save Radio 4 Theme – BBC News
Performing arts in Birmingham, West Midlands English orchestras Musical groups from Birmingham, West Midlands {{England-band-stub ...
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Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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