Rathna (actress)
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Rathna (actress)
Rathna is an Indian actress who predominantly works in Tamil, Malayalam, Telugu and Kannada film industries. Personal life Rathna is the niece of actress G. Varalakshmi. Film career Rathna made her debut in Tamil movie ''Thozhilali'' (1964) when she was 15 years old. She rose to fame in ''Enga Veettu Pillai'' (1965) where she acted as a village girl. A famous song ''Naan Maanthoppil'' from that movie remarks her notable role as the second lead heroine. Filmography ''This list is incomplete; you can help by expanding it.'' Tamil * ''Mahaveera Bheeman'' (1962) ... Uncredited Role * ''Thirudathe'' (1961) ... Uncredited Role * ''Thozhilali'' (1964) ... Vijaya - Debut in Tamil * ''Enga Veettu Pillai'' (1965) ... Santha * '' Naam Moovar'' (1966) * '' Sabash Thambi'' (1967) ... Ratna * ''Idhayakkani'' (1975) ... Kamala * ''Panam Pathum Seyum'' (1975) * ''Thennangkeetru'' (1975) Kannada * '' Paropakari'' (1970) * ''Bhoopathi Ranga'' (1970) * ''Yaava Janmada Maitri'' (1972) * ''Thri ...
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Actress
An actor or actress is a person who portrays a Character (arts), character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for Hypocrisy, hypocrite) also means, less often, "to answer" the Tragedy, tragic Greek chorus, chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the ...
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Yaava Janmada Maitri
''Yaava Janmada Maitri'' ( kn, ಯಾವ ಜನ್ಮದ ಮೈತ್ರಿ) is a 1972 Kannada language romantic drama film directed by Geethapriya and starring Gangadhar and Kalpana in the lead roles. The film is a direct screen adaptation of the novel "Jeevana Chaduranga" written by the novelist Ma. Bhi. She. Actress Vaishali Kasaravalli made her debut in this film, opposite comedian Narasimharaju. The film was remade in Telugu in 1973 as ''Sarada'', in Tamil in 1973 as ''Radha'' and in Hindi in 1975 as '' Dulhan''. Besides direction, Geethapriya also wrote the lyrics as well as the screenplay and dialogues and won Karnataka State Film Award for the year 1972 for this story. The soundtrack and original score composed by Vijaya Bhaskar was widely acclaimed and won the State Award for music. Actress Kalpana got her maiden Filmfare Best Actress award for her complex portrayal of the lead character. Cast * Kalpana as Lalitha *Gangadhar as Krishna Murthy * K. S. Ashwath as Sha ...
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Actresses In Malayalam Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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Actresses In Kannada Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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1948 Births
Events January * January 1 ** The General Agreement on Tariffs and Trade (GATT) is inaugurated. ** The Constitution of New Jersey (later subject to amendment) goes into effect. ** The railways of Britain are nationalized, to form British Railways. * January 4 – Burma gains its independence from the United Kingdom, becoming an independent republic, named the ''Union of Burma'', with Sao Shwe Thaik as its first President, and U Nu its first Prime Minister. * January 5 ** Warner Brothers shows the first color newsreel (''Tournament of Roses Parade'' and the ''Rose Bowl Game''). ** The first Kinsey Reports, Kinsey Report, ''Sexual Behavior in the Human Male'', is published in the United States. * January 7 – Mantell UFO incident: Kentucky Air National Guard pilot Thomas Mantell crashes while in pursuit of an unidentified flying object. * January 12 – Mahatma Gandhi begins his fast-unto-death in Delhi, to stop communal violence during the Partition of India. * ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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Actresses In Telugu Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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Actresses In Tamil Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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Actresses From Andhra Pradesh
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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Monagallaku Monagadu
''Monagallaku Monagadu'' () is a 1966 Indian Telugu-language action thriller film directed by S. D. Lal and produced by Rama Sundaram. It is a remake of the Hindi film '' Ustadon Ke Ustad'' (1963) and its Tamil version ''Vallavanukku Vallavan'' (1965). The film stars S. V. Ranga Rao, Haranath, Prabhakara Reddy, Raavi Kondala Rao, Krishna Kumari and G. Rathna. It was released on 14 January 1966, and became a commercial success. Plot Ramesh, an engineer, impresses Madhava Rao, a businessman, with his plan to build a factory. Madhava Rao's daughter Geetha falls in love with Ramesh. Partners in crime Bhujangam and Mala loot a bank. With some of the looted money, Mala travels in a bus in which Ramesh also happens to be seated. Their suitcases get interchanged, and Ramesh, now suspected of committing the bank robbery, is arrested. To avoid his own arrest, the actual culprit, Bhujangam hires Kathula Rathaiah, an assassin, to kill Ramesh. Geetha had earlier saved Rathaiah, who has s ...
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Hidimbi
Hiḍimbī (Sanskrit: , IAST: ''Hiḍimbī''), or Hiḍimbā, is the rakshasi wife of the Pandava Bhima and the mother of Ghatotkacha in the ''Mahābhārata''. She meets Bhima in the 9th sub-parva (Hidimva-vadha Parva) of the Adi Parva. She is also referred to as Bhuṭanadevī or Pallavī. Hiḍimbi and Bhīma The story begins in the Lākṣāgṛha of the Mahābhārata after the Pāṇḍavās reached a dense forest. Exhausted from their travels, they all fell asleep at night, except for Bhīma who kept watch. In the same forest lived Hiḍimbi and her brother Hiḍimbā, a very powerful rakshasa. He smelled the Pāṇḍavās at a distance and as usual asked the Hiḍimbī to lure the well-built Bhīma into a trap so he could eat him. Hiḍimbī confronted Bhīma and instead fell in love with him. She assumed the form of a very beautiful lady and approached Bhīma, expressing her desire to marry him by revealing her true identity, as well as her brother's intentio ...
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Sri Krishna Pandaveeyam
''Sri Krishna Pandaveeyam'' () is a 1966 Indian Telugu-language Hindu mythological film directed by N. T. Rama Rao who wrote the film with Samudrala Sr. It is produced by N. Trivikrama Rao under the NAT and Ramakrishna Cine Studios. The film stars N. T. Rama Rao, Uday Kumar and S. Varalakshmi, with music composed by T. V. Raju. N. T. Rama Rao portrayed the roles of both Krishna and Duryodhana in this movie. it also marked the Telugu debut for actress, K. R. Vijaya. The film was successful at the box office. Plot The film depicts the adolescent age of the Pandavas and Krishna and shows the events in the Mahabharata, focusing on the later chapters of Adi Parva and the first half of Sabha Parva. ACT I The opening shot of the movie shows Kunti praying for Lord Krishna's protection of the Pandavas. Lord Krishna consoles Kunti and promises to ever protect the Pandavas and guide them through troubles and problems that may occur in their life. The story of Sakuni The sons of Pandu a ...
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