Rastak Ensemble
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Rastak Ensemble
Rastak Music Group is an Iranian contemporary folk music ensemble that was formed as an experimental music group in 1997. Rastak seeks to collect, record and interpret Iranian, Kurdish, Baloch and Turkmen folk music among others for a global audience. About Rastak Rastak incorporates Persian language, Iranian culture and history as well as merging traditional instruments and forms with contemporary rhythms. Rastak has done extensive research into Persian folk music both academically and in practice. They have been focused for the past two decades on the sound of Iranian folklore and diverse cultures; resulting in five albums, five singles and numerous concert tours in Iran and overseas. International Appearances Rastak has appeared on several international music festivals and has held many concerts in Iran, England, Austria, Germany, France, Italy, Spain, The Netherlands, Sweden, United States, Canada, Australia, India, Japan, Malaysia, Chile, Poland, Turkey, Georgia, Belgium, ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Kurdish Tribes
The following is a list of tribes of Kurdish people, an Iranic ethnic group from the geo-cultural region of Kurdistan in Western Asia. Iraq Baghdad Governorate The following tribes are present in Baghdad Governorate: * Feyli tribe Diyala Governorate The following tribes are present in Diyala Governorate: * Bajalan tribe *Biban tribe *Dilo tribe * Feyli tribe * Hamawand tribe *Jaff tribe *Kaganlu tribe *Kaka'i tribe (Yarsanism) *Kakevar tribe * Kalhor tribe *Leylani tribe *Mamhajan tribe *Palani tribe *Qarah Alush tribe * Suramiri * Şêxbizin tribe *Tilishani tribe *Umarmil tribe *Zargush tribe *Zand tribe *Zangana tribe Dohuk Governorate The following tribes are present in Dohuk Governorate: *Babiri tribe *Bamernî tribe * Barzani tribe *Basidkî tribe (Yezidi) *Berwari tribe *Belesinî tribe (Yezidi) *Birîmenî tribe (Yezidi) *Dina tribe (Yezidi) *Dinnadi tribe (Yezidi) *Kochar tribe *Dolamarî tribe *Doski tribe *Dumilî tribe (Yezidi) *Ertuşi tribe *Guli tribe *Hewêrî ...
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Dozaleh
Dozaleh (Persian: دوزَله) is as Iranian-Kurdistan, Kurdish folk instrument. The dozaleh is made of two pipes. One of them produces melody and the other harmony. It sounds like a Ney-anbān and it is very dynamic. The instrument is played in the Middle East among the Kurdish people, and further east it is included in the music traditions of the Tajik and Uzbek peoples. Names The instrument is called Dozaleh (دو زَله) in Kurdistan, from zal (زَل), the Kurdish word for the stem of the zal reed. The instrument goes by a variety of names in Iran. It is known as ''Jannati'' (Persian, "pair": جفتی) in Hormozgan, ''Do Ney'' (Persian, "two reeds": دو نی) in Lorestan, ''Do Sazeh'' (Persian, "two structures": دو سازه) in South Khorasan Province, and ''Ghoshmeh'' (Persian: قوشمه) among Khorasan's Kurdish people. Ghoshmeh may have come from the tradition of making the instruments from the bones of birds, although one linguist suggests other possibilities, i ...
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Balaban (instrument)
Balaban, or balaman ( az, Balaban – بالابان; fa, بالابان) is cylindrical-bore, double-reed wind instrument about long with eight finger holes and one thumb hole. This instrument is played in the eastern part of Iran's historic Azerbaijan region as well as in the Republic of Azerbaijan (where it is also called '' Düdük'' according to the ''Encyclopædia Iranica''). Balaban, Mey, and Duduk are almost identical, except for historical and geographical differences. Balaban can be made of mulberry or other harder woods, such as walnut. The bore through the instrument is about in diameter. The double reed is made out of a single tube of cane about six cm long and pressed flat at one end. The performer uses air stored in his cheeks to keep playing the balaban while he inhales air into his lungs. This “circular” breathing technique is commonly used with all the double-reed instruments in the Middle East. Balaban can be found in regions of the Republic of A ...
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Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ...
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Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ...
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Cajón
A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm (1/2 to 3/4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Originally the inst ...
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Goblet Drum
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the f ...
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