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Balaban (instrument)
Balaban, or balaman ( az, Balaban – بالابان; fa, بالابان) is cylindrical-bore, double- reed wind instrument about long with eight finger holes and one thumb hole. This instrument is played in the eastern part of Iran's historic Azerbaijan region as well as in the Republic of Azerbaijan (where it is also called '' Düdük'' according to the ''Encyclopædia Iranica''). Balaban, Mey, and Duduk are almost identical, except for historical and geographical differences. Balaban can be made of mulberry or other harder woods, such as walnut. The bore through the instrument is about in diameter. The double reed is made out of a single tube of cane about six cm long and pressed flat at one end. The performer uses air stored in his cheeks to keep playing the balaban while he inhales air into his lungs. This “circular” breathing technique is commonly used with all the double-reed instruments in the Middle East. Balaban can be found in regions of the Republic o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mey (instrument)
The ''mey'' is a double-reed aerophone used in Turkish folk music. The ''mey'', ''duduk'', and '' balaban'' are almost identical, except for historical and geographical differences. Description A ''mey'' consists of three parts: ''ana gövde'' (main part), ''kamış'' (reed), and ''kıskaç'' (clip). #Cylindrical in shape and made of wood, the main part has seven finger holes on its front side, and one finger hole at the back. The ''mey's'' main tubular body is usually built from the wood of harder trees such as plum, walnut, beech, etc. It has a sound range of about one octave. There are three sizes of ''mey'': ''cura mey'' (smallest, highest pitched), ''orta mey'', and ''ana mey'' (largest, lowest pitched). #A double reed (''kamış'' in Turkish) essentially a large and almost flattened cylinder on the mouth side, and conical-round where it is attached to the main part, gives this instrument its characteristic deep sound. #A tuning-bridle called ''kıskaç'' (clip) mounte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mey (instrument)
The ''mey'' is a double-reed aerophone used in Turkish folk music. The ''mey'', ''duduk'', and '' balaban'' are almost identical, except for historical and geographical differences. Description A ''mey'' consists of three parts: ''ana gövde'' (main part), ''kamış'' (reed), and ''kıskaç'' (clip). #Cylindrical in shape and made of wood, the main part has seven finger holes on its front side, and one finger hole at the back. The ''mey's'' main tubular body is usually built from the wood of harder trees such as plum, walnut, beech, etc. It has a sound range of about one octave. There are three sizes of ''mey'': ''cura mey'' (smallest, highest pitched), ''orta mey'', and ''ana mey'' (largest, lowest pitched). #A double reed (''kamış'' in Turkish) essentially a large and almost flattened cylinder on the mouth side, and conical-round where it is attached to the main part, gives this instrument its characteristic deep sound. #A tuning-bridle called ''kıskaç'' (clip) mounte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik ( az, aşıq, ; tr, âşık; fa, عاشیق) or ashugh ( hy, աշուղ; ka, აშუღი) is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as '' hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or ''saz'') in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis) and non-Turkic cultures of South Caucasus (primarily Armenian and Georgian). In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 The word ''ashiq'' ( ar, عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ''ishq'' ( ar, عشق, "love"), which in turn may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quail
Quail is a collective name for several genera of mid-sized birds generally placed in the order Galliformes. The collective noun for a group of quail is a flock, covey, or bevy. Old World quail are placed in the family Phasianidae, and New World quail are placed in the family Odontophoridae. The species of buttonquail are named for their superficial resemblance to quail, and form the family Turnicidae in the order Charadriiformes. The king quail, an Old World quail, often is sold in the pet trade, and within this trade is commonly, though mistakenly, referred to as a "button quail". Many of the common larger species are farm-raised for table food or egg consumption, and are hunted on game farms or in the wild, where they may be released to supplement the wild population, or extend into areas outside their natural range. In 2007, 40 million quail were produced in the U.S. New World *Genus '' Callipepla'' ** Scaled quail, (commonly called blue quail) ''Callipepla squamat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huseyngulu Sarabski
Huseyngulu Sarabski ( az, Hüseynqulu Sarabski), born Hüseynqulu Malik oğlu Rzayev (20 March 1879 – 16 February 1945), was an Azerbaijani opera singer (tenor), composer, playwright, stage actor, theatre director, and musician (tar). Early life Sarabski was born to poor parents in Baku (then part of the Russian Empire, now capital of Azerbaijan) on Nowruz Eve. At a young age, he was sent to a mullah to study the Koran. Unable to overcome the language barrier and having received severe beatings from the mullah, Huseyngulu managed to convince his parents to let him quit. In 1891, at the age 12, he watched a theatrical performance for the first time. It was staged by amateur actors and called ''Khan Sarabi'' adapted from Mirza Fatali Akhundov's play ''Sarguzasht-i vazir-i Khan-i Lankaran''. Young Huseyngulu enjoyed the performance and later chose the pseudonym Sarabski reflecting on his first encounter with theatre. As a teenager, he enrolled in Russian night courses for the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voyager Golden Record
The Voyager Golden Records are two phonograph records that were included aboard both Voyager spacecraft launched in 1977. The records contain sounds and images selected to portray the diversity of life and culture on Earth, and are intended for any intelligent extraterrestrial life form who may find them. The records are a time capsule. Although neither Voyager spacecraft is heading toward any particular star, ''Voyager 1'' will pass within 1.6 light-years' distance of the star Gliese 445, currently in the constellation Camelopardalis, in about 40,000 years. Carl Sagan noted that "The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space, but the launching of this 'bottle' into the cosmic 'ocean' says something very hopeful about life on this planet." Background The ''Voyager 1'' probe is currently the farthest human-made object from Earth. Both ''Voyager 1'' and ''Voyager 2'' have reached inters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham
Mugham ( az, Muğam) or Mughamat ( az, Muğamat) is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scirpus
''Scirpus'' is a genus of grass-like species in the sedge family Cyperaceae many with the common names club-rush, wood club-rush or bulrush (see also bulrush for other plant genera so-named). They mostly inhabit wetlands and damp locations. Taxonomy The taxonomy of the genus is complex, and under review by botanists. Recent studies by taxonomists of the Cyperaceae have resulted in the creation of several new genera, including the genera '' Schoenoplectus'' and ''Bolboschoenus''; others (including ''Blysmus'', '' Isolepis'', '' Nomochloa'', and '' Scirpoides'') have also been used. At one point this genus held almost 300 species, but many of the species once assigned to it have now been reassigned, and it now holds an estimated 120 species. Description ''Scirpus'' are rhizomatous perennial herbs, with 3-angled stems and flat grass-like leaves. The flowers are in clusters of small spikelets, often brown or greenish brown. Some species (e.g. ''S. lacustris'') can reach a height of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bore (wind Instruments)
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or " bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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