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Radif (music)
Radif ( fa, ردیف, meaning ''order'') is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master's own interpretation has shaped and added new melodies to this collection, which may bear the master's name. The preservation of these melodies greatly depended on each successive generation's memory and mastery, since the interpretive origin of this music was expressed only through the oral tradition. To learn and absorb the essence of the radif, many years of repetition and practice are required. A master of the radif must internalize it so completely to be able to perform any part of it at any given time. The radif contains several different dastgahs which are dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirza Hossein-Qoli
Mirza Hossein-Qoli ( fa, میرزا حسینقلی), also known as ''Agha Mirza Hosseingholi Farahani'' (1853 in Tehran – 1916 in Tehran) was a musician and tar player. He and his older brother Mirza Abdollah started learning music from their father Ali Akbar Farahani Āghā Ali-Akbar Farāhāni ( fa, آقا علىاكبر ) was a notable and well known musician of Persian_traditional_music , Persian Traditional Music and Tar (lute), Tar and Setar (lute), Setar player during the last century in Persia. He w .... Further reading *Haghighat, A., Honarmandan e Irani az Aghaz ta Emrooz, Koomesh Publication, 2004, (in Persian) *Khaleghi, R., Sargozasht e Musighi e Iran, Ferdowsi Publication, 1955, (in Persian) 1854 births 1916 deaths Musicians from Tehran Qajar courtiers 19th-century Iranian musicians 20th-century Iranian musicians {{string-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirza Abdollah
Mirza Abdollah, also known as Agha Mirza Abdollah Farahani ( fa, میرزا عبدالله فراهانی) (1843–1918), was a tar and setar player. He is among the most significant musicians in Iran's history. Born in Shiraz, he and his younger brother Mirza Hossein Gholi started learning music from their father Ali Akbar Farahani who was a well-known musician. He is best known for his radif for tar and setar and for his fruitful music lessons. Abolhasan Saba, Esmaeil Ghahremani and Ali-Naqi Vaziri were among his students. Mírzá 'Abdu'lláh was one of the most influential masters of Persian classical music. Because of his desire to collect and assemble a large repertoire of traditional pieces, and because of his generosity of spirit, and his willingness to teach others, the particular rendition of Persian music he collected has become the most widely known and the most practiced among contemporary Persian musicians. His association with the Bahá'í faith, and mystica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastgah
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gousheh
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Music
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Persian music may refer to various types of the music of Persia/Iran or other Persian-speaking countries: * Persian traditional music * Persian ritual music *Persian pop music * Persian symphonic music * Persian piano music See also *Music of Iran The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radif (music)
Radif ( fa, ردیف, meaning ''order'') is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master's own interpretation has shaped and added new melodies to this collection, which may bear the master's name. The preservation of these melodies greatly depended on each successive generation's memory and mastery, since the interpretive origin of this music was expressed only through the oral tradition. To learn and absorb the essence of the radif, many years of repetition and practice are required. A master of the radif must internalize it so completely to be able to perform any part of it at any given time. The radif contains several different dastgahs which are dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tasnif
Tasnif ( fa, تصنيف) is one of the several forms of Persian music and can be considered as the Persian equivalent of the ballad. It is a composed song in a slow metre. As is true of other forms of musical composition, most tasnifs are of relatively recent origin and by known composers. A large number of tasnifs were composed during the first two decades of the twentieth century. Many of them are based on patriotic themes reflecting the spirit of the constitutional movement of that period. Tasnifs composed during the twenties and the thirties are more concerned with amorous topics and the poetry used is generally from the works of classical poets. In the post-World War II period, the poetic context has gradually become light and the music of the tasnif has been affected by western popular songs. This more 'modern' type of tasnif is generally called '' tarāne''. See also * Aref Qazvini * Morteza Neydavoud * Morq-e sahar "Morqe Sahar" ( fa, مرغ سحر) (translated as ''Dawn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avaz (music)
''Avaz'', or ''Awaz'' (Persian: آواز) is an unmetered vocal section of a mode in Persian music. In the years 1965 and 1966, Mahmoud Karimi (maestro of Persian vocal music) performed the whole ''Avaz''s which were recorded and transcribed by Mohammad-Taghi Massoudieh. This version was published in 1997 in Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul .... References *Massoudeih, M. T. (1997). ''Radīf-i āvāzī-i mūsīqī-i sunnatī-i Īrān''. Persian Music Association, Tehran. . * External links * http://fis-iran.org/en/content/classical-persian-music-archives - Foundation of Iranian Studies Official Site Persian music Vocal music {{music stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dariush Pirniakan
Daryoush Pirniakan (Persian: داریوش پیرنیاکان) (b. 1955 in East Azerbaijan) is an Iranian musician, tar and setar player, and music researcher. Biography Daryoush Pirniakan, a musician and composer of Persian classical genre, learned tar and setar under the supervision of Mohammad Hasan Ozari, maestro Ali-Akbar Shahnazi, Dr. Daryoush Safvat, Yousef Foroutan, Saeed Hormozi, and Mahmoud Karimi. While being a student of late maestro Ali Akbar khan Shahnazi, he had the honor to study radif of Mirza Hossein-gholi (Persian: میرزا حسینقلی) and Shahnazi's advanced level repertoire (radif). After graduating from the Faculty of Fine Arts in Tehran University (دانشگاه تهران), he started to work and teach at the Center for Preservation and Propagation of Persian Classical Music. He has had long term collaboration with Grammy Award nominee, maestro Mohammad Reza Shajarian since 1979. This collaboration lead to more than 220 concerts in Iran, USA, Cana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean During
Jean During (born 1947) is a French musician and ethnomusicologist specialising in music from the nations of the East especially Iran, Central Asia, Afghanistan and Azerbaijan. A commentator on the Middle Eastern and South Asian cultures, he is the Research Director at the French National Center for Scientific Research and a professor at the University of Strasbourg. Biography Jean During was born in 1947 in France. He began studying guitar at the age of 13, and by the age of 17, he was teaching Western classical guitar at the Toulouse National Conservatory and performing solo and with chamber orchestras. He left France after receiving a master's degree in philosophy to study Iranian music The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influ ... and eventually settled in Iran. He earned h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Akbar Shahnazi
Ali-Akbar Shahnazi () (12 May 1897 – 17 March 1985) was an Iranian musician and master of the tar. Biography Ostad Ali Akbar Shahnazi was born in Tehran, Iran in 1897. His father, Mirza Hossein Gholi, another master of tar, named him Ali Akbar according to a very old tradition: the grandson should be named as his grandfather. His younger brother Abdolhossein shahnazi was also a master of tar. He recorded many pieces with noted vocalists of his time such as Eghbal Azar and Nakisa. He collaborated with other masters of his time such as Reza Mahjubi (violinist) and Hosain Tehrani (father of modern tonbak The ''tombak'' ( Persian: تمبک), ''tonbak'' (تنبک), or ''zarb'' (ضَرب) is an Iranian goblet drum. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso ...). He not only taught his students his father's radif collection, but also composed a beautiful radif. This he named ''ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
