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Gousheh
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNESCO Intangible Cultural Heritage Lists
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. the programme compiles two lists. The longer, Representative List of the Intangible Cultural Heritage of Humanity, comprises cultural "practices and expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastgah Segah
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastgah Homayoun
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastgah Chahargah
Dastgāh ( fa, دستگاه) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A consists of a collection of musical melodies, . In a song played in a given , a musician starts with an introductory , and then meanders through various different , evoking different moods. Many in a given are related to an equivalent musical mode in Western music. For example, most in Dastgāh-e Māhur correspond to the Ionian mode in the Major scale, whilst most in Dastgāh-e Šur correspond to the Phrygian mode. In spite of 50 or more extant , 12 are most commonly played, with Dastgāh-e Šur and Dastgāh-e Māhur being referred to as the mother of all . Summary Each consists of seven basic notes, plus several variable notes used for ornamentation and modulation. Each is a certain modal variety subject to a course of development () that is determined by the pre-established order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sori (music)
The sori (Persian:سری) is a symbol that corresponds to a quarter step higher in tone in Persian traditional music. It is written as a ">" sign, crossed by two vertical lines, and can be used like an accidental. In the early 20th century, Iranian master musician Alinaghi Vaziri established this sign for the sori for use in written Persian music using standard western notation. Character representation of this accidental symbol together with Koron encoding (encoded as U+1D1E9 and U+1D1EA) microtones used in modern Iranian classical music added to the Unicode standard in Version 14.0.0. File:Sori used in musical notation.png, Sori used in musical notation See also *Persian traditional music *Dastgah *Quarter tone * koron External links Persian accidentalsin the SMuFL Standard Music Font Layout, or SMuFL, is an open standard for music font mapping. The standard was originally developed by Daniel Spreadbury of Steinberg for its scorewriter software Dorico, but is now deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koron (music)
The koron (Persian: کرن), meaning "less than lower in pitch", is a symbol used in traditional Persian music in order to lower or "flatten" a written note by an interval smaller than a semitone (broadly corresponding to a quarter tone, or specifically a half flat). It is used to alter the pitch of a written note, similar to that of a sharp or a flat. It is written as a line with an open triangular head at the top-right. The koron symbol is positioned in the same manner as other accidentals in Western music, and can even be used in key signatures (see example below). In the early 20th century, Iranian master musician Alinaghi Vaziri established the standard usage of this symbol in written music. It is used for notating many of the microtones found in traditional Persian music. A note so altered can be labeled as the note's letter, followed by "koron" (e.g., "B koron", "D koron", etc.). Character representation of this accidental symbol together with Sori encoding (encoded as U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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