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Ruthwell Cross
The Ruthwell Cross is a stone Anglo-Saxon cross probably dating from the 8th century, when the village of Ruthwell, now in Scotland, was part of the Anglo-Saxon Kingdom of Northumbria. It is the most famous and elaborate Anglo-Saxon monumental sculpture,Wilson, 72. and possibly contains the oldest surviving text, predating any manuscripts containing Old English poetry. It has been described by Nikolaus Pevsner thus; "The crosses of Bewcastle and Ruthwell ... are the greatest achievement of their date in the whole of Europe." The cross was smashed by Presbyterian iconoclasts in 1642, and the pieces left in the churchyard until they were restored and re-erected in the manse garden in 1823 by Henry Duncan. In 1887 it was moved into its current location inside Ruthwell church, Dumfriesshire, Scotland, when the apse which holds it was specially built. It was designated a scheduled monument in 1921, but had this removed in 2018, due to it being in a controlled, safe environment and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ruthwell Cross - Geograph
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Of Christ
The nativity of Jesus, nativity of Christ, birth of Jesus or birth of Christ is described in the biblical gospels of Luke and Matthew. The two accounts agree that Jesus was born in Bethlehem in Judaea, his mother Mary was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention. Many modern scholars consider the birth narratives unhistorical because they are laced with theology and present two different accounts which cannot be harmonised into a single coherent narrative. But many others view the discussion of historicity as secondary, given that gospels were primarily written as theological documents rather than chronological timelines. The nativity is the basis for the Christian holiday of Christmas, and plays a major role in the Christian liturgical year. Many Christians traditionally display small manger scenes depicting the nativity in their homes, or attend nativity plays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flight Into Egypt
The flight into Egypt is a story recounted in the Gospel of Matthew ( Matthew 2:13– 23) and in New Testament apocrypha. Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him. The episode is frequently shown in art, as the final episode of the Nativity of Jesus in art, and was a common component in cycles of the ''Life of the Virgin'' as well as the '' Life of Christ''. Within the narrative tradition, iconic representation of the "Rest on the Flight into Egypt" developed after the 14th century. Matthew's gospel account The flight from Herod When the Magi came in search of Jesus, they went to Herod the Great in Jerusalem to ask where to find the newborn "King of the Jews". Herod became paranoid that the child would threaten his throne, and sought to kill him (). Herod initiated the Massacre of the Innocents in hopes of killing the child ( Matth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Treading On The Beasts
Christ treading on the beasts is a subject found in Late Antique and Early Medieval art, though it is never common. It is a variant of the "Christ in Triumph" subject of the resurrected Christ, and shows a standing Christ with his feet on animals, often holding a cross-staff which may have a spear-head at the bottom of its shaft, or a staff or spear with a cross-motif on a pennon. Some art historians argue that the subject exists in an even rarer pacific form as "Christ recognised by the beasts". Iconography The iconography derives from Biblical texts, in particular Psalm 91 (90):13: "super aspidem et basiliscum calcabis conculcabis leonem et draconem" in the Latin Vulgate, literally "The asp and the basilisk you will trample under foot/you will tread on the lion and the dragon", translated in the King James Version as: Thou shalt tread upon the lion and adder: the young lion and the dragon shalt thou trample under feet". This was interpreted as a reference to Christ def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was a first-century Jews, Jewish preacher and religious leader; he is the central figure of Christianity, the Major religious groups, world's largest religion. Most Christians believe he is the Incarnation (Christianity), incarnation of God the Son and the awaited Messiah#Christianity, Messiah (the Christ (title), Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Historicity of Jesus, Jesus existed historically. Quest for the historical Jesus, Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Of The Rood
''The'' ''Dream of the Rood'' is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. ''Rood'' is from the Old English word '' rōd'' 'pole', or more specifically 'crucifix'. Preserved in the 10th-century Vercelli Book, the poem may be as old as the 8th-century Ruthwell Cross, and is considered one of the oldest works of Old English literature. Synopsis The poem is set up with the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (ll. 1–27), the second part (ll. 28–121) and the third part (ll. 122–156). In section one, the narrator has a vision of the Cross. Initially when the dreamer sees the Cross, he notes how it is covered with gems. He is aware of how wretched he is compared to how glorious the tree is. However, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runic Alphabet
Runes are the letters in a set of related alphabets known as runic alphabets native to the Germanic peoples. Runes were used to write various Germanic languages (with some exceptions) before they adopted the Latin alphabet, and for specialised purposes thereafter. In addition to representing a sound value (a phoneme), runes can be used to represent the concepts after which they are named (ideographs). Scholars refer to instances of the latter as ('concept runes'). The Scandinavian variants are also known as ''futhark'' or ''fuþark'' (derived from their first six letters of the script: '' F'', '' U'', '' Þ'', '' A'', '' R'', and '' K''); the Anglo-Saxon variant is ''futhorc'' or ' (due to sound-changes undergone in Old English by the names of those six letters). Runology is the academic study of the runic alphabets, runic inscriptions, runestones, and their history. Runology forms a specialised branch of Germanic philology. The earliest secure runic inscriptions date from aro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic and Anglo-Saxon styles. One major distinctive feature is interlace decoration, in particular the interlace decoration as found at Sutton Hoo, in East Anglia. This is now applied to decorating new types of objects mostly copied from the Mediterranean world, above all the codex or book. The finest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Cross
A high cross or standing cross ( ga, cros ard / ardchros, gd, crois àrd / àrd-chrois, cy, croes uchel / croes eglwysig) is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain. Their relief decoration is a mixture of religious figures and sections of decoration such as knotwork, interlace and in Britain vine-scrolls, all in the styles also found in insular art in other media such as i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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