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Ruritania
Ruritania is a fictional country, originally located in central Europe as a setting for novels by Anthony Hope, such as ''The Prisoner of Zenda'' (1894). Nowadays the term connotes a quaint minor European country, or is used as a placeholder name for an unspecified country in academic discussions. The first known use of the demonym ''Ruritanian'' was in 1896. Hope's setting lent its name to a literary genre involving fictional countries, which is known as Ruritanian romance. Fictional country Jurists specialising in international law and private international law use Ruritania and other fictional countries when describing a hypothetical case illustrating some legal point. Australian foreign minister Alexander Downer cited Ruritania as a fictional enemy when illustrating a security treaty between Australia and Indonesia signed on 8 November 2006: "We do not need to have a security agreement with Indonesia so both of us will fight off the Ruritanians. That's not what the relations ...
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Ruritanian Romance
Ruritanian romance is a genre of literature, film and theatre comprising novels, stories, plays and films set in a fictional country, usually in Central or Eastern Europe, such as the "Ruritania" that gave the genre its name. Such stories are typically swashbuckling adventure novels, tales of high romance and intrigue, centered on the ruling classes, almost always aristocracy and royalty,John Clute and John Grant, ''The Encyclopedia of Fantasy'', p. 826 although (for instance) Winston Churchill's novel ''Savrola'', in every other way a typical example of the genre, concerns a revolution to restore rightful parliamentary government in the republican country of Laurania. The themes of honor, loyalty and love predominate, and the works frequently feature the restoration of legitimate government after a period of usurpation or dictatorship. History of the genre Romantic stories about the royalty of a fictional kingdom were common, for instance Robert Louis Stevenson's ''Prince Ot ...
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The Prisoner Of Zenda
''The Prisoner of Zenda'' is an 1894 adventure novel by Anthony Hope, in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum. A sequel, ''Rupert of Hentzau'', was published in 1898 and is included in some editions of ''The Prisoner of Zenda''. The popularity of the novels inspired the Ruritanian romance genre of literature, film, and theatre that features stories set in a fictional country, usually in Central or Eastern Europe,John Clute and John Grant, ''The Encyclopedia of Fantasy'', p. 826 for example Graustark from the novels of George Barr McCutcheon, and the neighbouring countries of Syldavia ...
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Anthony Hope
Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 – 8 July 1933), was a British novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: ''The Prisoner of Zenda'' (1894) and its sequel ''Rupert of Hentzau'' (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, books set in fictional European locales similar to the novels. ''Zenda'' has inspired many adaptations, most notably the 1937 Hollywood movie of the same name and the 1952 version. Early career and ''Zenda'' Hope was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford. In an academically distinguished career at Oxford he obtained first-class honours in Classical Moderations (Literis Graecis et Latinis) in 1882 and in Literae Humaniores ('Greats') in 1885. Hope ...
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Placeholder Name
Placeholder names are words that can refer to things or people whose names do not exist, are tip of the tongue, temporarily forgotten, are not relevant to the salient point at hand, are to avoid stigmatization, are unknowable/unpredictable in the context in which they are being discussed, or are otherwise de-emphasized whenever the speaker or writer is unable to, or chooses not to, specify precisely. Placeholder names for people are often list of terms referring to an average person, terms referring to an average person or a predicted persona (user experience), persona of a typical user. Linguistic role These Free variables and bound variables, placeholders typically function grammar, grammatically as nouns and can be used for people (e.g. ''John Doe, John Doe, Jane Doe''), objects (e.g. ''Widget (economics), widget''), locations ("Main Street"), or places (e.g. ''Anytown, USA''). They share a property with pronouns, because their reference, referents must be supplied by co ...
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Fictional Country
A fictional country is a country that is made up for fictional stories, and does not exist in real life, or one that people believe in without proof. Sailors have always mistaken low clouds for land masses, and in later times this was given the name Dutch capes. Other fictional lands appear most commonly as settings or subjects of myth, literature, film, or video games. They may also be used for technical reasons in actual reality for use in the development of specifications, such as the fictional country of ''Bookland'', which is used to allow European Article Number "country" codes 978 and 979 to be used for ISBNs assigned to books, and code 977 to be assigned for use for ISSN numbers on magazines and other periodicals. Also, the ISO 3166 country code "ZZ" is reserved as a fictional country code. Fictional countries appear commonly in stories of early science fiction (or scientific romance). Such countries supposedly form part of the normal Earth landscape, although not l ...
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Megalomania
Megalomania is an obsession with power and wealth, and a passion for grand schemes. Megalomania or megalomaniac may also refer to: Psychology * Narcissistic personality disorder * Grandiose delusions * Omnipotence (psychoanalysis), a stage of child development Albums * ''Megalomania'' (Aqua album), 2011 * '' Mania velichia'' or ''Megalomania'', a 1985 album by Aria * ''Megalomania'' (Enslavement of Beauty album), 2001 * ''Megalomania'', a 2014 album by Kissin' Dynamite Songs * "Megalomaniac" (Incubus song), 2004 * "Megalomaniac" (KMFDM song), 1997 * "Megalomania" (Muse song), a 2001 song by Muse from ''Origin of Symmetry'' * "Megalomania", a 1975 song by Black Sabbath from ''Sabotage'' * "Megalomania", a 1983 song by the Blood from '' False Gestures for a Devious Public'' * "Megalomania", a 1992 song by Pele from ''Fireworks'' * "Megalomania", a 1991 song by Therion from '' Of Darkness...'' Other * ''Mega-Lo-Mania'', a 1991 real-time strategy game by Sensible Soft ...
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Eastern Europe
Eastern Europe is a subregion of the Europe, European continent. As a largely ambiguous term, it has a wide range of geopolitical, geographical, ethnic, cultural, and socio-economic connotations. The vast majority of the region is covered by Russia, which spans roughly 40% of the continent's landmass while accounting for approximately 15% of its total population."The Balkans"
, ''Global Perspectives: A Remote Sensing and World Issues Site''. Wheeling Jesuit University/Center for Educational Technologies, 1999–2002.
It represents a significant part of Culture of Europe, European culture; the main socio-cultural characteristics of Eastern Europe have historically been defined by the traditions of Slavs and Greeks, as well as by the influence of Eastern Christianity as it developed through t ...
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Ernest Gellner
Ernest André Gellner FRAI (9 December 1925 – 5 November 1995) was a British-Czech philosopher and social anthropologist described by ''The Daily Telegraph'', when he died, as one of the world's most vigorous intellectuals, and by ''The Independent'' as a "one-man crusader for critical rationalism". His first book, ''Words and Things'' (1959), prompted a leader in ''The Times'' and a month-long correspondence on its letters page over his attack on linguistic philosophy. As the Professor of Philosophy, Logic and Scientific Method at the London School of Economics for 22 years, the William Wyse Professor of Social Anthropology at the University of Cambridge for eight years, and head of the new Centre for the Study of Nationalism in Prague, Gellner fought all his life—in his writing, teaching and political activism—against what he saw as closed systems of thought, particularly communism, psychoanalysis, relativism and the dictatorship of the free market. Among other issues ...
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Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ...
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Historical Narrative
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the p ...
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Theo Aronson
Theodore Ian Wilson Aronson (13 November 1929 – 13 May 2003) was a royal biographer whose easy manner enabled him to earn the trust of his subjects. He was the son of a Latvian Jewish storekeeper, born at Kirkwood, South Africa and educated at Grey High School in Port Elizabeth before studying art at Cape Town University, where he acted with Nigel Hawthorne. He became a commercial artist with J. Walter Thompson in Johannesburg, then transferred to London, where he also worked part-time as a waiter. His interest in royalty began at a young age. He encountered members of the royal family at a siding near Kirkwood in 1947, and was impressed by Queen Elizabeth's charm. After visiting the mausoleum of Napoleon III at St Michael's Abbey in Farnborough, Hampshire, he decided to write about royal subjects. After a change of publisher, he 'was persuaded that dynastic studies were no longer required,' so he began to write studies of recent history regarding the British royal family. ...
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High Culture
High culture is a subculture that emphasizes and encompasses the cultural objects of aesthetic value, which a society collectively esteem as exemplary art, and the intellectual works of philosophy, history, art, and literature that a society consider representative of their culture. Definition In popular usage, the term ''high culture'' identifies the culture of an upper class (an aristocracy) or of a status class (the intelligentsia); and also identifies a society’s common repository of broad-range knowledge and tradition (e.g. folk culture) that transcends the social-class system of the society. Sociologically, the term ''high culture'' is contrasted with the term ''low culture'', the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the Philistines, and ''hoi polloi'' (the masses). Concept In European history, high culture was understood as a cultural concept common to the humanities, until the mid-19th century, when Matthe ...
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