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Rumba Singers
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa. "Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1932 it was used a verb to denote the ballro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. He lists madrigal (music), madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance music, Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are Violin concerto, violin concertos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Carmina
Rosa Carmina Riverón Jiménez (born November 19, 1929) is a Cuban-Mexican actress and dancer. She was discovered in Cuba by the Spanish filmmaker Juan Orol, and made her debut in Mexican cinema in Orol's film ''A Woman from the East'' in 1946. She quickly achieved great popularity in the Mexico thanks to her talent, demeanor, and unconventional stature (being very tall for an actresses of the time). For several years, she was part of the film crew of Juan Orol in his best gangster films. Among these are the classic ''Gangsters Versus Cowboys'' (1948), considered one of the best Mexican films and considered a cult film in several film clubs around the world. Additionally, Rosa Carmina was one of the principal stars of the Rumberas film of the Golden Age of Mexican cinema in the 1940s and 1950s. Among her principal Rumberas films are ''Tania, the Beautiful Wild Girl'' (1947), '' Wild Love'' (1949), ''In the Flesh'' (1951), '' Voyager'' (1952) and '' Sandra, the Woman of Fire'' (1954 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rita Montaner
Rita Aurelia Fulcida Montaner y Facenda (20 August 1900 – 17 April 1958), known as Rita Montaner, was a Cuban singer, pianist and actress. In Cuban parlance, she was a '' vedette'' (a star), and was well known in Mexico City, Paris, Miami and New York, where she performed, filmed and recorded on numerous occasions. She was one of Cuba's most popular artists between the late 1920s and 1950s, renowned as ''Rita de Cuba''. Though classically trained as a soprano for zarzuelas, her mark was made as a singer of Afro-Cuban salon songs including "The Peanut Vendor" and " Siboney". Throughout her career, Montaner kept a close personal and professional relationship with two famous musicians from her hometown of Guanabacoa: pianist-singer Bola de Nieve and composer Ernesto Lecuona.Fajardo, Ramón (1997). ''Rita Montaner: testimonio de una época''. La Habana. Life Montaner was born on 20 August 1900 in Guanabacoa, Havana, into a middle-class family. Her father, Domingo Montaner Pulga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción
''Canción'' ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate.Orovio, Helio 2004. ''Cuban music from A to Z''. p42 Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics". Later, in the latter part of the nineteenth century, the canción came under the influence of the trovador movement. This resulted in the lyrical expression of the feelings and aspirations of the population. The accompaniment of the guitar followed naturally, and the canción gradually fused with other forms of Cuban (and therefore Latin American) music such as the bolero.Leon, Argeliers 1964. ''Musica folklorica cubana''. Biblioteca Nacional Jose Marti, La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumberas Film
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico, in the so-called Golden Age of Mexican cinema in the 1940s and 1950s. Its main stars were the so-called '' rumberas'', dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema. Today, thanks to their unique characteristics, they are considered cult films. The Rumberas film is one of the contributions of Mexican cinema to international cinema. The Rumberas film represented a social view of the Mexico of the 1940s and 1950s, specifically of those women considered as sinners and prostitutes, who confronted the moral and social conventions of their time. The genre was a more realistic approach to the Mexican society of that time. It was melodramas about the lives of these women, who were redeemed through exotic dances. Etymology The ''rumberas'' were the dancers and actresses that swayed to Afro-Caribbean rhythms i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Ballroom
The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harlem. Poet Langston Hughes calls it the "Heartbeat of Harlem" in Juke Box Love Song, and he set his work "Lenox Avenue: Midnight" on the legendary street. The Savoy was one of many Harlem hot spots along Lenox, but it was the one to be called the "World's Finest Ballroom". It was in operation from March 12, 1926, to July 10, 1958, and as Barbara Englebrecht writes in her article "Swinging at the Savoy", it was "a building, a geographic place, a ballroom, and the 'soul' of a neighborhood"."Swinging at the Savoy" by Barbara Engelbrecht, ''Dance Research Journal Vol 15 No. 2 Popular Dance in Black America, Spring 1983'' It was opened and owned by white entrepreneur Jay Faggen and Jewish businessman Moe Gale. It was managed by African-American bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xavier Cugat
Xavier Cugat (; 1 January 1900 – 27 October 1990) was a Spanish musician and bandleader who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music. In New York City he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Life and career Cugat was born Francisco de Asís Javier Cugat Mingall de Bru y DeulofeuXavier Cugat official webpage xaviercugat.com; accessed 8 November 2015. in , |
Don Azpiazú
Justo Ángel Azpiazú (Cienfuegos, 11 February 1893 – Havana, 20 January 1943), better known as Don Azpiazú, was a leading Cuban orchestral director in the 1920s and 1930s. His band introduced authentic Cuban dance music and Cuban musical instruments to the USA. It was his Havana Casino Orchestra which went to New York City in 1930, and recorded one of the biggest hits in Cuban music history, the "Peanut Vendor". It sold over one million copies, and was awarded a gold disc by the RIAA. The band included musicians such as trumpeter Julio Cueva and singer Antonio Machín. Azpiazú also used North American singers such as Bob Burke or Chick Bullock Charles (Chick) Bullock (September 16, 18981900 U.S. Federal Census, Township #5, Silver Bow, Montana, enumeration district 90, page 5. Bullock's birth date is confirmed by his entries in the Social Security Death Index and the California Death ... to help popularize the genre.Yanow, Scott 2000. ''Afro-Cuban Jazz''. New York. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Peanut Vendor
"El manisero", known in English as "The Peanut Vendor", is a Cuban son-pregón composed by Moisés Simons. Together with "Guantanamera", it is arguably the most famous piece of music created by a Cuban musician. "The Peanut Vendor" has been recorded more than 160 times,Listed in Díaz Ayala, Cristóbal 1988. ''Si te quieres por el pico divertir: historia del pregón musical latinoamericano''. Cubanacan, San Juan P.R. p317–322. ist fairly complete up to 1988/ref> sold over a million copies of the sheet music, and was the first million-selling 78 rpm single of Cuban music. History The score and lyrics of "El manisero" were by Moises Simons (1889–1945), the Cuban son of a Spanish musician. It sold over a million copies of sheet music for E.B. Marks Inc., and this netted $100,000 in royalties for Simons by 1943.Sublette, Ned 2004. ''Cuba and its music: from the first drums to the mambo''. Chicago. Chapter 17, p399. Its success led to a 'rumba craze' in the US and Europe wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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