|
Rubén Santantonín
Rubén Santantonín (1919–1969) was an Argentinian visual artist. Although he was active in the Pop art movement through his participation in Torcuato di Tella Institute, Santantonín's personal artwork was based more on conceptual and abstract idealism. His artworks tended to involve mixed media that would challenge the viewer's relationship with objects and materials. Career Born in 1919, Santantonín did not have any formal art education or training, but was largely self-taught. Indeed, he was largely unknown in the art world until 1943 when he entered the artistic world from the sidelines. Then, during one of his first exhibitions, at the Van Riel Gallery in 1960, he was “discovered” by two Avant-garde artists of the time, Luis Felipe Noé and Kenneth Kemble. Santantonín worked hard to create new and sensual artworks, and while working towards this through his new ideas, he created an immense future for himself. He wanted his creations to fuel the collective power ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Menesunda
''La Menesunda'' (Lunfardo for "mayhem") is an installation art work by Argentine artists Marta Minujín and Rubén Santantonín, made in collaboration with Pablo Suárez, David Lamelas, Rodolfo Prayón, Floreal Amor and Leopoldo Maler. It was presented on May 27, 1965 at the Torcuato di Tella Institute in Buenos Aires. The work, alongside that of Niki de Saint Phalle, Christo and Claes Oldenburg, counts among the earliest large-scale environments or installations in art history. ''La Menesunda'' revolutionized Buenos Aires, attracting a large number of visitors and several news reports, and is now considered one of the greatest milestones in the history of Argentine art. ''La Menesunda'' was recreated for the first time in 2015 and exhibited at the Buenos Aires Museum of Modern Art. Since then, the installation was also recreated in June 2019 in New York City's New Museum (its first-ever presentation in the United States), and will be displayed in October 2020 at Tate Liverpool ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1919 Births
Events January * January 1 ** The Czechoslovak Legions occupy much of the self-proclaimed "free city" of Pressburg (now Bratislava), enforcing its incorporation into the new republic of Czechoslovakia. ** HMY ''Iolaire'' sinks off the coast of the Hebrides; 201 people, mostly servicemen returning home to Lewis and Harris, are killed. * January 2– 22 – Russian Civil War: The Red Army's Caspian-Caucasian Front begins the Northern Caucasus Operation against the White Army, but fails to make progress. * January 3 – The Faisal–Weizmann Agreement is signed by Emir Faisal (representing the Arab Kingdom of Hejaz) and Zionist leader Chaim Weizmann, for Arab–Jewish cooperation in the development of a Jewish homeland in Palestine, and an Arab nation in a large part of the Middle East. * January 5 – In Germany: ** Spartacist uprising in Berlin: The Marxist Spartacus League, with the newly formed Communist Party of Germany and the Independent Social De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional De Bellas Artes (Buenos Aires)
The Museo Nacional de Bellas Artes ("National Museum of Fine Arts") is an Argentine art museum in Buenos Aires, located in the Recoleta section of the city. The Museum inaugurated a branch in Neuquén in 2004. The museum hosts works by Goya, Rembrandt, Van Gogh, Rodin, Manet and Chagall among other artists. History Argentine painter and art critic Eduardo Schiaffino, was the first director of the museum, which opened on 25 December 1895, in a building on Florida Street that today houses the Galerías Pacífico shopping mall. In 1909, the museum moved to a building in Plaza San Martín, originally erected in Paris as the Argentine Pavilion for the 1889 Paris exhibition, and later dismantled and brought to Buenos Aires. In its new home, the museum became part of the International Centenary Exhibition held in Buenos Aires in 1910. Following the demolition of the pavilion in 1932, as part of the remodeling of Plaza San Martín, the museum was transferred to its present location ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo De Arte Moderno
The Museo de Arte Moderno (Museum of Modern Art) is located in Chapultepec park, Mexico City, Mexico. The museum is part of the Instituto Nacional de Bellas Artes y Literatura and provides exhibitions of national and international contemporary artists. The museum also hosts a permanent collection of art from Remedios Varo, Gelsen Gas, Frida Kahlo, Olga Costa, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Manuel Álvarez Bravo, Leonora Carrington, Rufino Tamayo, Juan Soriano, and Vicente Rojo Almazán. In 1971 the posthumous retrospective exhibition of Varo drew the largest audiences in its history - larger than those for Rivera and Orozco. Background A forerunner of the MAM, the National Museum of Plastic Arts, was created in 1947 by Carlos Chávez. This first museum was located inside the Palacio de Bellas Artes. However, this museum was more than modest and provisional in part because of the museological conception of modern art since it was considered ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Lamelas
David Lamelas (born 1946, Buenos Aires) is an Argentinian artist. A pioneer of Conceptual art, he was involved in Argentina's avant-garde scene in the 1960s. Well known for his sculptures and films, Lamelas lives and works between Los Angeles, Buenos Aires, and Europe. Education and early career Lamelas graduated from the Academia Nacional de Bellas Artes in 1963. Early in his career he focused on sculpture and participated in exhibits in Buenos Aires. During the 1960s, he was one of the key members of the Instituto Torcuatro di Tella, an organization that promoted avant-garde and conceptual art. The contemporary art movement in Argentina met opposition from the government starting in June 1966 when President Arturo Umberto Illia was deposed. Newly appointed President Juan Carlos Onganía, a right-wing conservative, used the Argentine Armed Forces to suppress political opposition coming from universities and the youth. The government also began policing outspoken artists. By hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitsch
Kitsch ( ; loanword from German) is a term applied to art and design that is perceived as naïve imitation, overly-eccentric, gratuitous, or of banal taste. The avant-garde opposed kitsch as melodramatic and superficial affiliation with the human condition and its natural standards of beauty. In the first half of the 20th century, kitsch referred to products of pop culture that lacked the depth of fine art. However, since the emergence of Pop Art in the 1950s, kitsch is sometimes re-appreciated in knowingly ironic, humorous or earnest fashion. To brand visual art as "kitsch" is often still pejorative, though not exclusively. Art deemed kitsch may be enjoyed in an entirely positive and sincere manner. For example, it carries the ability to be quaint or "quirky" without being offensive on the surface, as in the ''Dogs Playing Poker'' paintings. Kitsch can refer to music, literature, or any work, and relates to camp, as they both incorporate irony and extravagance. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marta Minujín
Marta Minujín (born 1943) is an Argentine conceptual and performance artist. Life and work Marta Minujín was born in the San Telmo neighborhood of Buenos Aires. Her father was a Jewish physician and her mother a housewife of Spanish descent. She met a young economist, Juan Carlos Gómez Sabaini, and married him in secret in 1959; the couple had two children. As a student in the National University Art Institute, she first exhibited her work in a 1959 show at the Teatro Agón. A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in ''Pablo Curatella Manes and Thirty Argentines of the New Generation'', a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge. While in Paris, Minujín was inspired by the experimental work of the Nouveaux Realistes, and especially their transformation of art into life. In response to this idea, Minujín staged an exhibition in 1962 during which she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcuato Di Tella Institute
The Torcuato di Tella Institute is a non-profit foundation organized for the promotion of Argentine culture. Overview 1959-1960 The Di Tella Foundation and its institute were created on July 22, 1958, the tenth anniversary of the death of industrialist and arts patron[Torcuato Di Tella. Funding for the project, organized by his sons, Torcuato and Guido Di Tella, was raised using the United States model of corporate financing, as well as by the donation of 10% of the SIAM Di Tella corporation's public stock. Its objective was initially limited to an arts program revolving primarily around the display of the Di Tella family's private collections, which prominently included works by Henry Moore, Pablo Picasso, Amedeo Modigliani and Jackson Pollock. The board of the foundation consisted of family members, though the institute was directed by a board that included academics and intellectuals from outside the family. Guido Di Tella would serve as president, and the post of director of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Informalism
Informalism or Art Informel is a Painting, pictorial movement from the 1943–1950s, that includes all the Abstract painting, abstract and Action painting, gestural tendencies that developed in France and the rest of Europe during the World War II, similar to United States, American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, Matterism, matter painting, Paris School, New Paris School, tachisme and art brut. The France, French art critic Michel Tapié coined the term "art autre" (other art) in the Homonym, homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
