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Museo Nacional De Bellas Artes (Buenos Aires)
The Museo Nacional de Bellas Artes ("National Museum of Fine Arts") is an Argentine art museum in Buenos Aires, located in the Recoleta section of the city. The Museum inaugurated a branch in Neuquén in 2004. The museum hosts works by Goya, Rembrandt, Van Gogh, Rodin, Manet and Chagall among other artists. History Argentine painter and art critic Eduardo Schiaffino, was the first director of the museum, which opened on 25 December 1895, in a building on Florida Street that today houses the Galerías Pacífico shopping mall. In 1909, the museum moved to a building in Plaza San Martín, originally erected in Paris as the Argentine Pavilion for the 1889 Paris exhibition, and later dismantled and brought to Buenos Aires. In its new home, the museum became part of the International Centenary Exhibition held in Buenos Aires in 1910. Following the demolition of the pavilion in 1932, as part of the remodeling of Plaza San Martín, the museum was transferred to its present location ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avenida Del Libertador (Buenos Aires)
Avenida del Libertador is one of the principal thoroughfares in Buenos Aires, Argentina, and in points north, extending from the Retiro District of Buenos Aires (where it continues as Avenida Leandro N. Alem) to the northern suburb of San Fernando. History Inspired by Parisian urbanist Baron Haussmann's renowned modernization of the City of Lights, Mayor Torcuato de Alvear took office with a similar mandate in 1880. Inheriting a rapidly growing city hamstrung by a typically colonial grid of narrow streets, his most ambitious project would be a boulevard connecting the Retiro section (north of downtown) to the growing neighborhoods of Recoleta and Palermo to the northeast (at the time merely suburbs). Bella Vista Street was widened and lengthened, reaching northwest into Palermo and, upon its inaugural in 1885, was renamed in honor the Mayor's father, Carlos María de Alvear (one of Argentina's early leaders). Soon becoming among the most coveted addresses in Buenos Ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Art
The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, Wikt:radical#Adjective, radical, or unorthodox with respect to The arts, art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the Norm (sociology), norm or the ''status quo'', primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism. Many ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Painting
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation from '''', latest edition, full-article. but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lino Enea Spilimbergo
Lino Enea Spilimbergo (born Lino Claro Honorio Enea Spilimbergo; 12 August 1896 – 16 March 1964) was an Argentine artist and engraver considered to be one of the country's most important painters. Biography Lino Enea Spilimbergo was born in Buenos Aires in 1896, the son of Italian immigrants, Antonio Enea Spilimbergo and María Giacoboni, and his full name was Lino Claro Honorio Enea Spilimbergo. His early years were spent in the Buenos Aires neighborhood of Palermo. Whilst visiting his mother's relatives in northern Italy with his family he contracted pneumonia, which in later years caused him to suffer from asthma. Returning to Buenos Aires in 1902 he started his schooling, which ended in 1910, when he began working for the post office to support himself. From then on, until 1924, he kept this job in parallel with his painting. In 1917, he graduated from the Academia Nacional de Bellas Artes and in September of that year his father died. At the age of 22, he began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcelo Pombo
Marcelo Pombo (born 1959) is an Argentine artist. His work is in the collections of the Museo Nacional de Bellas Artes, the Museo de Arte Moderno de Buenos Aires, the MALBA, Museo de Arte Latinoamericano de Buenos Aires, the Museo Castagnino + macro, the Blanton Museum of Art of The University of Texas at Austin, among others. Work In the late eighties, he began exhibiting small works with images connected to rock, psychedelia, and "gay culture". At the beginning of his career, he formed part of the group of artists that exhibited at the Galería de Artes Visuales at the Centro Cultural Rojas under the direction of Jorge Gumier Maier; the aesthetic production that came out of Rojas was crucial to the course of Argentine art in the nineties. During that period, Pombo's work was characterized by the use of materials and procedures associated with decoration and domestic handicrafts of the sort taught in school. Starting in 1999, his production revolved around paintings in sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xul Solar
Xul Solar was the adopted name of Oscar Agustín Alejandro Schulz Solari (14 December 1887 – 9 April 1963), an Argentine painter, sculptor, writer, and inventor of imaginary languages. Biography Oscar Agustín Alejandro Schulz Solari was born in San Fernando, Buenos Aires Province, to a cosmopolitan family. His father, Elmo Schulz Riga, of Baltic German origin, was born in the Latvian city of Riga, at that time part of Imperial Russia. His mother, originally from Italy, was named Agustina Solari. He was educated in Buenos Aires, first as a musician, then as an architect (although he never completed his architectural studies). After working as a schoolteacher and holding a series of minor jobs in the municipal bureaucracy, on 5 April 1912, he set out on the ship ''England Carrier'', supposedly to work his passage to Hong Kong, but he disembarked in London and made his way to Turin. He returned to London to meet up with his mother and aunt, with whom he traveled to Paris, Turin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raquel Forner
Raquel Forner (1902–1988) was an Argentine painter known for her expressionist works. Life Forner was born in Buenos Aires in 1902. Her father was Spanish by nationality and her mother was an Argentine of Spanish descent. As a result of frequent family travel to Europe, Forner spent part of her childhood in Spain, and later developed an artistic interest in the Spanish Civil War. Forner completed studies at the National Academy of Fine Arts (today part of the National University Art Institute) in Buenos Aires in 1923. A year before graduation she received an appointment to teach drawing at the same academy. In 1924 she received a third place award from the Argentine National Salon of Fine arts, and in 1928 she had her first solo exhibition in Buenos Aires. Afterward she relocated to Paris and studied with Othon Friesz. In 1936 she married the Argentine sculptor Alfredo Bigatti. Artistic themes Forner's work demonstrated an interest in current events, and from the be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Guttero
Alfredo Nicolás Guttero (26 May 1882, Buenos Aires – 1 December 1932, Buenos Aires) was an Argentine modernist painter and art promoter. Biography He displayed creative talent at an early age, starting with music but later turning to art. Following his family's wishes, he began a legal career, but left it to become a painter, under the encouragement of Ernesto de la Cárcova and Martín Malharro.Brief biography @ Centro Virtual de Arte Argentino. In 1904, he received a grant from the Argentinian government to study in and lived in until 1916, where he studied with |
Sarah Grilo
Sarah (born Sarai) is a biblical matriarch and prophetess, a major figure in Abrahamic religions. While different Abrahamic faiths portray her differently, Judaism, Christianity, and Islam all depict her character similarly, as that of a pious woman, renowned for her hospitality and beauty, the wife and half-sister of Abraham, and the mother of Isaac. Sarah has her feast day on 1 September in the Catholic Church, 19 August in the Coptic Orthodox Church, 20 January in the LCMS, and 12 and 20 December in the Eastern Orthodox Church. In the Hebrew Bible Family According to Book of Genesis 20:12, in conversation with the Philistine king Abimelech of Gerar, Abraham reveals Sarah to be both his wife and his half-sister, stating that the two share a father but not a mother. Such unions were later explicitly banned in the Book of Leviticus (). This would make Sarah the daughter of Terah and the half-sister of not only Abraham but Haran and Nahor. She would also have been the aun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Sívori
Eduardo Sívori (October 13, 1847 – June 5, 1918) was an Argentine artist widely regarded as his country's first realist painter. Life and work Born to Genoese immigrants in Buenos Aires, Sívori had harbored artistic leanings during childhood that, for family reasons, went unfulfilled. Asked by his father to join him on a business trip to Paris in 1874, Sívori took the opportunity to frequent Parisian ateliers. Returning to Buenos Aires, the experience drew him to other local painters, including his brother, Alejandro, José Aguyari and Eduardo Schiaffino, who would later become one of Argentina's best-known symbolist painters. Together, they founded the Society for the Promotion of Fine Arts in 1875, an important early milestone in the development of artisan guilds in Argentina. Sívori earned recognition for his ''Dolce far niente'' ("Sweet Do Nothing"), for which he was awarded a gold medal at the 1880 Continental Art Salon of Buenos Aires. He returned to Paris in 1882 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benito Quinquela Martín
Benito Quinquela Martín (March 1, 1890 – January 28, 1977) was an Argentine painter. Quinquela Martín is considered the port painter-par-excellence and one of the most popular Argentine painters. His paintings of port scenes show the activity, vigor and roughness of the daily life in the port of La Boca. Early years His birthday could not be determined precisely as he was abandoned on March 20, 1890, at an orphanage with a note that stated "This kid has been baptized, and his name is Benito Juan Martín". From his physical appearance, the nuns who found him deduced that he should be around twenty days old; thus March 1 is regarded as his birthday. Adopted by Manuel and Justina Molina de Chinchella when he was seven years old, he adopted his stepfather's surname (which would later be hispanized as ''Quinquela''). At the age of 14 he attended a modest night school of art in La Boca while working during day on the family's coal-yard. When he turned 17 years old he joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto De La Cárcova
Ernesto de la Cárcova y Arrotea (March 3, 1866 – December 28, 1927) was an Argentine painter of the Realist school. Life and work Ernesto de la Cárcova was born in Buenos Aires, Argentina in 1866. Taking an early interest in the canvas, he studied at the local Society for the Stimulus of Fine Arts under painter Francisco Romero. He attended the prestigious Accademia Albertina in Turin, where he was trained by painter Giacomo Grosso. At the 31st Turin Fine Arts Exposition in 1890, he presented ''The Head of An Old Man'', a pastel drawing he sold to the King of Italy, Umberto I, for display at the Palazzo Quirinale in Rome. Returning to Argentina, he completed his best-known work, ''Without Bread or Work'', in 1893. Set in Buenos Aires' industrial southside during the severe recession that followed the Panic of 1890, the work is today displayed in the National Museum of Fine Art. Gaining increasing renown, he was invited to direct the Argentine Artists' Fellowship Prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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