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Royal Mausoleum, Frogmore
The Royal Mausoleum is a mausoleum for Queen Victoria and her husband Albert, Prince Consort. It is located on the Frogmore estate within the Home Park at Windsor in Berkshire, England. It was listed Grade I on the National Heritage List for England in October 1975. It was built between 1862 and 1871. Albert, who died in 1861, was interred in the mausoleum in 1871 following its completion. Victoria was interred on 4 February 1901 following her death in late January. Work commenced in March 1862. The dome was made by October and the building was consecrated in December 1862, although the decoration was not finished until August 1871. History Queen Victoria and her husband had long intended to construct a special final resting place for them both, instead of the two of them being buried in one of the traditional resting places of British royalty, such as Westminster Abbey or St George's Chapel, Windsor. The mausoleum for the queen's mother was being constructed at Frogmore in 1861 w ...
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Frogmore
Frogmore is an estate within the Home Park, adjoining Windsor Castle, in Berkshire, England. It comprises , of primarily private gardens managed by the Crown Estate. It is the location of Frogmore House, a royal retreat, and Frogmore Cottage. The name derives from the preponderance of frogs which have always lived in this low-lying and marshy area near the River Thames. This area is part of the local flood plain. In the gardens of the estate are burial places for members of the British royal family – the Royal Mausoleum containing the tomb of Queen Victoria and Prince Albert, the Royal Burial Ground, and the Duchess of Kent's Mausoleum (the burial place of Queen Victoria's mother). The gardens are Grade I listed on the Register of Historic Parks and Gardens. Frogmore House and grounds Frogmore House was built in the 1680s and in 1792 the house and estate were bought by George III for his wife Queen Charlotte, although the land had formed part of the Windsor royal h ...
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Pevsner Architectural Guides
The Pevsner Architectural Guides are a series of guide books to the architecture of Great Britain and Ireland. Begun in the 1940s by the art historian Sir Nikolaus Pevsner, the 46 volumes of the original Buildings of England series were published between 1951 and 1974. The series was then extended to Scotland, Wales and Ireland in the late 1970s. Most of the English volumes have had subsequent revised and expanded editions, chiefly by other authors. The final Scottish volume, ''Lanarkshire and Renfrewshire'', was published in autumn 2016. This completed the series' coverage of Great Britain, in the 65th anniversary year of its inception. The Irish series remains incomplete. Origin and research methods After moving to the United Kingdom from his native Germany as a refugee in the 1930s, Nikolaus Pevsner found that the study of architectural history had little status in academic circles, and that the amount of information available, especially to travellers wanting to inform themsel ...
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Greek Cross
The Christian cross, with or without a figure of Christ included, is the main religious symbol of Christianity. A cross with a figure of Christ affixed to it is termed a ''crucifix'' and the figure is often referred to as the ''corpus'' (Latin for "body"). The term ''Greek cross'' designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm. Numerous other variants have been developed during the medieval period. Christian crosses are used widely in churches, on top of church buildings, on bibles, in heraldry, in personal jewelry, on hilltops, and elsewhere as an attestation or other symbol of Christianity. Crosses are a prominent feature of Christian cemeteries, either carved on gravestones or as sculpted stelae. Because of this, planting small crosses is sometimes used in countries of Christian culture to mark the site of fatal accidents, or, such as the Zugspitze or Mount Royal, so as to be ...
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Royal Mausoleum Of Queen Victoria And Prince Albert, Frogmore, Berkshire
Royal may refer to: People * Royal (name), a list of people with either the surname or given name * A member of a royal family Places United States * Royal, Arkansas, an unincorporated community * Royal, Illinois, a village * Royal, Iowa, a city * Royal, Missouri, an unincorporated community * Royal, Nebraska, a village * Royal, Franklin County, North Carolina, an unincorporated area * Royal, Utah, a ghost town * Royal, West Virginia, an unincorporated community * Royal Gorge, on the Arkansas River in Colorado * Royal Township (other) Elsewhere * Mount Royal, a hill in Montreal, Canada * Royal Canal, Dublin, Ireland * Royal National Park, New South Wales, Australia Arts, entertainment, and media * ''Royal'' (Jesse Royal album), a 2021 reggae album * ''The Royal'', a British medical drama television series * ''The Royal Magazine'', a monthly British literary magazine published between 1898 and 1939 * ''Royal'' (Indian magazine), a men's lifestyle bimonthly * Roy ...
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Oliver Goldsmith
Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Anglo-Irish novelist, playwright, dramatist and poet, who is best known for his novel '' The Vicar of Wakefield'' (1766), his pastoral poem '' The Deserted Village'' (1770), and his plays ''The Good-Natur'd Man'' (1768) and ''She Stoops to Conquer'' (1771, first performed in 1773). He is thought to have written the classic children's tale '' The History of Little Goody Two-Shoes'' (1765). Biography Goldsmith's birth date and year are not known with certainty. According to the Library of Congress authority file, he told a biographer that he was born on 10 November 1728. The location of his birthplace is also uncertain. He was born either in the townland of Pallas, near Ballymahon, County Longford, Ireland, where his father was the Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill House near Elphin in County Roscommon, where his grandfather Oliver Jones was ...
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The Deserted Village
''The Deserted Village'' is a poem by Oliver Goldsmith published in 1770. It is a work of social commentary, and condemns rural depopulation and the pursuit of excessive wealth. The poem is written in heroic couplets, and describes the decline of a village and the emigration of many of its residents to America. In the poem, Goldsmith criticises rural depopulation, the moral corruption found in towns, consumerism, enclosure, landscape gardening, avarice, and the pursuit of wealth from international trade. The poem employs, in the words of one critic, "deliberately precise obscurity", and does not reveal the reason why the village has been deserted. The poem was very popular in the eighteenth and nineteenth centuries, but also provoked critical responses, including from other poets such as George Crabbe. References to the poem, and particularly its ominous "Ill fares the land" warning, have appeared in a number of other contexts. Background Goldsmith grew up in the hamlet ...
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Victoria, Princess Royal
Victoria, Princess Royal (Victoria Adelaide Mary Louisa; 21 November 1840 – 5 August 1901) was German Empress and Queen of Prussia as the wife of German Emperor Frederick III. She was the eldest child of Queen Victoria of the United Kingdom and Prince Albert of Saxe-Coburg and Gotha, and was created Princess Royal in 1841. She was the mother of Wilhelm II, German Emperor. Educated by her father in a politically liberal environment, Victoria was married at age 17 to Prince Frederick of Prussia, with whom she had eight children. Victoria shared with Frederick her liberal views and hopes that Prussia and the later German Empire should become a constitutional monarchy, based on the British model. Criticised for this attitude and for her English origins, Victoria suffered ostracism by the House of Hohenzollern, Hohenzollerns and the Berlin court. This isolation increased after the rise to power of Otto von Bismarck, one of her most staunch political opponents, in 1862. Victor ...
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National Portrait Gallery, London
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was arguably the first national public gallery dedicated to portraits in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. Collection The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes photographs and carica ...
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Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences and ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a d ...
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William Theed
William Theed, also known as William Theed the younger (1804 – 9 September 1891), was a British sculptor, the son of the sculptor and painter William Theed the elder (1764–1817). Although versatile and eclectic in his works, he specialised in portraiture, and his services were extensively used by the Royal Family. Career Theed was born in Trentham, Staffordshire. Initially trained by his father, Theed the younger worked for several years in the studio of EH Baily the sculptor, and on 15 January 1820 was admitted to the Royal Academy Schools. In 1826 he went to Rome. In Rome, Theed is believed to have studied under the Danish sculptor Bertel Thorvaldsen and Italian Pietro Tenerani, as well as John Gibson and Richard James Wyatt. Here he worked in marble creating statues and busts, including those for the Duke of Lucca and the Prince and Princess of Capua. In 1844–5, after nearly 20 years in Rome, he received a commission from Prince Albert, then the prince consort, ...
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Anglo-Saxon Dress
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources. The collective evidence of cemetery grave-goods indicates that men's and women's costume were different. Womens' dress changed frequently from century to century, while mens' dress changed very little. Women typically wore jewellery, men wore little or no jewellery. The beginning of the seventh century marked the conversion of Anglo-Saxon kingdoms to Christianity. Religious art, symbols and writings from the conv ...
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