![Harold bayeux tapestry](https://upload.wikimedia.org/wikipedia/commons/0/03/Harold_bayeux_tapestry.png)
Anglo-Saxon dress refers to the clothing and accessories worn by the
Anglo-Saxons
The Anglo-Saxons were a Cultural identity, cultural group who inhabited England in the Early Middle Ages. They traced their origins to settlers who came to Britain from mainland Europe in the 5th century. However, the ethnogenesis of the Anglo- ...
from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with
Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
The collective evidence of cemetery
grave-goods
Grave goods, in archaeology and anthropology, are the items buried along with the body.
They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a ...
indicates that men's and women's costume were different. Womens' dress changed frequently from century to century, while mens' dress changed very little. Women typically wore jewellery, men wore little or no jewellery. The beginning of the seventh century marked the conversion of Anglo-Saxon kingdoms to
Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global pop ...
. Religious art, symbols and writings from the conversion years greatly influenced costumes from this period onward, especially women's dress and jewellery. Historical research has shown that Anglo-Saxon children wore smaller versions of adult garments.
Clothing worn by the military, the elite class and religious orders was initially similar to the daily garments of the common man and woman. Over time, and with the influence of European culture, the spread of Christianity and the increasing prosperity of Anglo-Saxon England, garments and accessories specific to each group became the standard by which they were identified.
During the Anglo-Saxon era, textiles were created from natural materials: wool from sheep, linen from flax, and imported silk. In the fifth and sixth centuries, women were the manufacturers of clothing, weaving textiles on looms in their individual dwellings. In the seventh to ninth centuries, Anglo-Saxon communities changed slowly from primarily small settlements to a mix of small and large settlements, and large estates. Specialized workshops on large landholdings were responsible for the manufacture of textiles and clothing for the estate community. In the tenth and eleventh centuries, the growth of urban centre space throughout England expanded the variety and quantity of textiles, clothing, and accessories that were made available to the public and also changed the way in which clothing and accessories were manufactured.
Overview: Anglo-Saxon England
Periods
![Anglo](https://upload.wikimedia.org/wikipedia/commons/c/cd/Anglo.Saxon.migration.5th.cen.jpg)
The
end of Roman rule in Britain led to the withdrawal of the Roman armies in the late fourth and early fifth centuries.
By the mid-fifth century, an influx of
Germanic peoples
The Germanic peoples were historical groups of people that once occupied Central Europe and Scandinavia during antiquity and into the early Middle Ages. Since the 19th century, they have traditionally been defined by the use of ancient and e ...
arrived in
England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe b ...
, many leaving overcrowded native lands in
Northwestern Europe
Northwestern Europe, or Northwest Europe, is a loosely defined subregion of Europe, overlapping Northern and Western Europe. The region can be defined both geographically and ethnographically.
Geographic definitions
Geographically, North ...
and others fleeing rising sea levels on the
North Sea
The North Sea lies between Great Britain, Norway, Denmark, Germany, the Netherlands and Belgium. An epeiric sea on the European continental shelf, it connects to the Atlantic Ocean through the English Channel in the south and the Norwegian S ...
coast. The middle of the fifth century marked the beginning of the Anglo-Saxon era in England.
The Anglo-Saxon era can be divided into three different time periods: an early Anglo-Saxon period, which spans the mid-fifth to the beginning of the seventh century; the middle Anglo-Saxon period, which covers the seventh to the ninth centuries; and the late Anglo-Saxon period, with the tenth and eleventh centuries, up to the
Norman Conquest
The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of thousands of Norman, Breton, Flemish, and French troops, all led by the Duke of Normandy, later styled William the Conque ...
of 1066, though change in costume after that was slow.
Anglo-Saxon identity
In
Anglo-Saxon England
Anglo-Saxon England or Early Medieval England, existing from the 5th to the 11th centuries from the end of Roman Britain until the Norman conquest in 1066, consisted of various Anglo-Saxon kingdoms until 927, when it was united as the Kingdom o ...
, clothing and accessories were used to establish identity of gender, age, ethnicity, regionality, occupation and status. Initially, the early migrants to England displayed their Germanic identity through their choices in clothing and accessories. Later, Anglo-Saxon dress was shaped by European costume styles, as well as European art and religious emblems of
Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global pop ...
. A person's identity as a believer in Christianity was manifested through dress. Cross-shaped designs appear on
Kentish disc brooches as early as the late sixth century. Tiny crosses also start appearing on shoulder clasps and on Kentish belt buckles in the seventh century. Clothing and accessories varied from the functional, the recycled, the symbolic, the elegant, the opulent and the elaborate. Commoners typically possessed one main garment, which they wore daily. Their clothes were often recycled from older, out-of-style clothing and handed-down items. Higher-status individuals typically owned multiple items of clothing and accessories, often made with high-quality and expensive materials, and decorated in intricate detail.
The archaeological record
![Anglo_saxon_grave_assemblage_(FindID_395404)](https://upload.wikimedia.org/wikipedia/commons/2/25/Anglo_saxon_grave_assemblage_%28FindID_395404%29.jpg)
Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon dress. Pagan burial practices in the early Anglo-Saxon era included placing grave-goods with the clothed body. Archaeological excavations from this era have provided a rich supply of artefacts that have been analysed and compared to contemporary Anglo-Saxon and
Europe
Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a Continent#Subcontinents, subcontinent of Eurasia ...
an art, writing and literature in order to reconstruct a standard Anglo-Saxon costume. Archaeological evidence for female burials is abundant in the fifth and the sixth centuries. The cemetery evidence for male burials is limited compared to female burials, with primarily belt buckles and other belt fittings and a few pins.
The beginning of the seventh century marked the decline of the pagan tradition of including grave-goods in burials. This change in funerary practice coincided with the
Christianisation of Anglo-Saxon England. Beginning in the eighth century, grave-goods, except for simple items like knives and belts, were no longer included with individual burials. This lack of costume artefacts makes it more challenging for historians and archaeologists to determine what Anglo-Saxons were wearing during the eighth to the eleventh centuries.
Archaeological evidence from Anglo-Saxon cemeteries have alternately supported and contradicted contemporary illustrations of Anglo-Saxon costume. For example, there are burial finds of finger rings, some engraved with names, in both male and female graves; finger rings never appear in Anglo-Saxon illustrations. Alternately, the
penannular brooch
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especial ...
, arm-rings and neck-rings that show up occasionally in Anglo-Saxon art are not supported by any finds from Anglo-Saxon cemetery excavations.
Women's costume
Fifth to sixth centuries
![WestStowAngloSaxon-3F7-827647-wiki](https://upload.wikimedia.org/wikipedia/commons/4/4f/WestStowAngloSaxon-3F7-827647-wiki.jpg)
Fifth and sixth century women's costume has been reconstructed by scholars, based on the archaeological evidence of brooches worn in pairs at the shoulders. Researchers continue to fill current gaps of knowledge about female dress during this time period. The female gown is presumed to be ankle-length (women in Anglo-Saxon art and later in medieval art are usually represented in long garments). Currently, there is no archaeological evidence to support this belief. Experiments to recreate early Anglo-Saxon female dress have resulted in the creation of a female costume that includes a long under-gown, with a buckled belt that holds suspended items including knives, keys, amulets, and weaving tools. The long gown is covered with a short ''
peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down a ...
'', which could be easily hitched up to reach the tools.
The age of a woman often designated the costume that would be her daily dress. Dress and accessories, specifically the ''peplos'', the pin, a belt or girdle with tools and keys, was relevant to a woman's age and state of life, especially to the child-bearing years and marriage. The ''peplos'' was typically worn starting in the teen years and continually worn until a woman was in her forties, past childbearing age. This long garment, with its paired shoulder brooches, was a comfortable garment for breastfeeding and could expand easily when a woman was pregnant. Though most finds are long, it has sometimes been interpreted as possible to wear a short one. Although the ''peplos'' was traditionally worn starting in the teens, archaeological evidence indicates that girls as young as eight-years-old wore the ''peplos'', but marked their younger age by fastening their gowns with one brooch instead of two.
Beginning in the fifth century, women in Kent wore a slightly different costume, influenced by fashions from the
Frankish Empire
Francia, also called the Kingdom of the Franks ( la, Regnum Francorum), Frankish Kingdom, Frankland or Frankish Empire ( la, Imperium Francorum), was the largest post-Roman barbarian kingdom in Western Europe. It was ruled by the Franks du ...
, than women from other regions of Anglo-Saxon England. The costume consisted of a front-fastening garment and a Frankish-inspired front-fastening jacket, which was attached by four brooches. In the last third of the sixth century in Kent, women's dresses were fastened by an ornate disk brooch at the throat, replacing "the coat-based costume fastened by four brooches in two matched pair sets down the length of the coat." There were other regional variations of women's dress, notably in
Anglian areas, where wrist clasps and a third, central brooch and distinctive 'girdle-hangers' were the norm. Women's costume throughout England was enhanced by beads made of glass, paste and amber and less frequently, crystal. Garlands of beads were typically suspended between the shoulder brooches, and other bead clusters often hung from brooches, attached to girdles and were sometimes worn on their own.
Main garment
![CaedmonManuscriptPage46Illust](https://upload.wikimedia.org/wikipedia/commons/a/ad/CaedmonManuscriptPage46Illust.jpg)
The typical women's costume of this era was a long ''peplos''-like garment, pulled up to the armpit and worn over a sleeved under-garment, usually another dress. The garment was clasped front to back by fastening brooches at the shoulders. Anglo-Saxon women in this period may or may not have worn a head covering. The dress could be belted or girdled, and easily adjusted to changes in the woman's weight. It is unknown what the Anglo-Saxons called the ''peplos''-style gown.
Linen or wool could be used to make the peplos garment. There has been discussion among historians of whether a preference of one fibre over the other was a matter of fashion changes over time or related to regional differences. Fashion changes tended to begin in eastern England, reflecting contemporary fashion styles in Europe, and those changes would move slowly over time to the
West Saxon region.
Survival of fur is rare in Anglo-Saxon cemeteries. It is likely that fleeces and furs were used as garment lining or as warm outer garments. Anglo-Saxon textile and clothing historian, Penelope Walton-Rogers, has recently identified buckled capes of animal pelt that were found in Anglo-Saxon women's graves. A simple poncho made with a neck-opening for the head could have been made from skins of domesticated sheep or cattle. Literary evidence confirms the use of fur garments, primarily in the late Anglo-Saxon period.
Accessories
Evidence of footwear from early Anglo-Saxon graves is rare until the late sixth and seventh centuries. Agricultural labourers shown ploughing and sowing in Anglo-Saxon illustrated manuscripts work barefoot, which may indicate that footwear was not the norm until the middle Anglo-Saxon era. Clothing fasteners made of organic material are rare finds, although archaeological evidence from urban settlements has shown that Anglo-Saxons were skilled at working organic material, including bone, horn, antler and wood. Evidence shows that the skin of cattle, deer, goat, pig and sheep were used to make leather goods. Although only tiny remnants of leather survive, they are usually attached to buckles and to wrist clasps. Leather was probably used to make belts, suspension straps, and cuffs, although cloth was also used to make those items.
Seventh to ninth centuries
Along with the spread of
Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global pop ...
in seventh century England, religious art and European
fashion
Fashion is a form of self-expression and autonomy at a particular period and place and in a specific context, of clothing, footwear, lifestyle, accessories, makeup, hairstyle, and body posture. The term implies a look defined by the fashion in ...
inspired changes in women's dress. These changes were marked by the disappearance of the paired brooch, aside from very small annular and penannular brooches; occasional elaborate, round brooches were also worn individually. Linked pins appeared during the seventh century. There were fewer bead ornaments than before, and
amber
Amber is fossilized tree resin that has been appreciated for its color and natural beauty since Neolithic times. Much valued from antiquity to the present as a gemstone, amber is made into a variety of decorative objects."Amber" (2004). In ...
largely disappeared during this time period.
Main garment
Changes in Anglo-Saxon women's dress began in the latter half of the sixth century in Kent and spread to other regions at the beginning of the seventh century. These fashion changes show the decreasing influence of
Northern Europe and the increasing influence of the Frankish Kingdom and the
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
and a revival of
Roman culture
The culture of ancient Rome existed throughout the almost 1200-year history of the civilization of Ancient Rome. The term refers to the culture of the Roman Republic, later the Roman Empire, which at its peak covered an area from present-day Lo ...
. Linen is used more widely for garments and under-garments. Although there is little evidence to show whether women wore leggings or stockings under their gowns, it is more than likely that these leg-coverings were worn, as men typically wore stocking and leggings during this period.
Accessories
During this period, women's jewellery, besides brooches used to fasten clothing, consisted of simple neck ornaments of small glass beads or strands of beads hung on metal rings, strung from shoulder to shoulder over garments. This fashion remained in place until the late seventh century. This era is noticeable for the decline of the paired brooch fashion.
Amethyst beads started appearing at this time, along with necklaces of gold and silver wire, and, as a symbol of being Christian, small jewelled crosses. Occasionally, elaborate, round brooches were worn at the throat. Linked pins were now appearing among grave-goods. There were fewer bead ornaments than before, and amber was no longer used.
Tenth and eleventh centuries
![New Minster Charter 966 detail Mary](https://upload.wikimedia.org/wikipedia/commons/3/3d/New_Minster_Charter_966_detail_Mary.jpg)
In the tenth and eleventh centuries, the growth of cities throughout England expanded the variety and quantity of textiles, clothing, and accessories that were made available to Anglo-Saxon women. Textiles and accessories could be mass-produced making these items more affordable. For more affluent women, finer materials and more opulent clothing and jewellery were easily obtainable.
Overgarment
Many names for cloak appear during this time period, including , , and . A symmetrical cloak draped around the shoulders and fastened with a brooch is fashionable in this period, but is declining in popularity. Hooded cloaks attached by a circular brooch are described in the literature of this time period.
Main garment
Women wearing a sleeveless overgarment, with or without hood, can be seen in artistic representations of this time period. Women in late Anglo-Saxon art are depicted wearing hooded garments: either a scarf wrapped around the head and neck or an unconnected head covering with an opening for the face. It was assumed that the hooded style was influenced by
Near Eastern
The ''Near East''; he, המזרח הקרוב; arc, ܕܢܚܐ ܩܪܒ; fa, خاور نزدیک, Xāvar-e nazdik; tr, Yakın Doğu is a geographical term which roughly encompasses a transcontinental region in Western Asia, that was once the hist ...
art. Women are shown wearing ankle-length, tailored gowns. Gowns are often depicted with a distinct border, sometimes in a contrasting colour. In the tenth century, women's arms are typically covered. Sleeves are seen as straight, with a slight flair at the end. Braided or embroidered borders often decorated sleeves. By the eleventh century, multiple sleeve styles had come into fashion.
There is little evidence to show whether women wore leggings or stockings under their gowns in the tenth and the eleventh centuries, although it is probable that these clothing items were worn, as men typically wore stocking and leggings during this period.
Accessories
The girdles and buckled belts that were popular in the fifth and sixth century, with tools and personal items suspended from the belt, have gone out of fashion by the tenth century.
In the art of this period, women wear simple ankle shoes and slippers, usually black in colour, but with a contrasting strip of colour on the top of the shoe. Archaeological finds of this period demonstrate that a variety of women's shoe styles were being worn.
Men's costume
Anglo-Saxon burial excavations have uncovered little evidence of what men wore during this period. Weapons were often buried with men, but dress accessories were less likely to be found except for belt buckles. The lack of fasteners and brooches in male graves resulted in few textile remnants of men's clothing. The few textile fragments that have been found, fortunately were found in good condition for analysis.
To reconstruct men's costume from the Anglo-Saxon period, a review can be made of the writing, art and archaeological finds in north-western Europe and Scandinavia from previous centuries and during the Anglo-Saxon era. Romans in the second century described the use of fur and skin garments among the Germanic tribes. With the introduction of the warp-weighted loom in (), wool clothing would have been available for men and may have replaced or diminished the reliance on fur and skin garments.
Fifth to sixth centuries
Overgarment
Anglo-Saxon men of 5th and 6th century England dressed alike regardless of social rank. The fashions during this time consisted of the
cloak
A cloak is a type of loose garment worn over clothing, mostly but not always as outerwear for outdoor wear, serving the same purpose as an overcoat, protecting the wearer from the weather. It may form part of a uniform. Cloaks have been and ...
,
tunic
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin ''tunica'', the basic garment worn by both men and women in Ancient Rome ...
,
trousers
Trousers (British English), slacks, or pants are an item of clothing worn from the waist to anywhere between the knees and the ankles, covering both legs separately (rather than with cloth extending across both legs as in robes, skirts, and ...
,
leggings
Leggings are several types of leg attire that have varied through the years. Modern usage from the 1960s onwards has come to refer to elastic close-fitting high-rise garments worn over the legs typically by women, such as leg warmers or tights ...
, and accessories. Short textile-made cloaks are seen on Roman sculptures of Germanic captives. It has been determined that cloaks were composed of cloth and clasped on one shoulder. Men wearing similarly styled cloaks, clasped with circular brooches, occur in late era Anglo-Saxon drawings and paintings. It is probable that this style of clothing was worn by Germanic tribes on the continent and later when they migrated to England. Male burial artefacts from the fifth to the seventh centuries rarely include brooches; any metalwork uncovered have usually been pins found in the chest area of the body. It is likely that men in this period used brooches made of perishable material, secured their cloaks with leather or cloth laces, covered themselves with cloaks without using clasps, or used poncho-style cloaks.
Because of the lack of Anglo-Saxon male burial finds, archaeologist have looked to earlier period writings from Europe and earlier century finds from Scandinavian peat bogs to predict what Anglo-Saxon men might have worn. It is probable that a short, fur-lined cloak was used with the skin of the animal faced outward and the fur brushed against the undergarments.
Main garment
Roman writers and sculpture of Germanic men depict knee-length or shorter tunics with either short or long sleeves. Clasps were not needed to hold the tunic together because when pulled over the head it would sit snugly around the neck without the use of lacing or ties, indicating that the garment was one continuous piece. A
belt
Belt may refer to:
Apparel
* Belt (clothing), a leather or fabric band worn around the waist
* Championship belt, a type of trophy used primarily in combat sports
* Colored belts, such as a black belt or red belt, worn by martial arts practit ...
or
girdle
A belt, especially if a cord or rope, is called a girdle if it is worn as part of Christian liturgical vestments, or in certain historical, literary or sports contexts.
Girdles are used to close a cassock in Christian denominations, including th ...
was usually worn with the tunic and might have had a buckle, and, as Anglo-Saxon historian,
Gale Owen-Crocker
Gale Owen-Crocker (born 16 January 1947) is a Professor Emerita of the University of Manchester, England. Before her retirement she was Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.
Early life and ...
states, "pouched over the belt".
Historians are reasonably confident that Anglo-Saxon men wore trousers. The Roman poet
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...
described the wearing of trousers by Germanic barbarians. Ankle-length trousers are also seen on Roman sculptures of Germanic men, often with a short tunic, tied around the waist with a belt or draped with a cloak. It is probable that Anglo-Saxon men wore either baggy or narrow trousers, belted at the waist and possibly attached to the legs with either garters or leggings. If loose, the excess material was bunched around the waist and, as Owen-Crocker describes, "hung in folds around the legs".
Garters
A garter is an article of clothing comprising a narrow band of fabric fastened about the leg to keep up stockings. In the eighteenth to twentieth centuries, they were tied just below the knee, where the leg is most slender, to keep the stocking ...
or leggings probably accompanied narrow trousers.
Leggings and footwear
Leg-garments, or leggings were usually worn in pairs; these items served as additional protection for the legs. Linguistic documents from this era reveal that early Anglo-Saxon males wore two types of leg-garments. The first type of leggings would have been a leather or cloth stocking; the second type was most likely cloth strips or wool tied around the leg. Binding strips to the legs had the added benefit of being able to wind the cloth around or cover the foot for extra warmth and protection.
Footwear has not been found in Anglo-Saxon graveyards in the fifth to sixth centuries. It is likely that Anglo-Saxons, especially agricultural labourers, went barefoot, although linguistic documentation has revealed that there were several shoe types in circulation during this time period: slippers, raw-hide
pampootie Pampooties are rawhide shoes, which were formerly made and worn on the Aran Islands of County Galway, Ireland.
History
They are formed of a single piece of untanned hide folded around the foot and stitched with twine or a leather strap.
Hide fr ...
s and pouch-like foot coverings. Anglo-Saxons most likely covered their bare feet, except when working. Shoes presumably would have been made of leather and secured with straps. Hats and hoods were commonly worn, as were gloves and mittens.
Accessories
The only male accessory frequently found in Anglo-Saxon cemeteries is belt hardware. Men's belt hardware tended to be more elaborate than women's belt hardware. Leather remnants have been discovered in male graves attached to buckles, which makes it more than likely that leather belts were a common clothing accessory. Men usually carried a knife, other tools, and sometimes amulets at the waist.
Jewellery was found in very few male graves of this period. Some beads have been uncovered in some male burial sites and may have been decorated a belt or weapon. Anglo-Saxon literary evidence from this time period suggest that men frequently wore rings, but there have been very few rings discovered in Anglo-Saxon male graves.
Seventh to ninth centuries
This era marked the disappearance of furnished graves, but also saw the installation of some of the wealthiest male burials of the Anglo-Saxon era. The best example is the
Sutton Hoo ship burial, which is dated to the early 7th century. It has been determined to be the burial of a king.
Writings of an eighth century historian,
Paulus Catena
Paulus Catena ('the Chain' or 'the Fetter')
(''fl.'' 350s, d. 361/2)
was a senior Roman public official who served as an investigator and notary for Constantius II during the mid- fourth century.Seeck 1906, p. 233 He is principally known through t ...
, describe Germanic peoples inhabiting the
Italian Peninsula during this time period, "Indeed their clothes were roomy and especially linen, as the Anglo-Saxons were accustomed to have, embellished with rather wide borders woven in various colours" Paulus's description of Anglo-Saxon wearing linen is confirmed by eighth century writers,
Bede
Bede ( ; ang, Bǣda , ; 672/326 May 735), also known as Saint Bede, The Venerable Bede, and Bede the Venerable ( la, Beda Venerabilis), was an English monk at the monastery of St Peter and its companion monastery of St Paul in the Kingdom o ...
and
Aldhelm. Linen was likely the favoured fabric over wool for garments worn in eighth century Anglo-Saxon England.
There are several clothing references in seventh and eighth century letters. Letters between King
Offa of Mercia and the Frankish Emperor
Charlemagne
Charlemagne ( , ) or Charles the Great ( la, Carolus Magnus; german: Karl der Große; 2 April 747 – 28 January 814), a member of the Carolingian dynasty, was King of the Franks from 768, King of the Lombards from 774, and the first Holy ...
demonstrate that clothing in Anglo-Saxon England was similar to
Carolignian Frankia. This costume has been described as a short tunic over linen shirt and linen drawers with long stockings. In winter, a cloak was worn over the costume.
Overgarment
Cloak of this period, included the cloak style seen on the
Franks Casket
The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes ...
, made with rectangular cloth, and fastened so the cloak appeared to be
pleat
A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Pleats are cat ...
ed or folded, and held together at the right shoulder with a brooch. Once in place, the brooch was left attached to the garment so that the cloak was slipped over the head. Ninth century art shows a few different styles of cloak: hooded, non-hooded with a frilled collar, and the pleated cloaks arranged over the shoulders and bound at the waist by a belt. These belts were narrower than earlier in the Saxon period, with fewer tools hanging from them. The wrap-over
coat made an appearance during this era. This knee-length coat wrapped over the front of the body. Its sleeves were, as Owen-Crocker says, "deep,
ith
The Ith () is a ridge in Germany's Central Uplands which is up to 439 m high. It lies about 40 km southwest of Hanover and, at 22 kilometres, is the longest line of crags in North Germany.
Geography
Location
The Ith is immediatel ...
decorated cuffs which
eremostly straight". The cloaks of common men were simple and less decorated than cloaks of wealthier men.
Main garment
Human figures start to appear in art during this period. Most of the male figures displayed in Anglo-Saxon art wear short, above-the-knee, girdled tunics. Short tunics were most commonly worn, but longer tunics are seen on Anglo-Saxon sculpture. Eighth century writer Aldhelm describes a linen shirt worn under a tunic. Other contemporary writings describe the use of undergarments. It is possible that loin cloths were used as undergarment or on its own if a tunic was not worn.
Trousers continued to be worn by men. Traditionally worn under a short tunic or with a small cloak, they were typically ankle length. The jacket appeared during this time as well. For those who could afford it, the jacket was made of fur while less costly ones were made of linen. This jacket was waist-length and tended to have a broad collar.
Leggings and footwear
Leggings and stockings continued to be worn in the seventh to the ninth centuries. Frankish fashion for elaborate gartering was very popular in the seventh century.
From the beginning of the seventh century, shoes become more abundant as burial artefacts. A burial site at
Banstead Downs
Banstead Downs is a biological Site of Special Scientific Interest in Banstead in Surrey. There are Saxon burial mounds on the site and they are a Scheduled Monument Today, with wooded areas and wide open fields, Banstead Downs are predominantly ...
uncovered a male skeleton with soft leather ankle-boots which included eyelets for leather thongs. This boot style is similar to archaeological finds for the same period in
York
York is a cathedral city with Roman origins, sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. It is the historic county town of Yorkshire. The city has many historic buildings and other structures, such as a ...
.
Accessories and jewellery
Archaeological finds indicate that the belt continued to be used in Anglo-Saxon male costume in the seventh to the ninth centuries. Knives were often suspended from belts and in the early seventh century, leather sheaves started to appear with knives. Leather and fabric pouches make their initial appearance during this time period. Many of the buckles were simple and small, although more elaborate and opulent buckles have been discovered. Kent burials include a number of large, triangular belt buckles from male graves. The conversion of Anglo-Saxon England to Christianity is demonstrated in the appearance of buckles with the cross symbols and fish emblem. As seen on the St. Mary Bishophill sculpture in York of two Anglo-Saxon men, horns could be suspended from the belt.
Brooches have been rare in archaeological finds for this period, but it is probable that disc-headed pins and other pins were worn by men as they have been found in Anglo-Saxon settlements. The
quoit brooch
The quoit brooch is a type of Anglo-Saxon brooch found from the 5th century and later during the Anglo-Saxon settlement of Britain that has given its name to the Quoit Brooch Style to embrace all types of Anglo-Saxon metalwork in the decorati ...
is a very early type.
Disc brooches such as the
Harford Farm Brooch appear in Anglo-Saxon art at the beginning of the seventh century, but have not been discovered as archaeological finds in male graves. At the beginning of the ninth century, gold was scarce, and was rarely found on brooches. Brooches were typically created with base metal or silver; the
Fuller Brooch
The Fuller Brooch is an Anglo-Saxon silver and niello brooch dated to the late 9th century, which is now in the British Museum, where it is normally on display in Room 41. The elegance of the engraved decoration depicting the Five Senses, high ...
and
Strickland Brooch are both in silver, as is the
Anglo-Scandinavian Ædwen's brooch. The ninth century initiated elaborate finger-rings into Anglo-Saxon fashion.
Gloves were commonly used in Anglo-Saxon England by the beginning of the eighth century. Falconers wore gloves and depictions of gloves have been found on Anglo-Saxon sculpture. Archaeological evidence has shown that elaborate gloves made with fine material have been found in Europe. This quality and styling of gloves could have easily migrated to England.
Tenth and eleventh centuries
![Athelstan](https://upload.wikimedia.org/wikipedia/commons/b/bf/Athelstan.jpg)
The literary, linguistic and artistic evidence of the tenth and eleventh centuries reveals many examples of male fashion. There are a variety of costumes depicted, shorter garments for the average male and longer garments for elite individuals. Different occupations and functions, like farming, hunting, and soldiering required different styles of clothing.
Overgarment
Cloaks were worn indoors and outdoors and covered both short and long garments. Cloaks were rectangular or square in shape, attached with a brooch and not usually tailored. Circular brooches were the most common style brooches used by men at this time.
Main garment
The short tunic continues to be the standard garment of Anglo-Saxon men. They were usually knee-length, but sometimes worn at a shorter length. The tunic continues to be bound at the waist by a belt or girdle. It is most likely that the tunic fabric was joined at the sides, and the neck opening was probably tied by string, ribbon or cloth. Sleeves were believed to be either short or long, with longer sleeves more likely acting as an undergarment. Undergarments continue to be worn and are more detailed in decoration. Linen shirts or a garment similar to a nightgown could be worn under the main garment.
Leggings and footwear
Art from this period, including the
Bayeux Tapestry indicate that men continued to wear leggings and stockings. Leg coverings often cover the shoes and probably covered the foot. The material was likely made of woven cloth as knitting would not be introduced in England until the sixteenth century.
Excavations in late Anglo-Saxon and Anglo-Viking
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
,
Winchester
Winchester is a City status in the United Kingdom, cathedral city in Hampshire, England. The city lies at the heart of the wider City of Winchester, a local government Districts of England, district, at the western end of the South Downs Nation ...
and York has produced many shoes: flat-soled, leather 'turn shoes' (made inside out and then turned), and thonged shoes. The most common type of shoe is the ankle-high shoe, but lower slippers and taller boots also have been found. Flat, black shoes with a white stripe on top are the typical male footwear seen in Anglo-Saxon art during this time period.
Accessories and jewellery
Knives, suspended from belts and girdles, no longer appear in Anglo-Saxon art of this period.
Brooches of the tenth and eleventh centuries are typically circular. The most opulent brooches are silver, others are base metal. Small, round brooches, worn as cloak fasteners, are often depicted on men in late Anglo-Saxon art. Other brooch types which have been uncovered in late Anglo-Saxon burial finds are not seen in Anglo-Saxon art during this time period.
Children's costume
Grave-goods identified as belonging to children are scarce in Anglo-Saxon cemeteries. The little evidence suggests that children wore clothing that was similar to adults. Children's artefacts that have been found, include wrist and ankle bangles, neck-rings, small knives and beads. The most common accessory found in children's graves is the bead, worn individually or in small numbers. Both boys and girls could be buried with a belt buckle, although buckles were not typically worn until adulthood. Children's and adult's clothing show differences in the type of clothing material worn. A higher percentage of linen is found in children's graves compared to adult burials. Linen may have been preferable for children's garments, since it was much easier to wash repeatedly than wool.
Illustrations and paintings from the sixth to eleventh centuries in England, always depict male children. They are usually seen in short tunics with shirts. Infants are portrayed in long gowns, and either wear no head covering or wear head covering similar to women of the period.
Dress and status
![Sutton](https://upload.wikimedia.org/wikipedia/commons/f/fd/Sutton.Hoo.ShoulderClasp2.RobRoy.jpg)
The wealth of an Anglo-Saxon could be measured by the number and variety of garments, accessories, and jewellery he or she possessed and the quality of those items. Status in jewellery is reflected in size, intricacy, and use of gold, silver and garnet. Wealthier men and women owned footwear in the early Anglo-Saxon era, a period when many Anglo-Saxons were probably going barefoot. The affluent often had newer clothing and wore the latest fashions in clothing and accessories.
Documentary evidence has shown that luxurious textiles were abundant in Anglo-Saxon England. These materials included imported silks, and textiles and clothing
embroidered with gold. Most of these extravagant items were primarily used as religious garments, but it is also highly likely that royals and the wealthier members of Anglo-Saxon society owned opulent and expensive clothing.
Fifth to seventh centuries
![Sutton](https://upload.wikimedia.org/wikipedia/commons/8/80/Sutton.Hoo.Belt.Buckle.RobRoy.jpg)
Prosperity was marked by ownership of gold: buckles, brooches and gold embroidery or brocading on garments. Ornate buckles and clasps identified the wearer as important men of the seventh century. The jacket appeared during this time as well. For those who could afford it, the jacket was made of fur while less costly ones were made of linen. Pile woven cloaks, which probably imitated fur in their shaggy effect, were a high status alternative for men in the seventh century. The extremely affluent male buried AD 625 in the
Sutton Hoo Ship Burial (mound 1) was supplied with two pairs of shoes, several yellow-dyed cloaks, and possible alternative sets of jewelled belt equipment.
"The Sutton Hoo Mound 1 warrior can be characterized as equipped in the manner of a Roman general....His helmet is modelled ultimately on a fourth-century Roman cavalry parade helmet, his shield is similarly an oversized decorated parade item, and the gold and garnet decorated shoulder clasps probably fastened a leather tunic and imitate the epaulettes of Roman body armour. He also possessed a ring mail shirt, while a showy gold belt buckle and the garnet and gold fittings to his sword and sword belt help to complete the picture."
Eighth and ninth centuries
![New Minster Charter 966 detail Edgar](https://upload.wikimedia.org/wikipedia/commons/e/e3/New_Minster_Charter_966_detail_Edgar.jpg)
Leggings were more elaborate from the seventh to the ninth centuries with Frankish dress fashion providing the inspiration. In wealthier graves of this time period, buckles could be found under the knees and ankles of skeletal remains. Lace remnants found near the legs of skeletons in Kent is another indication of Frankish influence in clothing.
Art of this era was abundant in illustrations of English kings wearing long garments. The change from shorter tunics to long garments was likely influenced by European fashion. Gowns were often loose, with a variety of sleeve styles.
Tenth and eleventh centuries
Fur, which has been used in previous centuries to keep the body warm, was becoming more popular outside of England. In England, fur became more of a fashion choice as a luxury item during the tenth and eleventh centuries.
Military dress
![Sutton Hoo helmet 2016](https://upload.wikimedia.org/wikipedia/commons/e/ee/Sutton_Hoo_helmet_2016.png)
Historian Gale Owen-Crocker, in her book, ''Dress in Anglo-Saxon England'' writes, "Despite allusions to mailcoats in the heroic poetry of the Anglo-Saxon period, the general absence of archaeological evidence for them, even in graves equipped with fine weapons, suggests that, at least in the earlier centuries of the Anglo-Saxon era, they were a rare luxury, and it was not unusual to fight without protective clothing; on the Franks Casket some spear-carriers are not equipped with armour".
Burial finds from the fourth or early fifth century in
Oxfordshire (prior to the Anglo-Saxon migration) have found evidence that military leaders of that time period wore belts that were elaborate, wide, and fastened by "a narrow strap which was riveted to the broad belt and passed through a buckle which was much narrower than the belt itself" leaving the end of the belt to hang down; attached to the belt were pouches which allowed soldiers to carry their weapons.
![Abingdon Sword 2014](https://upload.wikimedia.org/wikipedia/commons/7/7e/Abingdon_Sword_2014.JPG)
Archaeological excavations in the 1990s uncovered three 7th century male graves, each with tablet-woven bands. The clothing remnants appeared to be part of a jacket garment. The artefacts were analysed and later interpreted to be the front borders of a wrap-over fighting jacket, as seen on the Sutton Hoo helmet panels and other 7th century art. Historians believe that Anglo-Saxon soldiers wore wrap-over, knee-length coats decorated like
chain mail
Chain mail (properly called mail or maille but usually called chain mail or chainmail) is a type of armour consisting of small metal rings linked together in a pattern to form a mesh. It was in common military use between the 3rd century BC and ...
with sleeves that narrowed at the wrists. The jacket would be decorated with "patterned tablet woven bands stitched to the front opening and perhaps also to the hem and cuffs....Most of the comparative material suggests that the jacket was usually worn over trousers." In the ninth and tenth centuries, military attire did not differ much from that of civil attire. The only changes were in the form of short linen tunics with metal collars and the addition of a sword, spear, shield, and helmet. Weapons and clothes fittings worn on the battlefield were highly decorated with jewellery techniques, as seen in the discoveries at Sutton Hoo and in the
Staffordshire Hoard; the concept of parade wear did not exist for the Anglo-Saxons.
Dress and religion
19th century costume historian and writer,
James Planché
James Robinson Planché (27 February 1796 – 30 May 1880) was a British dramatist, antiquary and officer of arms. Over a period of approximately 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres including ...
, believed that the clergy of the 9th and 10th centuries dressed similarly to the
laity, except when saying
mass
Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different elementar ...
. Beginning in the later 8th century, the clergy were forbidden to wear bright colours or expensive or valuable fabrics. He also asserted that the clergy wore linen stockings.
The clergy of the 11th century had shaved heads and wore hats which, according to Planché, were "slightly sinking in the centre, with the pendent ornaments of the
mitre
The mitre (Commonwealth English) (; Greek: μίτρα, "headband" or "turban") or miter (American English; see spelling differences), is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in ...
attached to the side of it". Other garments included the
chasuble
The chasuble () is the outermost liturgical vestment worn by clergy for the celebration of the Eucharist in Western-tradition Christian churches that use full vestments, primarily in Roman Catholic, Anglican, and Lutheran churches. In the Eastern ...
, the outermost liturgical vestment, which retained its shape, and the
dalmatic
The dalmatic is a long, wide-sleeved tunic, which serves as a liturgical vestment in the Catholic, Lutheran, Anglican, United Methodist, and some other churches. When used, it is the proper vestment of a deacon at Mass, Holy Communion or other ...
s, a tunic like vestment with large, bell shaped sleeves, which tended to be arched on the sides. The
pastoral staff was generally found to be plain in colour and ornamentation.
Clothing construction
Raw materials
![Horned_Soay_ram_close-up](https://upload.wikimedia.org/wikipedia/commons/8/8a/Horned_Soay_ram_close-up.jpg)
From the fifth to the eleventh centuries, the raw materials available to create textiles were wool from sheep, linen from flax, and imported silk. Wool was produced from a variety of sheep breeds, including primitive brown sheep (ancestors to the
Soay sheep
The Soay sheep is a breed of domestic sheep (''Ovis aries'') descended from a population of feral sheep on the island of Soay in the St Kilda Archipelago, about from the Western Isles of Scotland. It is one of the Northern European short-t ...
breed), white sheep brought by the Romans to Britain, and black-faced sheep that were introduced during the
Viking
Vikings ; non, víkingr is the modern name given to seafaring people originally from Scandinavia (present-day Denmark, Norway and Sweden),
who from the late 8th to the late 11th centuries raided, pirated, traded and se ...
invasions. Clothing made from the wool of sheep would be available in a selection of colour variations from white to brown and black. Silk was not cultivated in England but imported as finished garments, lengths of cloth, or sewing/embroidery threads.
According to Owen-Crocker, "Linen production was a longer process, involved planting flax seed, weeding, harvesting, removal of seed pods, retting (rotting) the woody stems in water or a dewy field, drying, beating, and 'scrutching' the flax stems to break them and release the fibres inside, then repeated heckling or combing of those fibres to prepare them for spinning."
Manufacturing
In the fifth and sixth centuries, women were the manufacturers of Anglo-Saxon clothing, weaving textiles on looms in their homes. About 70% of a woman's year was spent making textiles. Between the seventh and ninth centuries, Anglo-Saxon communities changed slowly from small villages to larger villages and larger estates. Specialised workshops on the big estates would be responsible for the manufacture of textiles and clothing for the residents of the estate. In the tenth and eleventh centuries, the growth of urban centres around England changed the variety and quantity of materials, clothing, and accessories that people had access to and the way in which clothing and accessories were manufactured.
Dye-testing of textile remnants from Anglo-Saxon graves has revealed that clothing was not dyed in the Anglo-Saxon era, except for tablet-woven-bands which edged women's garments. This could signify that artificial pigment was never present or that garment colour has been lost over time due to deterioration. It is probable that garments were not washed often. Washing would fade any artificial dyes that had been used, and laundering would diminish the natural weather-proof qualities of wool. Analysis of textile fragments from burial artefacts has indicated the absence of felting, which shows the lack of frequent washing.
Anglo-Saxon jewellery
Men and women's garments were fastened by brooches, buckles, clasps and pins. Jewellery could be created from a variety of metals, including iron, copper alloy (bronze), silver or gold, or a combinations metals. The precious metals were obtained by melting down older metal objects, including Roman coins. Many brooches and buckles were decorated by techniques including casting, engraving and inlaying.
Jewellery fashion
![Anglo-Saxon_Disc_Brooch_from_Monkton_on_display_at_the_Ashmolean_Museum](https://upload.wikimedia.org/wikipedia/commons/e/ec/Anglo-Saxon_Disc_Brooch_from_Monkton_on_display_at_the_Ashmolean_Museum.jpg)
Fashion changes in women's jewellery occurred frequently in the Anglo-Saxon era. In sixth century Kent, for example, single jewelled disc brooches were in style until the end of the sixth century when more elaborate plate brooches with
cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, ...
garnet and glass settings were the fashion. This fashion trend was followed by opulent composite jewelled brooches that disappeared around the middle of the seventh century. Dress pins began to appear at the beginning of the seventh century. Pendants also became fashionable at this time. Necklets came into fashion, typically created with silver-wire rings and coloured glass beads.
In male graves, belt sets with triangular plates inspired by Frankish fashion appear in the late sixth century and span the first half of the seventh century. Later in the seventh century, small buckles with rectangular plates become typical.
Finger rings are worn in the early Anglo-Saxon era, but declined in popularity in the seventh and eighth centuries, and became fashionable again in the ninth century. At the end of the seventh century, circular brooches increased in popularity over long brooches, and annular and disc brooches start appearing in grave-goods. Eighth century circular brooches are rarely found, but many examples have been found from the ninth to eleventh centuries.
![Hoard_of_Anglo-Saxon_rings](https://upload.wikimedia.org/wikipedia/commons/c/c6/Hoard_of_Anglo-Saxon_rings.jpg)
Brooches which resemble modern safety pins appear in the seventh century. Straight pins continue to be popular in the seventh century, and are sometimes made of gold and silver. Garlands of beads, which decorated women's garments in the fifth and sixth centuries, fade from view in the seventh century. The most noticeable jewellery fashion change in the seventh and eighth century was the use of necklace pendants. These style pendants were inspired by a combination of Frankish, Byzantine and Roman art. Straight pins continue to be popular in the tenth and eleventh centuries. They are considered functional items during this time period and are being mass-produced. Finger rings continue to be popular.
Jewellery production
Men and women continued to wear prominent jewellery, much of which was practical, as clasps to fasten clothing (buttons were not used). Precious metals were used by those who could afford them. In the early Anglo-Saxon era, most jewellery was perhaps created by itinerant craftsmen who would move from village to village. Some jewellery was made by monks, who also made religious metalwork. In the seventh to the ninth centuries, the Anglo-Saxon communities changed slowly from small villages to increasingly larger villages and large estates. On larger estates, specialised workshops would be responsible for the manufacture of jewellery and metalwork for the residents of the estate. In the tenth and eleventh centuries, the growth of urban centres throughout England changed the variety and quantity of jewellery made available to Anglo-Saxons and the methods in which jewellery was produced.
See also
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History of Anglo-Saxon England
Anglo-Saxon England or Early Medieval England, existing from the 5th to the 11th centuries from the end of Roman Britain until the Norman Conquest, Norman conquest in 1066, consisted of various Anglo-Saxons, Anglo-Saxon kingdoms until 927, when ...
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Early medieval European dress
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Staffordshire Hoard
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Weaponry in Anglo-Saxon England
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Christianisation of Anglo-Saxon England
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Anglo-Saxon brooches
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular ( disc) brooc ...
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Quoit brooch
The quoit brooch is a type of Anglo-Saxon brooch found from the 5th century and later during the Anglo-Saxon settlement of Britain that has given its name to the Quoit Brooch Style to embrace all types of Anglo-Saxon metalwork in the decorati ...
*
Kingston Brooch
The Kingston Brooch is the largest known Anglo-Saxon composite brooch, and is considered by scholars to be an outstanding example of the composite disc brooch style. The brooch, created in the seventh century, is now in the World Museum Liverpoo ...
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Fuller Brooch
The Fuller Brooch is an Anglo-Saxon silver and niello brooch dated to the late 9th century, which is now in the British Museum, where it is normally on display in Room 41. The elegance of the engraved decoration depicting the Five Senses, high ...
References
Citations
Bibliography
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{{Timeline of clothing and fashion
Medieval European costume
5th-century fashion
6th-century fashion
7th-century fashion
8th-century fashion
9th-century fashion
10th-century fashion
11th-century fashion
Anglo-Saxon society
Early Germanic clothing