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Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as '' enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champlevé
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pectoral (Ancient Egypt)
The pectorals of ancient Egypt were a form of jewelry, often represented as a brooch. These were mostly worn by richer people and the pharaoh. One type is attached with a nah necklace, meant to be suspended from the neck but to lie upon the breast. Statuary from the Old Kingdom onwards shows this form. A later form was attached as a brooch, with the thematic, iconographic function and statement outweighing its actual use as a piece of jewellery for adornment. The thematic statements were typically about the pharaoh or statements of ancient Egyptian mythology and culture. They are usually of gold with cloisonné inlays of gemstones. Ancient Egyptian definition of pectoral The many determinatives for ''pectoral'' are not portrayed in the Gardiner's Sign List. However, one of the 10 words for 'pectoral', or 'collar' uses the Usekh collar determinative, S11, the ''"collar necklace"'' S11. However a similar hieroglyph for the verb "to collar", "to net" shows the relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Architecture
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire. The Byzantine era is usually dated from 330 AD, when Constantine the Great moved the Roman capital to Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. However, there was initially no hard line between the Byzantine and Roman empires, and early Byzantine architecture is stylistically and structurally indistinguishable from earlier Roman architecture. This terminology was introduced by modern historians to designate the medieval Roman Empire as it evolved as a distinct artistic and cultural entity centered on the new capital of Constantinople (modern-day Istanbul) rather than the city of Rome and its environs. Its architecture dramatically influenced the later medieval architecture throughout Europe and the Near East, and became the primary progenitor of the Renaissance and Ottoman architectural traditions that followed its collapse. Characterist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pectoral And Necklace Of Sithathoryunet With The Name Of Senwosret II MET 16 , a bird
{{disambig ...
Pectoral may refer to: * The chest region and anything relating to it. * Pectoral cross, a cross worn on the chest * a decorative, usually jeweled version of a gorget * Pectoral (Ancient Egypt), a type of jewelry worn in ancient Egypt * Pectoralis major muscle, commonly referred to as "pectorals" or "pecs" * Pectoralis minor muscle * Pectoral fins of an aquatic animal, such as a whale or fish, located on both sides of the body * Pectoral sandpiper The pectoral sandpiper (''Calidris melanotos'') is a small, migratory wader that breeds in North America and Asia, wintering in South America and Oceania. It eats small invertebrates. Its nest, a hole scraped in the ground and with a thick linin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Ancient Egypt
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order ( Ma'at). Art of Pre-Dynastic Egypt ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharaoh
Pharaoh (, ; Egyptian: '' pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until the annexation of Egypt by the Roman Empire in 30 BC. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The term "pharaoh" was not used contemporaneously for a ruler until a possible reference to Merneptah, c. 1210 BC during the Nineteenth Dynasty, nor consistently used until the decline and instability that began with the Twenty-Fifth Dynasty. In the early dynasties, ancient Egyptian kings had as many as three titles: the Horus, the Sedge and Bee ( ''nswt-bjtj''), and the Two Ladies or Nebty ( ''nbtj'') name. The Golden Horus and the nomen and prenomen titles were added later. In Egyptian society, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Faience
Egyptian faience is a sintered- quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass". Its name in the Ancient Egyptian language was , and modern archeological terms for it include sintered quartz, glazed frit, and glazed composition. is distinct from the crystalline pigment Egyptian blue, for which it has sometimes incorrectly been used as a synonym. It is not faience in the usual sense of tin-glazed pottery, and is different from the enormous range of clay-based Ancient Egyptian pottery, from which utilitarian vessels were made. It is similar to later Islamic stonepaste (or "fritware") from the Middle East, although that generally includes more clay. Egyptian faience is considerably more porous than glass proper. It can be cast in molds to create small vessels, jewelr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Foreman Day
Lewis Foreman Day (29 January 1845 – 18 April 1910) was a British decorative artist and industrial designer and an important figure in the Arts and Crafts movement. Biography Day was born at Peckham Rye, south London, on 29 January 1845. His father, Samuel, was a wine merchant. His mother was Mary Ann Lewis. He was educated in France, at Merchant Taylors' School, Northwood and subsequently in Germany. He was first employed as a clerk, then, at the age to twenty he worked for the glass painters and designers Lavers, Barraud and Westlake. He moved to the stained glass makers of Clayton and Bell, where he designed the cartoons. In 1870 he worked for Heaton, Butler and Bayne on the decoration of Eaton Hall, Cheshire. He started his own business in London in 1870, expanding his activities beyond glass painting to a wide range of media including wallpapers for W. B. Simpson & Co., textiles for Turnbull & Stockdale, and tiles for Maw's and Pilkington's. He was an active mem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mycenae
Mycenae ( ; grc, Μυκῆναι or , ''Mykē̂nai'' or ''Mykḗnē'') is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about south-west of Athens; north of Argos; and south of Corinth. The site is inland from the Saronic Gulf and built upon a hill rising above sea level. In the second millennium BC, Mycenae was one of the major centres of Greek civilization, a military stronghold which dominated much of southern Greece, Crete, the Cyclades and parts of southwest Anatolia. The period of Greek history from about 1600 BC to about 1100 BC is called Mycenaean in reference to Mycenae. At its peak in 1350 BC, the citadel and lower town had a population of 30,000 and an area of 32 hectares. The first correct identification of Mycenae in modern literature was during a survey conducted by Francesco Grimani, commissioned by the Provveditore Generale of the Kingdom of the Morea in 1700, who used Pausanias's description of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Tutankhamun
The tomb of Tutankhamun, also known by its tomb number, KV62, is the burial place of Tutankhamun (reigned c. 1334–1325 BC), a pharaoh of the Eighteenth Dynasty of ancient Egypt, in the Valley of the Kings. The tomb consists of four chambers and an entrance staircase and corridor. It is smaller and less extensively decorated than other Egyptian royal tombs of its time, and it probably originated as a tomb for a non-royal individual that was adapted for Tutankhamun's use after his premature death. Like other pharaohs, Tutankhamun was buried with a wide variety of funerary objects and personal possessions, such as coffins, furniture, clothing and jewellery, though in the unusually limited space these goods had to be densely packed. Robbers entered the tomb twice in the years immediately following the burial, but Tutankhamun's mummy and most of the burial goods remained intact. The tomb's low position, dug into the floor of the valley, allowed its entrance to be hidden by debris d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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