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Rotraud Hansmann
Rotraud Hansmann (born 1 March 1940) is an Austrian soprano in opera and concert. She was a singer in the recordings by Nikolaus Harnoncourt which began historically informed performances, such as Monteverdi's operas and works by Johann Sebastian Bach. She was a teacher at the University of Music and Performing Arts, Vienna. Career Born in Graz, Hansmann studied voice at the Graz Conservatory, also the piano, violin and guitar. She studied further in Amsterdam. She made her debut in 1960 at the Graz Opera as a Boy in Mozart's ''Die Zauberflöte''. In 1964 she joined the Deutsche Oper am Rhein. Hansmann recorded Monteverdi's Vespro della Beata Vergine with the Monteverdi-Chor, conducted by Jürgen Jürgens. She also recorded Bach cantatas, sacred music by Mozart and Mendelssohn's ''Lobgesang''. She appeared as one of the Flower Maidens in Georg Solti's 1972 recording of ''Parsifal'', with René Kollo in the title role. Hansmann was a singer in recordings by Nikolaus Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graz
Graz (; sl, Gradec) is the capital city of the Austrian state of Styria and second-largest city in Austria after Vienna. As of 1 January 2021, it had a population of 331,562 (294,236 of whom had principal-residence status). In 2018, the population of the Graz larger urban zone (LUZ) stood at 652,654, based on principal-residence status. Graz is known as a college and university city, with four colleges and four universities. Combined, the city is home to more than 60,000 students. Its historic centre (''Altstadt'') is one of the best-preserved city centres in Central Europe. In 1999, the city's historic centre was added to the UNESCO list of World Heritage Sites and in 2010 the designation was expanded to include Eggenberg Palace (german: Schloss Eggenberg) on the western edge of the city. Graz was designated the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008. Etymology The name of the city, Graz, formerly spelled Gratz, most likely stems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1940 Births
Year 194 ( CXCIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus and Decimus Clodius Septimius Albinus Caesar become Roman Consuls. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Operatic Sopranos
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria **Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette Marie Antoinette Josèphe Jeanne (; ; née Maria Antonia Josepha Johanna; 2 November 1755 – 16 O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor Discography
The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 281 recordings listed on the Bach Cantatas Website , beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982. History The work was first recorded by symphonic choirs and orchestras. From the late 1960s, historically informed performances (HIP) tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". Some scholars believe that Bach used only one singer for a vocal part in the choral movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Esswood
Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman, he led the revival of countertenor singing in modern times. Life and career Paul Esswood was born in West Bridgford, England. He studied at the Royal College of Music in London from 1961 to 1964 after which he sang in the choir of Westminster Abbey. His professional debut was in a performance of Handel's ''Messiah'' for Angel Records, conducted by Charles Mackerras (1967). Esswood has participated in over 150 recordings, including the alto parts of many Bach cantatas in the complete Teldec series by conductors Nikolaus Harnoncourt and Gustav Leonhardt. He has recorded ''Messiah'' four times, as well as extended works by Henry Purcell, Claudio Monteverdi, Francesco Cavalli, Marc-Antoine Charpentier and others. Among the roles in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathy Berberian
Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp zu Eulenburg and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by The Beatles by Louis Andriessen as well as folk songs from several countries and cultures. As a composer, she wrote ''Stripsody'' (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and ''Morsicat(h)y'' (1969), a composition for the keyboard (with the right hand only) based on Morse code. Biography Cathy Berberian was born in Attleboro, Massachusetts to Armenian parents, Yervant an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Söderström
Anna Elisabeth Söderström (married name Olow; 7 May 192720 November 2009) was a Swedish soprano who performed both opera and song, and was known as a leading interpreter of the works of Janáček, Rachmaninoff and Sibelius.Elizabeth Sleeman, ''International Who's Who 2004,'' Routledge, 2003. p. 1579. She was particularly well known for her recordings of the lead soprano roles in the three Janáček operas ''Jenůfa'', '' Káťa Kabanová'', and '' The Makropoulos Affair'', all of which received Gramophone Awards. The ''Gramophone'' critic John Warrack described her portrayal of Káťa Kabanová as "establishing by an infinity of subtle touches and discreet, sensitive singing the picture of Káta as the richest and most human character in the drama". Career Born in Stockholm, Söderström received her first musical schooling from Adelaide von Skilondz and later studied at the Royal College of Music, Stockholm. She made her debut in 1947 at the Drottningholm Palace Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Donath
Helen Jeanette Donath (née Erwin; born July 10, 1940) is an American soprano with a career spanning fifty years. Biography She was born in Corpus Christi, Texas and studied there at Del Mar College. Later she studied in New York with Paola Novikova. She debuted as a concert and Lieder singer in New York in 1958. In 1961, she became a member of the at the Cologne Opera. She sang from 1963 until 1968 at the Staatsoper Hannover where she met her future husband, choir master and conductor Klaus Donath. Their son, Alexander Donath, is a stage and opera director. In 2000, all three were involved in Michigan Opera Theatre's production of ''Der Rosenkavalier'' where Donath sang the Marschallin.George Bulanda"S/he loves me (not)" MetroTimes.com, April 19, 2000. In 1967, she sang Pamina in Mozart's ''The Magic Flute'' at the Salzburg Festival, which began a long association with the festival. From 1970 until 1990, she was a regular member of the Vienna State Opera. She has performed all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno D'Ulisse In Patria
''Il ritorno d'Ulisse in patria'' ( SV 325, ''The Return of Ulysses to his Homeland'') is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's ''Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi wrote for the burgeoning Venetian opera industry during the last five years of his life. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lajos Kozma
Lajos Kozma (1938–2007) was a Hungarian operatic tenor, particularly associated with lyric Italian roles, baroque operas and oratorios. Born on 2 September 1938 in Lepsény, Hungary, he studied at the Franz Liszt Academy in Budapest, and made his debut at the Budapest Opera in 1961 (as ''Malcolm''), where he won considerable acclaim as Pelléas in Debussy's '' Pelléas et Mélisande''. In 1963, he went to Italy to further his studies at the Accademia di Santa Cecilia in Rome, with Giorgio Favaretto and Franco Capuana. Beginning in 1964, he sang widely in Italy, appearing in Bologna, Venice, Florence, Trieste, Palermo, at the Rome Opera, at La Scala in Milan, and the San Carlo in Naples. His career quickly became international with guest appearances at the Vienna State Opera, the Royal Opera House in London, La Monnaie in Brussels, Amsterdam, Copenhagen, and Philadelphia. He also appeared at the Salzburg Festival and Aix-en-Provence Festival, notably as Ferrando in '' Così ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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