Rogneda (opera)
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Rogneda (opera)
''Rogneda'' (russian: Рогнеда) is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novel '' Askold's Grave'' (''Аскольдова могила'', 1833) by Mikhail Zagoskin and the poem ''Rogneda'' (ca. 1825) by Kondraty Ryleyev. The actual Russian libretto was created by Dmitry Averkiev in the same manner as with the composer's previous opera, '' Judith'', with the words written to fit the vocal lines ''after'' the music had been composed. This opera forms a sequel of sorts to Alexey Verstovsky's highly successful singspiel, ''Askold's Grave'', which premiered in 1835, just the year before Glinka's ''A Life for the Tsar'' reached the stage. No less a patriotic opera than those two, ''Rogneda'' in its plot combines elements of the life of the title character with the Christianization of Russia, dated in 988 with the conversion of Vladimir I of Kiev. With its huge cast and sprawling plot, the opera ...
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Alexander Serov
Alexander Nikolayevich Serov (russian: Алекса́ндр Никола́евич Серо́в, Saint Petersburg, – Saint Petersburg, ) was a Russian composer and music critic. He is notable as one of the most important music critics in Russia during the 1850s and 1860s and as the most significant Russian composer in the period between Dargomyzhsky's ''Rusalka'' and the works of Rimsky-Korsakov, Mussorgsky, and Tchaikovsky. Alexander Serov was the father of Russian artist Valentin Serov. Biography Alexander Serov was born in St. Petersburg on 11 January 1820, the son of Nikolai Ivanovich Serov, a Finance Ministry official. Serov's maternal grandfather, Carl Ludwig Hablitz, was a naturalist of German-Jewish origin who was born in Königsberg and moved to Russia in childhood when his father was hired to be inspector of Moscow University's printing department. In Russia, Hablitz became a member of the Russian Academy of Sciences among other high official posts. Serov's f ...
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Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Varangian
The Varangians (; non, Væringjar; gkm, Βάραγγοι, ''Várangoi'';Varangian
" Online Etymology Dictionary
: варяже, varyazhe or варязи, varyazi) were , conquerors, traders and settlers, mostly from . Between the 9th and 11th centuries, Varangians ruled the state of

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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Dobrynya Nikitich
Dobrynya Nikitich (russian: Добрыня Никитич) is one of the most popular bogatyrs (epic knights) from Russian folklore. Albeit fictional, this character is based on a real warlord Dobrynya, who led the armies of Svyatoslav the Great and tutored his son Vladimir the Great. Many byliny center on Dobrynya completing tasks set him by prince Vladimir. Dobrynya is often portrayed as being close to the royal family, undertaking sensitive and diplomatic missions. As a courtier, Dobrynya seems to be a representative of the noble class of warriors. He is a professional archer, swimmer, and wrestler. He plays the gusli, plays tafl, and is known for his courtesy and cunning. Bailey & Ivanova tr. (1998), p. 81. Dobrynya and the Dragon The following summary is after the version localized in the Povenets District of Olonets Province, collected by A. F. Gilferding in 1871, from the singer was P. L. Kalinin: Bailey & Ivanova tr. (1998), pp. 84–97 (translation) The bylina ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Izyaslav Of Polotsk
Izyaslav (russian: Изяслав, be, Ізяслаў) was the son of Vladimir I of Kiev and Rogneda of Polotsk. When his father converted to Christianity in 988, he had to divorce all his previous wives, including Rogneda. She and her son Izyaslav were exiled back to the lands of Polotsk – first to Iziaslav, and later to Polotsk. Following Norse tradition, Izyaslav was sent with his mother to rule her homeland. There is also a legend that Rogneda tried to get Izyaslav to slay his father. Despite possibly going against the will of his father, Izyaslav was able to continue his rule in Polotsk. He was first to make Polotsk autonomous from the Grand Duke of Kiev passing his title to his descendants after his death. His principality carried a wide degree of autonomy that later was passed on to his descendants. His glory was commemorated after an established city that was named after him. Izyaslav died at the young age of about 23, in 1001, surviving his mother but predeceasing ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Russian Empire
The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. The rise of the Russian Empire coincided with the decline of neighbouring rival powers: the Swedish Empire, the Polish–Lithuanian Commonwealth, Qajar Iran, the Ottoman Empire, and Qing China. It also held colonies in North America between 1799 and 1867. Covering an area of approximately , it remains the third-largest empire in history, surpassed only by the British Empire and the Mongol Empire; it ruled over a population of 125.6 million people per the 1897 Russian census, which was the only census carried out during the entire imperial period. Owing to its geographic extent across three continents at its peak, it featured great ethnic, linguistic, religious, and economic diversity. From the 10th–17th centuries, the land ...
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