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Robert Easton (bass)
Robert Miller Easton (8 June 1898 – 26 May 1987) was a British bass of the mid-twentieth century. He was known both in the concert hall, where he sang in oratorios and other choral works, and in opera, appearing in bass roles at the Royal Opera House, Covent Garden and on tour. In concert and on record Easton performed many popular ballads, and was one of the original sixteen soloists in Ralph Vaughan Williams's '' Serenade to Music'', premiered and recorded in 1938. In his later years he was a respected and sought-after adjudicator for singing competitions. Life and career Easton was born in Sunderland, on 8 June 1898. He joined a church choir at the age of six, and studied at Bede Collegiate School, Sunderland. When he was seventeen he joined the army.Chesterfield Items", ''Derbyshire Times'', 24 December 1943, p. 5 He was severely wounded in the First World War, having a leg amputated. He was in hospital for more than three years, and while he was there a colleague ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heddle Nash
William Heddle Nash (14 June 189414 August 1961) was an English lyric tenor who appeared in opera and oratorio. He made numerous recordings that are still available on CD reissues. Nash's voice was of the light tenor class known as "tenore di grazia". The critic J. B. Steane referred to him as "the English lyric tenor ''par excellence'', without equal then or now." He appeared in tenor roles in operas by Mozart, Verdi, Wagner and Puccini among others, at the Royal Opera House, and the Glyndebourne Festival. His operatic career lasted from 1924 to 1958. As a concert singer, Nash was known for his performances in oratorio, and in particular in the title role of Elgar's ''The Dream of Gerontius'', making the first gramophone recording of the work, in 1945. Biography Early years Nash was born in the South London district of Deptford on 14 June 1894, the son of William Nash, master builder, and his wife, Harriet Emma ''née'' Carr.Baker, Anne Pimlott"Nash, (William) Heddle (189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora Labbette
Dora Labbette (4 March 1898 – 3 September 1984) was an English soprano. Her career spanned the concert hall and the opera house. She conspired with Sir Thomas Beecham to appear at the Royal Opera House masquerading as an Italian singer by the name of Lisa Perli. Away from professional concerns she had an affair with Beecham, with whom she had a son. Biography Labbette was born Dorothy Bella Labbett in the London suburb of Purley, the daughter of a railway porter. She studied at the Guildhall School of Music, where she won the Melba scholarship, the Knill challenge cup for the best student of the year, and the Heilbut scholarship. She also studied with Liza Lehmann, who took her to sing to the music publisher and impresario William Boosey, who gave her a contract to sing songs published by his company, at "Ballad concerts, Promenades and Sunday evening concerts". She made her Wigmore Hall début in 1917,Jefferson, AlanDora Labbette ''New Grove Dictionary of Opera'', accessed 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Graphophone Company
Columbia Graphophone Co. Ltd. was one of the earliest phonograph, gramophone companies in the United Kingdom. Founded in 1917 as an offshoot of the American Columbia Records, Columbia Phonograph Company, it became an independent British-owned company in 1922 in a management buy-out after the parent company went into receivership. In 1925 it acquired a controlling interest in its American parent company to take advantage of a new electrical recording process. The British firm also controlled the US operations from 1925 until 1931. That year Columbia Graphophone in the UK merged with the Gramophone Company (which sold records under the HMV label) to form EMI. At the same time, Columbia divested itself of its American branch, which was eventually absorbed by Columbia Broadcasting System (CBS) in 1938. As Columbia Records, it became a successful British label in the 1950s and 1960s, and was eventually replaced by the newly created EMI Records, as part of a label consolidation. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Reiner
Frederick Martin "Fritz" Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. Life and career Reiner was born in Budapest, Austria-Hungary into a secular Jewish family that resided in the Pest area of the city. After preliminary studies in law at his father's urging, Reiner instead decided to pursue the study of piano, piano pedagogy, and composition at the Franz Liszt Academy. During his last two years there, his piano teacher was the young Béla Bartók. After early engagements at opera houses in Budapest and Dresden (June 1914 to November 1921), where he worked closely with Richard Strauss, he moved to the United States in 1922 to take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Weber
Ludwig Weber (July 29, 1899December 9, 1974) was an Austrian bass. Ludwig Weber was born in Vienna in 1899. He initially planned to pursue a career as a teacher and artist when he discovered his vocal promise and decided to pursue an opera career. In 1919 he began studies with Alfred Borrotau, a well-respected teacher, and had his professional debut in 1920 at the Vienna Volksoper where he sang for a few years in smaller roles. Possessing one of the largest dark-and-cavernous-type bass voices of the twentieth century, Weber was in equally high demand for villainous roles and noble characters. He was a prominent exponent of the vocal technique known as "Bayreuth bark". In the mid-1920s Weber was singing in mid-size to leading roles with smaller companies throughout Germany. After a successful appearance at the Munich Wagner Festival of 1931 he joined the Bavarian State Opera in Munich in 1933 and soon began to receive invitations to sing abroad. In 1936 he joined the Royal Oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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