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Rinnegan Crucifixion Plaque
The Rinnegan Crucifixion Plaque (or the Athlone Crucifixion Plaque) is a late 7th or early 8th century Irish gilt-bronze crucifixion plaque sculpture found in the 19th century in the churchyard of St. John’s on the head of Lough Ree in Rinnegan County Westmeath, and near Athlone, County Roscommon.Mitchell (1977), p. 84 It is one of the earliest extant representations of the crucifixion in Irish art, and outside of illuminated manuscripts, a rare example of both representation and a narrative scene in early Irish Insular art.O'Toole (2013) The Rinnegan Crucifixion is the earliest of the eight such medieval Irish plaques to have survived, and at 21.0 cm x 12.5 cm is the largest,Moss (2014), p. 272 and is widely considered the finest.Johnson (1998), p. 95 Its dating to the late 7th or early 8th centuries is based on the curvilinear designs, including spirals and interlace.Johnson (1998), p. 99 It held at the archaeology branch of the National Museum of Ireland (NMI) i ...
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Tunic
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin ''tunica'', the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists. Ancient era Indian tunic Indus valley civilization figurines depict both women and men wearing a tunic-like garment. A terracotta model called Lady of the spiked throne depicts two standing turban-wearing men wearing what appears to be a conical gown marked by a dense series of thin vertical incisions that might suggest stiffened cloth. A similar gold disc in the al-Sabah Collection from the Kuwait National Museum appears to be from the Indus Valley civilization depicts similar conical tunic-wearing men holding two bulls by their tails under a pipal tree shown in an Indus-like mirror symmetry. A mother goddess figurine from the National Museum new Delhi ...
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X-ray Fluorescence
X-ray fluorescence (XRF) is the emission of characteristic "secondary" (or fluorescent) X-rays from a material that has been excited by being bombarded with high-energy X-rays or gamma rays. The phenomenon is widely used for elemental analysis and analytical chemistry, chemical analysis, particularly in the investigation of metals, glass, ceramics and building materials, and for research in geochemistry, forensic science, archaeology and art objects such as paintings. Underlying physics When materials are exposed to short-wavelength X-rays or to gamma rays, ionization of their component atoms may take place. Ionization consists of the ejection of one or more electrons from the atom, and may occur if the atom is exposed to radiation with an energy greater than its ionization energy. X-rays and gamma rays can be energetic enough to expel tightly held electrons from the inner atomic orbital, orbitals of the atom. The removal of an electron in this way makes the electronic structu ...
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Ulster
Ulster (; ga, Ulaidh or ''Cúige Uladh'' ; sco, label= Ulster Scots, Ulstèr or ''Ulster'') is one of the four traditional Irish provinces. It is made up of nine counties: six of these constitute Northern Ireland (a part of the United Kingdom); the remaining three are in the Republic of Ireland. It is the second-largest (after Munster) and second-most populous (after Leinster) of Ireland's four traditional provinces, with Belfast being its biggest city. Unlike the other provinces, Ulster has a high percentage of Protestants, making up almost half of its population. English is the main language and Ulster English the main dialect. A minority also speak Irish, and there are Gaeltachtaí (Irish-speaking regions) in southern County Londonderry, the Gaeltacht Quarter, Belfast, and in County Donegal; collectively, these three regions are home to a quarter of the total Gaeltacht population of Ireland. Ulster-Scots is also spoken. Lough Neagh, in the east, is the largest lake i ...
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Griffin Murray
Griffin Murray is an Irish archaeologist and art historian specialising in medieval Ireland and Insular art–especially metalwork–in the period between 400–1550 AD. His interests include identifying and contextualizing the social role of medieval craftsmen, Viking art and the relations between insular and Scandinavian craftsmen,Griffin Murray, Department of Archaeology Seandálaíocht
. . Retrieved 20 September 2021
and he is a leading expert on both s and

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Pax (liturgical Object)
The pax was an object used in the Middle Ages and Renaissance for the Kiss of Peace in the Catholic Mass. Direct kissing among the celebrants and congregation was replaced by each in turn kissing the pax, which was carried around to those present. A wide range of materials were used, and the form of the pax was also variable but normally included a flat surface to be kissed. Often the pax was held out with a long handle attached, and it seems to have been given a wipe with a cloth between each person. Some paxes are very elaborate and expensive objects, and most survivals fall into this class, but the great majority were probably very simple wood or brass pieces. It was usual to include an image, usually of or including the Virgin Mary or Jesus Christ. The pax began to replace actual kisses in the 13th century, apparently because of a range of concerns over the sexual, social and medical implications of actual kissing. It is first documented in England, and the 17th-century h ...
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Peter Harbison
Peter Desmond Harbison (14 January 1939 – 30 May 2023) was an Irish archaeologist and author. Harbison was Professor of Archaeology and a member (elected in 1979) of the Royal Irish Academy (Arts division), and the academy's Honorary Academic Editor. He was also an honorary Fellow of Trinity College Dublin, an honorary member of the Royal Institute of the Architects of Ireland The Royal Institute of the Architects of Ireland ( ga, Institiúid Ríoga Ailtirí na hÉireann) founded in 1839, is the "competent authority for architects and professional body for Architecture in the Republic of Ireland." The RIAI's purpose ... (RIAI) and author of 36 books. His main scientific work was the three-volume publication ''The High Crosses of Ireland'' from 1992. In addition to his monument guide, however, Harbison became widely known through numerous publications aimed at the general public, which provide an introduction to the early history of Ireland and its artistic monuments. In ...
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High Cross
A high cross or standing cross ( ga, cros ard / ardchros, gd, crois àrd / àrd-chrois, cy, croes uchel / croes eglwysig) is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain. Their relief decoration is a mixture of religious figures and sections of decoration such as knotwork, interlace and in Britain vine-scrolls, all in the styles also found in insular art in other media such as i ...
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Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a ''parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). Types of antependia Western Christianity "Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel, ...
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Scroll
A scroll (from the Old French ''escroe'' or ''escroue''), also known as a roll, is a roll of papyrus, parchment, or paper containing writing. Structure A scroll is usually partitioned into pages, which are sometimes separate sheets of papyrus or parchment glued together at the edges. Scrolls may be marked divisions of a continuous roll of writing material. The scroll is usually unrolled so that one page is exposed at a time, for writing or reading, with the remaining pages rolled and stowed to the left and right of the visible page. Text is written in lines from the top to the bottom of the page. Depending on the language, the letters may be written left to right, right to left, or alternating in direction (boustrophedon). History Scrolls were the first form of editable record keeping texts, used in Eastern Mediterranean ancient Egyptian civilizations. Parchment scrolls were used by the Israelites among others before the codex or bound book with parchment pages was invented b ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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