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Rigaut De Berbezill
Rigaut de Berbezilh (also Berbezill or Barbesiu; french: Rigaud de Barbezieux, la, Rigaudus de Berbezillo) was a troubadour ( fl. 1140–1163Aubrey, 8.Gaunt and Kay, 290.) of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the ''Roman de la Rose''. About fifteen of his poems survive, including one ''planh'' and nine or ten ''cansos''. His name is sometimes given as Richart or Richartz. Life While the dates of his life are disputed, some maintaining a later career (c. 1170–1215), the general consensus is that he was an early troubadour. ''Vida'' According to his ''vida'', the reliability of which is highly doubtful, he was a poor knight from the castle of Barbezieux near Cognac in the diocese of Saintes.Egan, 99. He was described as capable and handsome, but ''saup mielhs trobar qu'entendre ni que dire'': "he knew better how to compose poetry than to listen to it or recite it." He was reputed by the author of the ''vid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaufre Rudel
Jaufre Rudel (Jaufré in modern Occitan) was the Prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of "love from afar" (''amor de lonh'' or ''amour de loin'') in his songs. Very little is known about his life, but a reference to him in a contemporary song by Marcabru describes him as being ''oltra mar''—across the sea, probably on the Second Crusade in 1147. Probably he was the son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was the first to carry the title, being called ''princeps Blaviensis'' as early as 1090.Gaston Paris (1912), ''Mélanges de littérature française du moyen age'' (New York: Burt Franklin, ), pp. 498–503. During his father's lifetime the suzerainty of Blaye was disputed between the Counts of Poitou and the Counts of Angoulême. Shortly after the successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century French Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Apostolica Vaticana
The Vatican Apostolic Library ( la, Bibliotheca Apostolica Vaticana, it, Biblioteca Apostolica Vaticana), more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City. Formally established in 1475, although it is much older—it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula. The Vatican Library is a research library for history, law, philosophy, science, and theology. The Vatican Library is open to anyone who can document their qualifications and research needs. Photocopies for private study of pages from books published between 1801 and 1990 can be requested in person or by mail. Pope Nicholas V (1447–1455) envisioned a new Rome with extensive public works to lure pilgrims and scholars to the city to begin its trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new haun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perceval
Percival (, also spelled Perceval, Parzival), alternatively called Peredur (), was one of King Arthur's legendary Knights of the Round Table. First mentioned by the French author Chrétien de Troyes in the tale ''Perceval, the Story of the Grail'', he is best known for being the original hero in the quest for the Grail, before being replaced in later English and French literature by Galahad. Etymology and origin The earliest reference to Perceval is in Chrétien de Troyes's first Arthurian romance ''Erec et Enide'', where, as "Percevaus li Galois" (Percevaus of Wales), he appears in a list of Arthur's knights; in another of Chrétien's romances, '' Cligés'', he is a "renowned vassal" who is defeated by the knight Cligés in a tournament. He then becomes the protagonist in Chrétien's final romance, ''Perceval, the Story of the Grail''. In the Welsh romance ''Peredur son of Efrawg'', the figure goes by the name Peredur. The name "Peredur" may derive from Welsh ''par'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novellino (literature)
''Il Novellino'', also known as ''Le cento novelle antiche'' ("One Hundred Ancient Tales"), is an anonymous medieval collection of short stories written in the Tuscan vernacular between 1280 and 1300. It was first published in 1525 by , a friend of Pietro Bembo. The author of the collection is unknown; several details from the stories included in the collection suggest that he was a layperson from Florence and likely belonged to the Ghibelline The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, rival ... faction. References Italian literature Medieval literature Medieval Italian literature Italian novels {{Story-collection-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcabru
Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angoulême
Angoulême (; Poitevin-Saintongeais: ''Engoulaeme''; oc, Engoleime) is a communes of France, commune, the Prefectures of France, prefecture of the Charente Departments of France, department, in the Nouvelle-Aquitaine region of southwestern France. The inhabitants of the commune are known as ''Angoumoisins'' or ''Angoumoisines''. Located on a plateau overlooking a meander of the river Charente (river), Charente, the city is nicknamed the "balcony of the southwest". The city proper's population is a little less than 42,000 but it is the centre of an urban area of 110,000 people extending more than from east to west. Formerly the capital of Angoumois in the Ancien Régime, Angoulême was a fortified town for a long time, and was highly coveted due to its position at the centre of many roads important to communication, so therefore it suffered many sieges. From its tumultuous past, the city, perched on a rocky spur, inherited a large historical, religious, and urban heritage whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counts Of Angoulême
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . The etymologically related English term "county" denoted the territories associated with the countship. Definition The word ''count'' came into English from the French ''comte'', itself from Latin ''comes''—in its accusative ''comitem''—meaning “companion”, and later “companion of the emperor, delegate of the emperor”. The adjective form of the word is "comital". The British and Irish equivalent is an earl (whose wife is a "countess", for lack of an English term). In the late Roman Empire, the Latin title ''comes'' denoted the high rank of various courtiers and provincial officials, either military or administrative: before Anthemius became emperor in the West in 467, he was a military ''comes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego López II De Haro
Diego López II de Haro called ''the Good'' or ''the Bad'' (c. 1152 – 16 September 1214). Son of Lope Diaz I de Haro, count of Nájera (b. 1126–1170) and of countess Aldonza. He was a first rank magnate in the kingdom of Castile under King Alfonso VIII (1158–1214). He played a decisive role in the rise of the Haro dynasty, as well as in the construction of the nobiliary identity of his group, who was to dominate the Castilian political society during the whole 13th century. A publicity strife around this key figure between his successors and the monarchy, in a moment of deep political troubles, led to the elaboration of his dark image and his golden legend at the end of the 13th century, and the invention of his opposite nicknames.Ghislain Baury, "Diego López 'le bon' et Diego López 'le mauvais' : comment s'est construite la mémoire d'un magnat du règne d'Alphonse VIII de Castille", ''Berceo'', n. 144, 2003, p. 37-92. http://dialnet.unirioja.es/servlet/articulo?codigo=6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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