|
Richard Pearlman
Richard Pearlman (1938 – 8 April 2006) was an American theatre and opera director and educator known for his encyclopedic knowledge on every aspect of opera from stage direction to makeup. Born in Norwalk, Connecticut and raised in Tucson, Arizona, Pearlman received a degree in English from Columbia University in New York, and began his career in opera as a resident stage director at the Metropolitan Opera from 1964 to 1967 where he worked with Gian Carlo Menotti, Franco Zeffirelli, Luchino Visconti and Tyrone Guthrie. While serving as assistant director for an absent Zeffirelli, Pearlman directed his first opera, Donizetti's ''Lucia di Lammermoor'' at the Lyric Opera of Chicago in 1962. These experiences led to his first credited direction, the first American staging of Berlioz's ''Béatrice et Bénédict'' for the Washington National Opera in the 1964-65 season. After a period as a staff director at the Metropolitan Opera, he became General Director of Washington Opera fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Medium
''The Medium'' is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by the Alice M. Ditson Fund at Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's '' The Telephone'' at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast. In 1951, Menotti directed, with the help of filmmaker Alexander Hammid, a film version made to resemble film noir, and starring Marie Powers as Madame Flora and Anna Maria Alberghetti as Monica. A live television production starring Marie Powers took place on 12 December 1948 on the TV series '' Studio One'' and on 14 February, 1959 on '' Omnibus'', starring Claramae Turner. It was also filmed for Australian TV in 1960. Roles Synopsis Act 1 ''The medium's parlor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy (rock Opera)
''Tommy'' is the fourth studio album by the English rock band The Who, a double album first released on 17 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker. Tommy is traumatized from witnessing his father murder his mother's lover. Tommy's parents compound his trauma by denying the experience. In reaction, Tommy becomes dissociative ("deaf, dumb and blind"). Tommy then experiences the trauma of being sexually abused. As a way of coping with his trauma, Tommy dissociates further through playing pinball. He gains a following because of his skill at playing pinball. After numerous misguided attempts to heal Tommy, a doctor prescribes him a mirror so he can confront himself and his experience. Instead, Tommy becomes self-absorbed and comes to think of himself as a messianic figure. When the mirror is eventually broken, Tommy comes out of his dissociative state. Tommy then tries to lead his followers to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Opera
A rock opera is a collection of rock music songs with lyrics that relate to a common story. Rock operas are typically released as concept albums and are not scripted for acting, which distinguishes them from operas, although several have been adapted as rock musicals. The use of various character roles within the song lyrics is a common storytelling device. The success of the rock opera genre has inspired similar works in other musical styles, such as rap opera. History A number of rock artists became interested in the idea of creating a rock opera in the 1960s. In an early use of the term, the July 4, 1966, edition of ''RPM Magazine'' (published in Toronto) reported that "Bruce Cockburn and Mr illiamHawkins are working on a Rock Opera, operating on the premise that to write you need only 'something to say'." Mark Wirtz explored the idea in a project ''A Teenage Opera'', from which an early song " Excerpt from A Teenage Opera (Grocer Jack)" recorded by Keith West was release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Fe Opera
Santa Fe Opera (SFO) is an American opera company, located north of Santa Fe, New Mexico. After creating the ''Opera Association of New Mexico'' in 1956, its founding director, John Crosby (conductor), John Crosby, oversaw the building of the first opera house on a newly acquired former guest ranch of . The company has presented operas each summer festival season since July 1957, and is internationally known for introducing new operas as well as for its productions of the List of important operas, standard operatic repertoire. Since its inception, Santa Fe Opera has staged 43 American premieres and 15 world premieres, as of 2017. General history John Crosby, who was a New York-based conductor, founded the company in 1956, initially with the financial support of his parents, who helped in the acquisition of the land and the building of the first opera house. One goal was to give American singers the opportunity to learn and perform new roles while having ample time for rehearsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Confidence-Man
''The Confidence-Man: His Masquerade'', first published in New York on April Fool's Day 1857, is the ninth book and final novel by American writer Herman Melville. The book was published on the exact day of the novel's setting. Centered on the title character, ''The Confidence-Man'' portrays a group of steamboat passengers. Their interlocking stories are told as they travel the Mississippi River toward New Orleans. The narrative structure is reminiscent of ''The Canterbury Tales'' (1392). Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, although it continues to resist interpretive consensus." Analysis The novel's title refers to its central character, an ambiguous figure. He sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers. Their varied reactions constitute the bulk of the text. Each person, including the reader, is forced to co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Rochberg
George Rochberg (July 5, 1918May 29, 2005) was an American composer of contemporary classical music. Long a serial composer, Rochberg abandoned the practice following the death of his teenage son in 1964; he claimed this compositional technique had proved inadequate to express his grief and had found it empty of expressive intent. By the 1970s, Rochberg's use of tonal passages in his music had provoked controversy among critics and fellow composers. A professor at the University of Pennsylvania until 1983, Rochberg also served as chairman of its music department until 1968. He became the first Annenberg Professor of the Humanities in 1978. Life Born in Paterson, New Jersey, Rochberg attended first the Mannes College of Music, where his teachers included George Szell and Hans Weisse, then the Curtis Institute of Music, where he studied with Rosario Scalero and Gian Carlo Menotti. He served in the United States Army in the infantry during World War II. He was Jewish. Rochberg se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera '' Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleanor Steber
Eleanor Steber (July 17, 1914October 3, 1990) was an American operatic soprano. Steber is noted as one of the first major opera stars to have achieved the highest success with training and a career based in the United States. Biography Eleanor Steber was born in Wheeling, West Virginia on July 17, 1914. She was the daughter of William Charles Steber, Sr. (1888–1966) and Ida Amelia (née Nolte) Steber (1885–1985). She had two younger siblings – William Charles Steber, Jr. (1917–2002) and Lucile Steber Leslie (1918–1999). She made her debut at the Metropolitan Opera in 1940 and was one of its leading artists through 1961. She was known for her large, flexible silvery voice, particularly in the high-lying soprano roles of Richard Strauss. She was equally well known for her lyrical portrayals of Mozart's heroines, many in collaboration with conductors Kurt Adler, Bruno Walter. Beyond Mozart and Strauss her repertoire was quite varied. She was noted for success in the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benita Valente
Benita Valente (born October 19, 1934) is an American soprano whose career has encompassed the operatic stage as well as performance of lieder, chamber music and oratorio. She is especially lauded for her interpretations of Mozart and Handel, but she also excelled in certain Verdi roles. ''The New York Times'' once referred to her as "as gifted a singer as we have today, worldwide." Early life Benita Valente was born in Delano, California. She studied voice at the Music Academy of the West in Santa Barbara with Lotte Lehmann and Martial Singher. She later studied with Margaret Harshaw at the Curtis Institute of Music in Philadelphia where she graduated in 1960. That same year she won the Metropolitan Opera National Council Auditions and made her formal debut at the Marlboro Music Festival with famed pianist Rudolf Serkin, among others. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Rock Opera")
_-_Melville_Confidence_Man_manuscript.jpg "Click for more on -> The Confidence-Man")
