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Richard Leacock
Richard Leacock (18 July 192123 March 2011) The Telegraph (London), 24 March 2011. Retrieved 30 March 2011. was a British-born documentary film director and one of the pioneers of direct cinema and . Early life and career Leacock was born in London on 18 July 1921, the younger brother of film director and producer . Leacock grew up on his father's banana plantation in the |
Bulova
Bulova is an American timepiece manufacturing company that was founded in 1875 and has been owned by Japanese multinational conglomerate Citizen Watch Co. since 2008. The company makes watches, clocks and accessories, and it is based in New York City. History Founding Bulova was founded and incorporated as the J. Bulova Company in 1875 by Bohemian immigrant Joseph Bulova. It was reincorporated under the name Bulova Watch Company in 1923, and became part of the Loews Corporation in 1979 and sold to Citizen at the end of 2007. In 1912, Joseph Bulova launched his first plant dedicated entirely to the production of watches. Manufacturing watches at their factory in Biel (Switzerland), he began a standardized mass production new to watchmaking. In 1919, Bulova offered the first complete range of watches for women and men in 1924. The visual style of his first popular advertising made its watches popular with the American public. But beyond the original style, precision and techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross McElwee
Ross McElwee is an American documentary filmmaker known for his autobiographical films about his family and personal life, usually interwoven with an episodic journey that intersects with larger political or philosophical issues. His humorous and often self-deprecating films refer to cultural aspects of his Southern upbringing. He received the Career Award at the 2007 Full Frame Documentary Film Festival. Early life and education Ross McElwee grew up in Charlotte, North Carolina, in a traditional Southern family. His father was a surgeon and appears often as a figure in McElwee's early films. McElwee later attended Brown University, where he studied under novelist John Hawkes, and graduated in 1971 with a degree in creative writing. While at Brown, he also cross-registered in still photography courses at Rhode Island School of Design. After graduating, McElwee lived for a year in Brittany, France, where he worked for a while as a wedding photographer's assistant. Upon return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super-8
Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the dimensions of the rectangular perforations along one edge are smaller, which allows for a greater exposed area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded. Unlike Super 35 (which is generally compatible with standard 35 mm equipment), the film stock used for Super 8 is not compatible with standard 8 mm film cameras. There are several varieties of the film system used for shooting, but the final film in each case has the same dimensions. The most popular system by far was the Kodak system. Super 8 System Launched in 1965 by Eastman Kodak at the 1964–65 Worlds Fair, Super 8 film comes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Pincus
Edward Ralph Pincus (July 6, 1938 – November 5, 2013) studied philosophy and photography at Harvard, and began filmmaking in 1964, developing a direct cinema approach to social and political problems. He has producer-director-director of photography credits on eight of his films and has been cinematographer on more than a dozen additional films. Pincus also authored ''Guide to Filmmaking'' (1968) and co-authored ''The Filmmaker's Handbook'' (1984 & 1999). He was born in Brooklyn, New York. Pincus started and developed the Massachusetts Institute of Technology Film Section. He has received a Guggenheim Fellowship (1972) and several National Endowment for the Arts grants. He was Visiting Filmmaker at Minneapolis College of Art and Design and Visiting Filmmaker for three years at Harvard. After completing his best-known work, ''Diaries'', he moved to Vermont and became a farmer until returning to film in 2007. Ed was known as a leading cut flower Peony producer, who influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monterey Pop
''Monterey Pop'' is a 1968 American concert film by D. A. Pennebaker that documents the Monterey International Pop Festival of 1967. Among Pennebaker's several camera operators were fellow documentarians Richard Leacock and Albert Maysles. The painter Brice Marden has an "assistant camera" credit, and Bob Neuwirth, who figured prominently in Pennebaker's Bob Dylan documentary ''Dont Look Back'', acted as stage manager. Titles for the film were by the illustrator Tomi Ungerer. Featured performers include Big Brother and the Holding Company with Janis Joplin, Jefferson Airplane, Hugh Masekela, Otis Redding, Ravi Shankar, the Mamas & the Papas, The Who and The Jimi Hendrix Experience, whose Jimi Hendrix, namesake set his guitar on fire, broke it on the stage, then threw the neck of his guitar in the crowd at the end of "Wild Thing (The Troggs song), Wild Thing". In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dont Look Back
'' Look Back'' is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant". In a 2014 ''Sight & Sound'' poll, film critics voted ''Dont Look Back'' the joint ninth best documentary film of all time. Synopsis The opening scene of the film has Dylan displaying and discarding a series of cue cards bearing selected words and phrases from the lyrics to his 1965 song "Subterranean Homesick Blues" (including intentional misspellings and puns). This was the first single from his most recent album, ''Bringing It All Back Home'', and a top ten hit in the UK when he filmed it there (a fact discussed in the film). Allen Ginsberg appears in the background having a discussion with Bob Neuwirth. The film features Joan Baez, Donovan and Alan Pric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers were born in Besançon, France, to Charles-Antoine Lumière (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Langlois
Henri Langlois (; 13 November 1914 – 13 January 1977) was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory. Langlois was co-founder of the Cinémathèque Française with Georges Franju and Jean Mitry and also co-founder of the International Federation of Film Archives (FIAF) in 1938. Through close collaboration with the Cinémathèque's longtime chief archivist, Lotte Eisner, he worked to preserve films and film history in the post-war era. An eccentric who was often at the center of controversy for his methods, he also served as a key influence on the generation of young cinephiles and critics who would become the French New Wave. In 1974, Langlois received an Academy Honorary Award for "his devotion to the art of film, his massive contributions in preserving it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DA Pennebaker
Donn Alan Pennebaker (; July 15, 1925 – August 1, 2019) was an American documentary filmmaker and one of the pioneers of direct cinema. Performing arts and politics were his primary subjects. In 2013, the Academy of Motion Picture Arts and Sciences recognized his body of work with an Academy Honorary Award. Pennebaker was called by ''The Independent'' as "arguably the pre-eminent chronicler of Sixties counterculture". Life and career Early life Pennebaker (known as "Penny" to his friends) was born in Evanston, Illinois, the son of Lucille Levick (née Deemer) and John Paul Pennebaker, who was a commercial photographer. Pennebaker served in the Navy during World War II. He then studied engineering at Yale and later worked as an engineer, founding Electronics Engineering (the makers of the first computerized airline reservation system) before beginning his film career. Career beginnings After falling under the influence of experimental filmmaker Francis Thompson, Pennebaker dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
