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Richard Hawkins (publisher)
Richard Hawkins (died 1633) was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn. Beginnings Hawkins served his apprenticeship under the stationer Edmond Matts in 1604–11; in turn he acquired Matts's business in 1613 and established himself as an independent publisher. In his first year, Hawkins reprinted John Marston's ''The Metamorphosis of Pigmalion's Image,'' a work originally issued by Matts in 1598. Hawkins's initial entry into the Stationers' Register was Elizabeth Tanfield Cary's '' The Tragedy of Mariam,'' which he also printed in 1613 — a work now recognized as the first tragedy by a woman to be published in English. Shakespeare Hawkins's connection with the Shakespeare canon started in 1628; an entry in the Stationers' Register, dated 1 March that year, records the transfer of the rights ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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First Quarto
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published. Plays Eighteen of the 36 plays in the First Folio were printed in separate and individual editions prior to 1623. ''Pericles'' (1609) and ''The Two Noble Kinsmen'' (1634) also appeared separately before their inclusions in folio collections (the Shakespeare Third Folio and the second Beaumont and Fletcher folio, respectively). All of these were quarto editions, with two exceptions: ''The True Tragedy of Richard Duke of York'', the first edition of ''Henry VI, Part 3'', was printed in octavo form in 1595, as was the 1611 edition of ''The most lamentable tragedy of Titus Andronicus''. In chronological order, t ...
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John Smethwick
John Smethwick (died 1641) was a London publisher of the Elizabethan, Jacobean, and Caroline eras. Along with colleague William Aspley, Smethwick was one of the "junior partners" in the publishing syndicate that issued the First Folio collection of Shakespeare's plays in 1623. As his title pages specify, his shop was "in St. Dunstan's Churchyard in Fleet Street, under the Dial." Career He was the son of a London draper, and began a nine-year apprenticeship under a Thomas Newman at Christmas 1589 (though he was emancipated early by his master's widow). Like Aspley, Smethwick enjoyed a career of unusual longevity: he became a "freeman" (a full member) of the Stationers Company on 17 January 1597, and continued in business for more than four decades. In the earlier phases of his career, Smethwick was repeatedly fined for selling books to which he lacked the rights; but in later years he rose to be successively Junior Warden (1631), Senior Warden (1635), and Master (1639) of the St ...
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Richard Meighen
Richard Meighen (died 1641) was a London publisher of the Jacobean and Caroline eras. He is noted for his publications of plays of English Renaissance drama; he published the second Ben Jonson folio of 1640/41, and was a member of the syndicate that issued the Second Folio of Shakespeare's collected plays in 1632. Life and career Meighen came from a family with strong connections to Shrewsbury School; his father, John Meighen (son of a Richard Meighen who was a tanner in Shrewsbury), was named headmaster in 1583 and continued in the post for a remarkable 52 years, until his death in September 1635. Several members of the Meighen family (including at least two named Richard) attended the school as students. Meighen the publisher maintained a lifelong connection with the school, and published works relating to it. Meighen was active as a publisher during the years 1615 to 1641; his shops, as his title pages specify, were "under St. Clement's Church" in the Strand, and "next to ...
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William Aspley
William Aspley (died 1640) was a London publisher of the Elizabethan, Jacobean, and Caroline eras. He was a member of the publishing syndicates that issued the First Folio and Second Folio collections of Shakespeare's plays, in 1623 and 1632. Career The publisher was the son of a William Aspley of Royston, Cambridgeshire; he served a nine-year apprenticeship under George Bishop that started at Christmas 1587. Aspley's professional career was notable for its longevity: he became a "freeman" (a full member) of the Stationers Company on 4 April 1597, and remained active for the next four decades. He served in the office of Master of the Company in 1640, the year he died. His shops were located 1) at the sign of the Tiger's Head, and 2) at the sign of the Parrot, both in St. Paul's Churchyard. (The Parrot was on the same block as the shop of First Folio colleague Edward Blount, at the sign of the Black Bear.) Shakespeare Aspley's connection with the Shakespeare canon began in 1 ...
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Robert Allot
Robert Allot (died 1635) was a London bookseller and publisher of the early Caroline era; his shop was at the sign of the black bear in St. Paul's Churchyard. Though he was in business for a relatively short time – the decade from 1625 to 1635 – Allot had significant connections with the dramatic canons of the two greatest figures of English Renaissance theatre, William Shakespeare and Ben Jonson. Background Robert Allot became a "freeman" of the Stationers Company (a full member of the London guild of booksellers) on 9 November 1625. Allot was a younger son of an Edward Allot of Crigleston in Yorkshire, near Wakefield. Robert's brother, another Edward Allot (died 1636, age 33), was a surgeon and Bachelor of Medicine at the University of Cambridge. Nineteenth-century commentators sometimes confused Robert Allot, the publisher who died in 1635, with an earlier Robert Allot, a minor poet and fellow of St. John's College, Cambridge and Linacre Professor of Physic, who edited ...
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1623 In Literature
This article contains information about the literary events and publications of 1623. Events *February 2 (Candlemas) – The King's Men perform ''Twelfth Night'' (under the alternative title ''Malvolio'') at the court of King James I of England. *February 28 – John Hacket's Latin comedy ''Loiola'' is staged at Trinity College, Cambridge, and repeated on March 12 for King James I of England on his third visit to the university. The play mocks both Catholics, in the person of Ignatius Loyola, and Calvinists, who are represented by Martinus, a canting elder of Amsterdam. *June 29 – Pedro Calderón de la Barca makes his debut as a playwright, his ' (''Love, Honor and Power'') being performed at the Spanish Court. Two other plays follow this year. *July 20 – Henry Herbert (Sir Henry from August) becomes deputy to Sir John Ashley, Master of the Revels and takes over his duties. Herbert effectively controls professional drama in England from 1623 until the theaters close in 164 ...
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First Folio
''Mr. William Shakespeare's Comedies, Histories, & Tragedies'' is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays (see list of Shakespeare's plays), it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke). Although 19 of Shakespeare's plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including '' The Tempest'', ''Twelfth Night'', and ''Measure for Measure'' among others, ...
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1630 In Literature
This article contains information about the literary events and publications of 1630. Events *April 10 – English literature, drama, and education lose a major patron and benefactor when William Herbert, 3rd Earl of Pembroke and Lord Chamberlain of England, dies at Baynard's Castle in London. * June – Scottish-born Presbyterian Alexander Leighton is brought before Archbishop William Laud's Star Chamber court in England for publishing the seditious pamphlet ''An Appeale to the Parliament, or, Sions Plea Against the Prelacy'' (printed in the Netherlands, 1628). He is sentenced to be pilloried and whipped, have his ears cropped, one side of his nose slit, and his face branded with "SS" (for "sower of sedition"), to be imprisoned, and be degraded from holy orders. New books Prose *Johann Heinrich Alsted – ''Encyclopaedia'' * Thomas Dekker – ''London Look Back'' * Thomas Randolph – ''Aristippus, or The Jovial Philosopher'' and ''The Conceited Pedlar'' (in one volume) Dra ...
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Augustine Matthews
Augustine Matthews ( fl. 1615 – 1637) was a printer in London in the Jacobean and Caroline eras. Among a wide variety of other work, Matthews printed notable texts in English Renaissance drama. Matthews became a freedman (a full member) of the Stationers Company on 9 May 1615. By 1619 he was established in his own business (in Cow Lane), and for the next two decades he produced a range of literature for many of the booksellers of his generation. In the field of drama, Matthews printed these editions of these plays: * Q2 of Thomas Middleton and William Rowley's ''A Fair Quarrel'', 1622 * Q3 of ''The Troublesome Reign of King John'', 1622 * Q1 of John Webster's ''The Devil's Law Case'', 1623 * Q1 of the anonymous ''Tragedy of Nero'', 1624 (with printer John Norton) * Q2 of Beaumont and Fletcher's ''The Scornful Lady'', 1625 ** Q4 of the same play, 1635 * Q3 of Beaumont and Fletcher's ''Philaster'', 1628 * Q3 of George Wilkins's ''The Miseries of Enforced Marriage'', 1629 ...
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Second Quarto
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published. Plays Eighteen of the 36 plays in the First Folio were printed in separate and individual editions prior to 1623. ''Pericles, Prince of Tyre, Pericles'' (1609) and ''The Two Noble Kinsmen'' (1634) also appeared separately before their inclusions in folio collections (the Shakespeare Third Folio and the Beaumont and Fletcher folios, second Beaumont and Fletcher folio, respectively). All of these were book size, quarto editions, with two exceptions: ''The True Tragedy of Richard Duke of York'', the first edition of ''Henry VI, Part 3'', was printed in book size, octavo form in 1595, as was the 1611 edition of ' ...
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A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ...
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