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Augustine Matthews
Augustine Matthews ( fl. 1615 – 1637) was a printer in London in the Jacobean and Caroline eras. Among a wide variety of other work, Matthews printed notable texts in English Renaissance drama. Matthews became a freedman (a full member) of the Stationers Company on 9 May 1615. By 1619 he was established in his own business (in Cow Lane), and for the next two decades he produced a range of literature for many of the booksellers of his generation. In the field of drama, Matthews printed these editions of these plays: * Q2 of Thomas Middleton and William Rowley's ''A Fair Quarrel'', 1622 * Q3 of ''The Troublesome Reign of King John'', 1622 * Q1 of John Webster's ''The Devil's Law Case'', 1623 * Q1 of the anonymous ''Tragedy of Nero'', 1624 (with printer John Norton) * Q2 of Beaumont and Fletcher's ''The Scornful Lady'', 1625 ** Q4 of the same play, 1635 * Q3 of Beaumont and Fletcher's ''Philaster'', 1628 * Q3 of George Wilkins's ''The Miseries of Enforced Marriage'', 1629 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Countesse Of Mountgomeries Urania (1621) Title Page
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Wilkins
George Wilkins (died 1618) was an English dramatist and pamphleteer best known for his probable collaboration with William Shakespeare on the play ''Pericles, Prince of Tyre''. By profession he was an inn-keeper, but he was also apparently involved in criminal activities. Life Wilkins was an inn-keeper in Cow-Cross, London, an area that was "notorious as a haunt of whores and thieves".Roger Warren, Gary Taylor, MacDonald Pairman Jackson, ''A reconstructed text of Pericles, Prince of Tyre'', Oxford, Oxford University Press, 2004, pp.6-7. Most biographical information about him derives from his regular appearance in criminal court records for thievery and acts of violence. Many of the charges against him involved violence against women, including kicking a pregnant woman in the belly, and knocking down and stomping another woman. The latter appears in other records as a known "bawd", or keeper of prostitutes. These facts have led to the suggestion that his inn functioned as a bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brome
Richard Brome ; (c. 1590? – 24 September 1652) was an English dramatist of the Caroline era. Life Virtually nothing is known about Brome's private life. Repeated allusions in contemporary works, like Ben Jonson's ''Bartholomew Fair'', indicate that Brome started out as a servant of Jonson, in some capacity. Scholars have interpreted the allusions to mean that Brome may have begun as a menial servant but later became a sort of secretary and general assistant to the older playwright. A single brief mention of his family's need seems to show that he had a wife and children and struggled to support them. He may have had some experience as a professional actor: a 1628 warrant lists him as a member of the Queen of Bohemia's Men. Yet he had already started writing for the stage by this date. An early collaboration, ''A Fault in Friendship'' (now lost) was licensed in 1623 for Prince Charles's Men; a 1629 solo Brome effort, ''The Lovesick Maid'' (also lost), was a success for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Englishmen For My Money
''Englishmen for My Money, or A Woman Will Have Her Will'' is an Elizabethan era stage play, a comedy written by William Haughton that dates from the year 1598. Scholars and critics often cite it as the first city comedy. Indeed, the play inaugurated a dramatic subgenre that would be exploited and developed by Thomas Dekker, Thomas Middleton, Ben Jonson, and others in the following years and decades. Performance and publication The records of theater manager and impresario Philip Henslowe show that Haughton received payment for his work on the play between February and May 1598. The play is thought to have been premiered onstage, by the Admiral's Men at the Rose Theatre, before the end of that year. The work was entered into the Stationers' Register on 3 August 1601, but was not published until 1616, when the first quarto edition was issued by the stationer William White. A second quarto appeared in 1626, printed by John Norton for bookseller Hugh Perry, and a third in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Haughton (playwright)
William Haughton (died 1605) was an England, English playwright in the age of English Renaissance theatre.Chisholm, Hugh, ed. "Haughton, William". In ''Encyclopædia Britannica'' (11th ed.). Cambridge University Press, 1911; Vol. 13, p. 66. Life Most of what little biographical information there is about him is derived from the papers of Philip Henslowe, proprietor of the The Rose (theatre), Rose Theatre. Henslowe's earliest reference to him refers to him as "young" Haughton. He wrote all his known dramatic work for Henslowe, for production by the Admiral's Men and Worcester's Men. (Henslowe's papers refer to Haughton as Hawton, Hauton, Haughtoun, Haulton, Howghton, Horton, Harton, and HarvghtonEdmund Kerchever Chambers, Chambers, E. K. ''The Elizabethan Stage''. Oxford, Clarendon Press, 1923; Vol. 3, p. 334.—a fine example of the famously flexible Elizabethan orthography. His name is spelled Houghton in his 1605 will.) On 10 March 1600 Henslowe lent Haughton ten shillings "t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duchess Of Suffolk
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Drue
Thomas Drue or Drewe (c.1586–1627) was an English Protestant playwright. He wrote ''The Life of the Duchess of Suffolk''. It has also been suggested that he wrote '' The Bloody Banquet'' (By T. D.,’ 1620, 4to)., However others have attributed it to Thomas Dekker and Thomas Middleton. An unpublished play, the ‘Woman's Mistake,’ is ascribed in the ‘Stationers' Registers,’ 9 Sept. 1653, to Robert Davenport and Drue. Possibly the dramatist may be the Thomas Drewe who in 1621 translated and published ''Daniel Ben Alexander, the converted Jew, first written in Syriacke and High Dutch by himselfe''. ''The Life of Katherine Willoughby, the Duchess of Suffolk'' Drue is the author of a historical play, ‘The Life of the Dvtches of Svffolke,’ 1631, 4to, which has been wrongly attributed by Gerard Langbaine and others to Thomas Heywood. The play was published anonymously, but it is assigned to Drue in the ‘Stationers Registers’ (under date 13 November 1629) and in Sir Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cruel Brother (play)
"The Cruel Brother" (Child 11, Roud 26) is a folk song. Synopsis A knight (or lord) courts a lady. She tells him he must win the consent of her kin. He neglects that of her brother John. John mortally stabs her on her wedding day. She lives long enough to make various bequests, such as clothing to her mother, a fan to her sister; John invariably receives "a gallows to hang him on" and his wife may receive grief for her entire life and his children that they would have to beg, though the wife may get a widow's weeds and a quiet life, or his son the grace of God to be a man. Motifs The bride's bequests are highly typical of ballads, and similar bequests are found in ballads throughout Europe. Field Recordings Only four field recordings of the song by traditional singers are known to have been made: * Bell Duncan of Ythenwells, Aberdeenshire, Scotland (1929–35, recorded by James Madison Carpenter) * Polly Johnson of Wise, Virginia, USA (1939, recorded by Herbert Halpert) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Davenant
Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum. Biography Early life Davenant is believed to have been born in late February, 1606 in Oxford, the son of Jane Shepherd Davenant and John Davenant, proprietor of the Crown Tavern (or Crown Inn) and Mayor of Oxford. He was baptised on 3 March, his godfather sometimes being said to have been William Shakespeare, who, according to John Aubrey, had stayed frequently at the Crown during his travels between London and Stratford-upon-Avon.Edmond, M., ''Yeomen, Citizens, Gentlemen, and Players: The Burbages and Their Connections'', R. B. Parker (ed), ''Elizabethan Theater: Essays in Honor of S. Schoenbaum'', University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Renegado
''The Renegado, or The Gentleman of Venice'' is a late Literature in English#Jacobean literature, Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630 in literature, 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa. Massinger based the plot of his play on a novel by Miguel de Cervantes titled ''Los Baños de Argel,'' which had been printed in 1615 in literature, 1615. Performance and publication ''The Renegado'' was licensed for performance by Sir Henry Herbert (Master of the Revels), Henry Herbert, the Master of the Revels, on 17 April 1624 in literature, 1624. It was acted at the Cockpit Theatre by the Lady Elizabeth's Men; when that troupe was merged or re-organized into Queen Henrietta's Men in the following year, 1625 in literature, 1625, the play remained in their repertory. The 1630 book size, quarto was printed by Augustine Matthews for the booksell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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