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Richard Carter (musician)
Richard Carter (fl. 1728–1757) was an English violinist and composer. Life and career The earliest record of Richard Carter is as a violinist where he performed a benefit concert at the York Buildings on 12 April 1728. He performed concerts at Goodman's Fields Theatre on April 27, 1736, and the Theatre Royal, Drury Lane on April 20, 1742. Carter was one of the original members of the Royal Society of Musicians (RSM) upon its founding in 1738. He performed in a benefit concert with fellow RSM members Frederick Bosch, Thomas Collett and Thomas Gair at Lincoln's Inn Fields Playhouse on March 15, 1743. As a composer, Carter is known for a set of Baroque violin sonatas entitled ''Six Solos op.1''. These sonatas were originally written for Carter's violin pupils, and he published them c.1751 in a circulation whose subscribers included the composers Johann Christoph Pepusch and Jackson of Exeter. Also known is his trio sonata ''Six Sonatas or Chamber Airs op.2'' (c. 1756 – 1757), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Pepusch
Johann Christoph Pepusch (1667 – 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de l'Epine who also performed in some of his theatrical productions. Early life Pepusch studied music theory under Martin Klingenberg, cantor of the Marienkirche in Berlin. At the age of 14, he was appointed to the Prussian court where he gave music lessons to the future Frederick William I of Prussia. He resigned this position in 1698 after witnessing the execution of an officer without trial. He then first went to Amsterdam. In 1704, he settled in England but continued to publish in Amsterdam until 1718. Career At first, Pepusch earned a living playing the viola, then as a theatre director, music theoretician, teacher and organist. In 1726, Pepusch founded The Academy of Vocal Music with others; in around 1730–1, it was renamed T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century English Composers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranelagh Gardens
Ranelagh Gardens (; alternative spellings include Ranelegh and Ranleigh, the latter reflecting the English pronunciation) were public pleasure gardens located in Chelsea, then just outside London, England, in the 18th century. History The Ranelagh Gardens were so called because they occupied the site of Ranelagh House, built in 1688–89 by The 1st Earl of Ranelagh, an Anglo-Irish peer who was the Treasurer of Chelsea Hospital (1685–1702), immediately adjoining the hospital; according to Bowack's ''Antiquities of Middlesex'' (1705), it was "Designed and built by himself". Its actual builder and owner was one Solomon Rieti, an Italian Jewish immigrant. Rieti's niece, Rebecca Rieti, was the grandmother of Benjamin Disraeli. Ranelagh House was demolished in 1805 (Colvin 1995, p. 561). The original Ranelagh ( ga, Raghnallach) was one of the Earl's Irish estates: a similar pleasure garden was opened near Dublin city, and this gives its name to the present-day suburb of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1755 Lisbon Earthquake
The 1755 Lisbon earthquake, also known as the Great Lisbon earthquake, impacted Portugal, the Iberian Peninsula, and Northwest Africa on the morning of Saturday, 1 November, Feast of All Saints, at around 09:40 local time. In combination with subsequent fires and a tsunami, the earthquake almost completely destroyed Lisbon and adjoining areas. Seismologists estimate the Lisbon earthquake had a magnitude of 7.7 or greater on the moment magnitude scale, with its epicenter in the Atlantic Ocean about west-southwest of Cape St. Vincent and about southwest of Lisbon. Chronologically, it was the third known large scale earthquake to hit the city (following those of 1321 and 1531). Estimates place the death toll in Lisbon at between 12,000 and 50,000 people, making it one of the deadliest earthquakes in history. The earthquake accentuated political tensions in Portugal and profoundly disrupted the Portuguese Empire. The event was widely discussed and dwelt upon by European ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galant Style
The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in opposition to the strictures of the Baroque style, emphasizing light elegance in place of the Baroque's dignified seriousness and high grandeur. Music In music, the galant emphasis was on simplicity, immediacy of appeal, and elegance. Fashion In fashion, galant featured perfumed handkerchiefs and powdered wigs for both sexes. The fantastic exotic asymmetry of bizarre silk Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical shapes and stylized leaves and flowers, infl ... patterns were symptomatic of galant tastes. References External links {{wiktionary-inline 18th century in art 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackson Of Exeter
William Jackson (29 May 1730 – 5 July 1803), referred to as Jackson of Exeter, was an English organist and composer. Life Jackson was born and died in Exeter, England, the son of an Exeter grocer, who later became master of the city workhouse. After receiving some musical instruction from John Silvester, organist of Exeter Cathedral, Jackson was sent in 1748 to London, to become a pupil of John Travers, organist to the Chapel Royal. In 1767 Jackson wrote the music for an adaptation of Milton's ''Lycidas'', which was produced at Covent Garden on 4 November of the same year, on the occasion of the death of Prince Edward, Duke of York and Albany, brother to George III. While in London, he was a visitor at the meetings of the Madrigal Society. On his return to Exeter Jackson devoted himself to teaching music until Michaelmas 1777, when he was appointed subchanter, organist, lay vicar, and master of choristers to the cathedral, in succession to Richard Langdon. Jackson's pupils in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Sonatas
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments. The early violin sonata In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Georg Philipp Telemann wrote many such sonatas as did Johann Sebastian Bach. Bach also wrote sonatas with harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment and allowed in to enhance the part of the soloist. He also wrote sonatas for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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