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Ria Ginster
Ria Ginster (15 April 1898 – 11 May 1985) was a German soprano who appeared mainly in recital and concert, including international tours. She was an academic voice teacher at the Zürich Conservatory, and gave master classes internationally, including at the Mozarteum, in Philadelphia and in New York. Life and career Born in Frankfurt, Ginster was the daughter of the conductor Peter Ginster. She attended the Lyzeum and learned violin, appearing in public at age 13. From 1916 she studied singing at the Hoch Conservatory in Frankfurt. She studied further at the Berlin University of the Arts with Louis Bachner, obtaining the Staatsexamen. From 1923 she performed as a lied singer primarily. Opera arias also belonged to her repertoire, but she rarely appeared on stage. She performed operatic roles for the broadcaster ''Hessischer Rundfunk'', including Melisande in Debussy's '' Pelléas et Mélisande'' and the title role in Puccini's ''Suor Angelica''. Ginster gave concerts in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankfurt
Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its namesake Main River, it forms a continuous conurbation with the neighboring city of Offenbach am Main and its urban area has a population of over 2.3 million. The city is the heart of the larger Rhine-Main metropolitan region, which has a population of more than 5.6 million and is Germany's second-largest metropolitan region after the Rhine-Ruhr region. Frankfurt's central business district, the Bankenviertel, lies about northwest of the geographic center of the EU at Gadheim, Lower Franconia. Like France and Franconia, the city is named after the Franks. Frankfurt is the largest city in the Rhine Franconian dialect area. Frankfurt was a city state, the Free City of Frankfurt, for nearly five centuries, and was one of the most import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wigmore Hall
Wigmore Hall is a concert hall located at 36 Wigmore Street, London. Originally called Bechstein Hall, it specialises in performances of chamber music, early music, vocal music and song recitals. It is widely regarded as one of the world's leading centres for this type of music and an essential port of call for many of the classical music world's leading stars. With near-perfect acoustic, the Hall quickly became celebrated across Europe and featured many of the great artists of the 20th century. Today, the Hall promotes 550 concerts a year and broadcasts a weekly concert on BBC Radio 3. The Hall also promotes an extensive education programme throughout London and beyond and has a huge digital broadcasting arm, which includes the Wigmore Hall Live Label and many live streams of concerts. Origins Originally named Bechstein Hall, it was built between 1899 and 1901 by C. Bechstein Pianofortefabrik, the German piano manufacturer, whose showroom was next door. The renowned British a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Hotter
Hans Hotter (19 January 19096 December 2003) was a German operatic bass-baritone. He stood 6 ft 4 in and his appearance was striking. His voice and diction were equally recognisable. Early life and career Born in Offenbach am Main, Hesse, Hotter studied with Matthäus Roemer in Munich. He worked as an organist and choirmaster before making his operatic debut in Opava in 1930. He performed in Germany and Austria under the Nazi regime, avoiding pressure on performers to join the Nazi Party, and made some appearances outside the country, including concerts under the baton of Bruno Walter in Amsterdam, who advised him that if Hotter could not leave his family members he had little alternative but to remain in Germany. Hotter was unable to pursue an international career until his Covent Garden debut in 1947. After that, he sang in all the major opera houses of Europe. He made his Metropolitan Opera debut as the title character in ''Der fliegende Holländer'' in 1950. In four sea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Klemperer
Otto Nossan Klemperer (14 May 18856 July 1973) was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor. A protégé of the composer Gustav Mahler, Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. From 1929 to 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. The rise of the Nazis caused him to leave Germany in 1933, and shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumour. An operation to remove it was succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Walter
Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century. Biography Early life Born near Alexanderplatz in Berlin to a middle-class Jewish family, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine; he performed a concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Alsen
Herbert Alsen (sometimes Ahlsen) (12 October 1906 – 25 October 1978 was a German operatic bass of formidable volume and stature.Kurt Moses, ''American Record Guide'', Sept./Oct., 2004 quoted on Norbeck, Peters & Ford Biography Alsen debuted as Rocco in ''Fidelio'' in Westfalen. In 1936, he performed as the Commendatore in Mozart's ''Don Giovanni'' under Bruno Walter, and as Pogner the goldsmith in Wagner's ''Die Meistersinger von Nürnberg'' under Arturo Toscanini. Basing his career in Vienna, he went on to play all the great Wagner bass roles, including Gurnemanz, Hunding, Fafner, King Marke and Hagen, and more than forty roles by other composers. He sang at the Metropolitan Opera in the 1938–9 season. He retired in 1958. Recordings are available of his Hunding, Pogner, and Fafner; also Rocco, Banco, Commendatore (opposite Ezio Pinza), Sarastro, and Osmin (opposite Elisabeth Schwarzkopf Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helge Rosvaenge
Helge Rosvaenge (born Helge Anton Rosenvinge Hansen, August 29, 1897June 17, 1972) was a Danish-born operatic tenor whose career was centred on Germany and Austria, before, during and after World War II. His last name is sometimes spelled Roswaenge or Rosvænge. Rosvaenge was born in Copenhagen. However, his life was spent in Germany, and he made his debut at Neustrelitz as Don Jose in ''Carmen'' in 1921. Engagements followed at Altenburg, Basel, Cologne (1927–30) and the Berlin State Opera, where he was leading tenor from 1930 to 1944, being especially distinguished in the Italian repertory. He also sang regularly at the Vienna State Opera from 1936, and in Munich. Rosvaenge also appeared at the Salzburg Festival, making his debut there in ''Der Rosenkavalier''. Other roles which he performed at Salzburg between 1933 and 1939 were Tamino in ''The Magic Flute'', Huon in ''Oberon'' and Florestan in ''Fidelio''. His London debut at the Royal Opera House, Covent Garden, occurred in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosette Anday
Piroska Anday (12 December 1899, in Budapest – 22 December 1977, in Vienna) known as Rosette Anday, was a leading Hungarian mezzo-soprano. Life On 23 September 1921, Bizet's opera '' Carmen'' was performed at the Vienna State Opera and a hitherto unknown 18-year-old woman sang the most difficult arias of the opera. Franz Schalk, the then director of the Vienna State Opera, had heard the young singer a few months earlier in Budapest, where she studied singing at the local conservatory and took violin lessons with the composer Jenő Hubay. Schalk employed her immediately, without offering her a customary guest engagement and within a short time Rosette Anday became one of the leading mezzo-sopranos of the Vienna State Opera. One of her teachers was the alto and mezzo soprano Mme. Charles Cahier who had sung ''Carmen'' at the Vienna Court Opera between 1907 and 1911. Funded by Schalk and Richard Strauss, she gave her first song recital in the Grand Musikverein in Vienna in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Furtwängler
Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , , ; 25 January 188630 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles. Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. He was also principal conductor of the Gewandhaus Orchestra (1922–26), and was a guest conductor of other major orchestras including the Vienna Philharmonic. Although not an adherent of Nazism, he was the leading conductor to remain in Germany during the Nazi regime. Despite his open opposition to antisemitism and the ubiquity of Nazi symbolism, the regime did not seek to suppress him, at Joseph Goebbels' insistence, for propaganda reasons. This situation caused lasting controversy, and the extent to which his pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Othmar Schoeck
Othmar Schoeck (1 September 1886 – 8 March 1957) was a Swiss Romantic classical composer, opera composer, musician, and conductor. He was known mainly for his considerable output of art songs and song cycles, though he also wrote a number of operas, notably his one-act '' Penthesilea'', which was premiered at the Semperoper in Dresden in 1927 and revived at the Lucerne Festival in 1999. He wrote a handful of instrumental compositions, including two string quartets and concertos for violin (for Stefi Geyer, dedicatee also of Béla Bartók's first concerto), cello and horn. Biography Early life and career Schoeck was born in Brunnen, studied briefly at the Leipzig Conservatory with Max Reger in 1907/08, but otherwise spent his whole career in Zürich. His father, Alfred Schoeck was a landscape painter, and as a young man, Othmar seriously considered following in his father's footsteps and attended classes an art school in Zürich before dropping out to go to the Zürich Conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
