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Reyer Venezia Coaches
Louis Étienne Ernest Reyer (1 December 1823 – 15 January 1909) was a French opera composer and music critic. Biography Ernest Reyer was born in Marseille. His father, a notary, did not want his son to take up a career in music. However, he did not actively block his son's ambitions and allowed him to attend classes at the Conservatoire from age six to sixteen. In 1839, when he was 16 years old, Ernest traveled to north Africa to work under his brother-in-law, head of accounting for the Treasury Department in Algeria. The job was not a good fit with Reyer's nonchalant and undisciplined temperament. From administrative documents, it is apparent that Reyer wrote innumerable youthful essays and stories, and original dance pieces. Some of his early compositions achieved local notoriety and received favorable comments in the Algerian press, including a Mass performed at the cathedral that was performed for the arrival of the Duke of Aumale in 1847. Reyer returned to Paris during th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Louis Étienne Ernest Reyer (1 December 1823 – 15 January 1909) was a French opera composer and music critic. Biography Ernest Reyer was born in Marseille. His father, a notary, did not want his son to take up a career in music. However, he did not actively block his son's ambitions and allowed him to attend classes at the Conservatoire from age six to sixteen. In 1839, when he was 16 years old, Ernest traveled to north Africa to work under his brother-in-law, head of accounting for the Treasury Department in Algeria. The job was not a good fit with Reyer's nonchalant and undisciplined temperament. From administrative documents, it is apparent that Reyer wrote innumerable youthful essays and stories, and original dance pieces. Some of his early compositions achieved local notoriety and received favorable comments in the Algerian press, including a Mass performed at the cathedral that was performed for the arrival of the Duke of Aumale in 1847. Reyer returned to Paris during th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Statue
''La statue'' (''The Statue'') is an opera in three acts and five tableaux by Ernest Reyer to the libretto by Michel Carré and Jules Barbier based on tales from ''One Thousand and One Nights'' and ''La statue merveilleuse'', an 1810 carnival play (''pièce foraine'') by Alain-René Lesage and Jacques-Philippe d'Orneval. Although in its story opera possesses a certain Oriental climate, musically it has very little resemblance to its locale, remaining in core of the French music tradition of 18th and early 19th century. It was originally conceived and performed as an opéra comique (with some spoken dialogue instead of all recitatives). Performance history The opera received its premiere at the Théâtre Lyrique on 11 April 1861 and was very successful (Jules Massenet, who at that time himself participated in that performance (playing timpani in the orchestra), described it as "a superb score and tremendous success"). Until the year 1863 it received total of 59 performances, impres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völsunga Saga
The ''Völsunga saga'' (often referred to in English as the ''Volsunga Saga'' or ''Saga of the Völsungs'') is a legendary saga, a late 13th-century poetic rendition in Old Norse of the origin and decline of the Völsung clan (including the story of Sigurd and Brynhild and the destruction of the Burgundians). It is one of the most famous legendary sagas and an example of a "heroic saga" that deals with Germanic heroic legend. The saga covers topics including the quarrel between Sigi and Skaði, a huge family tree of great kings and powerful conquerors, the quest led by Sigmund and Sinfjǫtli to save princess Signý from the evil king Siggeir, and, most famously, Sigurd killing the serpent/dragon Fáfnir and obtaining the cursed ring Andvaranaut that Fáfnir guarded. Context and overview The saga is largely based on the epic poetry of the historic ''Elder Edda''. The earliest known pictorial representation of this tradition is the Ramsund carving in Sweden, which was created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edda
"Edda" (; Old Norse ''Edda'', plural ''Eddur'') is an Old Norse term that has been attributed by modern scholars to the collective of two Medieval Icelandic literary works: what is now known as the ''Prose Edda'' and an older collection of poems without an original title now known as the ''Poetic Edda''. The term historically referred only to the ''Prose Edda'', but this has fallen out of use because of the confusion with the other work. Both works were written down in Iceland during the 13th century in Icelandic, although they contain material from earlier traditional sources, reaching into the Viking Age. The books are the main sources of medieval skaldic tradition in Iceland and Norse mythology. Etymology At least five hypotheses have been suggested for the origins of the word ''edda'': * One hypothesis holds that it is identical to a word that means "great-grandmother" appearing in the Eddic poem ''Rígsþula.'' * Another hypothesis holds that ''edda'' derives from Old No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brusse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigurd (opera)
''Sigurd'' is an opera in four acts and nine scenes by the French composer Ernest Reyer on a libretto by Camille du Locle and Alfred Blau. Like Wagner's ''Ring of the Nibelung'', the story is based on the ''Nibelungenlied'' and the Eddas, with some crucial differences from the better known Wagnerian version (the role of the supernatural is limited and replaced in large part by fate; the initial version of the libretto with a prologue set in heaven was later cut out). The whole opera can best be described as an epic with techniques of the grand opera. Initially sketched out in 1862 (and virtually completed in draft by 1867), the work waited many years before it was performed in full. Orchestration of various fragments progressed much more slowly, and as they were completed, they were sometimes performed at various concerts. Initial attempts at staging the work at the Paris Opéra failed, therefore the opera had its world premiere in the Théatre de la Monnaie in Brussels on 7 Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baden-Baden
Baden-Baden () is a spa town in the states of Germany, state of Baden-Württemberg, south-western Germany, at the north-western border of the Black Forest mountain range on the small river Oos (river), Oos, ten kilometres (six miles) east of the Rhine, the border with France, and forty kilometres (twenty-five miles) north-east of Strasbourg, France. In 2021, the town became part of the transnational World Heritage Site, UNESCO World Heritage Site under the name "Great Spa Towns of Europe", because of its famous spas and architecture that exemplifies the popularity of spa towns in Europe in the 18th through 20th centuries. Name The springs at Baden-Baden were known to the Roman Empire, Romans as ("The Waters") and ("Aurelia (name), Aurelia-of-the-Waters") after M. Aurelius Severus Alexander Augustus. In modern German, ' is a noun meaning "bathing" but Baden, the original name of the town, derives from an earlier plural, plural form of ' (Bathing, "bath"). (Modern German uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legion Of Honour
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon, Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its Seat (legal entity), seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander (order), Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French Order of chivalry, orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon, Napoleon Bonaparte, the French Consulate, First Consul, to create a reward to commend c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Weber, and Verdi, but probably is most remembered today for having given the first performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), '' |
