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Revolutionary Ensemble
The Revolutionary Ensemble was a free jazz trio consisting of violinist Leroy Jenkins (1932–2007), bassist Sirone (Norris Jones, 1940–2009) and percussionist/pianist Jerome Cooper (1946–2015). The group was active from 1970–1977, and reunited briefly in 2004. Musician George E. Lewis described the trio as "one of the signal groups of the period." Writer John Fordham stated that the group "was remarkable for its concentration on texture, tone colour and the then unclaimed territory between jazz and contemporary classical music." A DownBeat reviewer, writing in 1972, described them as "a unique, utterly contemporary unit of extraordinarily talented players who possess a world understanding of what 'organized sound' is all about." History Prior to the formation of the Revolutionary Ensemble in 1970, Jenkins, recently returned from Europe, had been playing with Anthony Braxton and Leo Smith in a group called Creative Construction Company. Following a May 19, 1970 performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Spot Café
The Five Spot Café was a jazz club located at 5 Cooper Square (1956–1962) in the Bowery neighborhood of New York City, between the Greenwich Village, East and West Village. In 1962, it moved to 2 St. Marks Place until closing in 1967. Its friendly, non-commercial, and low-key atmosphere with affordable drinks and food and cutting edge bebop and progressive jazz attracted a host of avant-garde artists and writers. It was a venue of historic significance as well, a mecca for musicians, both local and out-of-state, who packed the small venue to listen to many of the most creative composers and performers of the era. Early history In 1937, Salvatore Termini (born 1884) purchased what was then known as the Bowery Café, a working-class bar located under the IRT Third Avenue Line, Third Avenue El. In 1946, two of Termini's sons, Joe and Ignatze (Iggy), returned from the war and helped run the bar. In 1951, the sons purchased the business from their father and renamed it the No. 5 Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaica Center For Arts & Learning
The Jamaica Center for Arts & Learning in Jamaica, Queens, New York is a performing and visual arts center that was founded in 1972 in an effort to revitalize the surrounding business district. As of 2012, it serves more than 28,000 people annually via a 1,650 square foot gallery, a 99-seat proscenium theater, and art & music studios. The building that houses the center is the former Queens Register of Titles and Deeds Building, a New York City landmark that is also listed on the National Register of Historic Places. Outside the building is one of only two remaining cast-iron sidewalk clocks in New York City, as well as a late-Victorian era headquarters of the Jamaica Savings Bank next door. Queens Register of Titles and Deeds Building Office of the Register, also known as Queens Register of Titles and Deeds Building, is a historic government building located in the Jamaica section of the New York City borough of Queens. It was built between 1895 and 1913 and is an imposing, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Arts Center
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location. The first music director of The Kitchen was composer Rhys Chatham. The venue became known as a place w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Public Theater
The Public Theater is a New York City arts organization founded as the Shakespeare Workshop in 1954 by Joseph Papp, with the intention of showcasing the works of up-and-coming playwrights and performers.Epstein, Helen. ''Joe Papp: An American Life'', Da Capo Press, March 1, 1996. Led by JoAnne Akalaitis from 1991 to 1993 and by George C. Wolfe from 1993 to 2004, it is currently led by Artistic Director Oskar Eustis and Executive Director Patrick Willingham. The venue opened in 1967, with the world-premiere production of the musical ''Hair'' as its first show. The Public is headquartered at 425 Lafayette Street in the former Astor Library in Lower Manhattan. The building holds five theater spaces and Joe's Pub, a cabaret-style venue used for new work, musical performances, spoken-word artists, and soloists. The Public also operates the Delacorte Theater in Central Park, where it presents Shakespeare in the Park. New York natives and visitors alike have been enjoying free Shakesp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Papp
Joseph Papp (born Joseph Papirofsky; June 22, 1921 – October 31, 1991) was an American theatrical producer and director. He established The Public Theater in what had been the Astor Library Building in Lower Manhattan. There Papp created a year-round producing home to focus on new plays and musicals. Among numerous examples of these were the works of David Rabe, Ntozake Shange's ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', Charles Gordone's '' No Place to Be Somebody'' (the first off-Broadway play to win the Pulitzer Prize), and Papp's production of Michael Bennett's Pulitzer Prize–winning musical ''A Chorus Line''. Papp also founded Shakespeare in the Park, helped to develop other off-Broadway theatres and worked to preserve the historic Broadway Theatre District. Early life Papp was born as Joseph Papirofsky in the Brooklyn borough of New York City, the son of Yetta (née Miritch), a seamstress, and Samuel Papirofsky, a trunkmaker. His par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick J
Frederick may refer to: People * Frederick (given name), the name Nobility Anhalt-Harzgerode *Frederick, Prince of Anhalt-Harzgerode (1613–1670) Austria * Frederick I, Duke of Austria (Babenberg), Duke of Austria from 1195 to 1198 * Frederick II, Duke of Austria (1219–1246), last Duke of Austria from the Babenberg dynasty * Frederick the Fair (Frederick I of Austria (Habsburg), 1286–1330), Duke of Austria and King of the Romans Baden * Frederick I, Grand Duke of Baden (1826–1907), Grand Duke of Baden * Frederick II, Grand Duke of Baden (1857–1928), Grand Duke of Baden Bohemia * Frederick, Duke of Bohemia (died 1189), Duke of Olomouc and Bohemia Britain * Frederick, Prince of Wales (1707–1751), eldest son of King George II of Great Britain Brandenburg/Prussia * Frederick I, Elector of Brandenburg (1371–1440), also known as Frederick VI, Burgrave of Nuremberg * Frederick II, Elector of Brandenburg (1413–1470), Margrave of Brandenburg * Frederick William, Elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roscoe Mitchell
Roscoe Mitchell (born August 3, 1940) is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". ''The Penguin Guide to Jazz'' described him as "one of the key figures" in avant-garde jazz;''The Penguin Guide to Jazz'' by Richard Cook, Brian Morton, et al. p. 916, eighth edition All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in ''The New York Times'' has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians ( AACM). History Early life Mitchell was born in Chicago, Illinois, United States. He also grew up in the Chicago area, where he played saxophone and clarinet at around age twelve. His family was always involved in music with many different styles playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Ensemble Of Chicago
The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians ( AACM) in the late 1960s. The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These characteristics combined to make the ensemble's performances both aural and visual. While playing in Europe in 1969, five hundred instruments were used. History Members of what was to become the Art Ensemble performed together under various band names in the mid-sixties, as members of the Association for the Advancement of Creative Musicians (AACM). They performed on the 1966 album ''Sound,'' as the Roscoe Mitchell Sextet. The Sextet included saxophonist Roscoe Mitchell, trumpeter Lester Bowie, and bassist Malachi Favors. For the next year, they played as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rahsaan Roland Kirk
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935Kernfeld, Barry.Kirk, Roland" ''The New Grove Dictionary of Jazz'', 2nd ed. Ed. Barry Kernfeld. ''Grove Music Online''. ''Oxford Music Online''. Retrieved February 1, 2009-. "The year of his birth has been widely given as 1936, but his birth certificate gives 1935 and confirms Ronald, not Roland." – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Life Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Bli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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