HOME
*





Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Herbie Nichols
Herbert Horatio Nichols (January 3, 1919 – April 12, 1963) was an American jazz pianist and composer who wrote the jazz standard " Lady Sings the Blues". Obscure during his lifetime, he is now highly regarded by many musicians and critics. Life He was born in San Juan Hill, Manhattan, New York, United States, to parents from St. Kitts and Trinidad, and grew up in Harlem. During much of his career, he took work as a Dixieland musician while also pursuing the more adventurous kind of jazz he preferred. He is best known today for program music that combines bop, Dixieland, and music from the Caribbean with harmonies from Erik Satie and Béla Bartók. His first known work as a musician was with the Royal Barons in 1937, but he did not find performing at Minton's Playhouse a few years later a very happy experience, as the competitive environment did not suit him. However, he did become friends with pianist Thelonious Monk. Nichols was drafted into the Army in 1941. After the war ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Big Band And Quartet In Concert
''Big Band and Quartet in Concert'' is the fifth album Thelonious Monk released for Columbia Records, featuring several Monk compositions. It was recorded live at Lincoln Center, Philharmonic Hall, New York, New York on December 30, 1963. It was called by reviewer Scott Yanow "essential for all jazz collections". Track Listing The 1994 reissue on CD and LP restored the entire concert including selections and drum solos left off the original 1964 release. Disc 1 # Bye-Ya* - 11:23 # I Mean You* - 12:49 # Evidence* - 14:03 # Epistrophy* - 2:07 # (When It’s) Darkness On The Delta ** - 5:15 # Played Twice*** - 7:48 Disc 2 1. Misterioso*** - 9:52 2. Epistrophy*** - 1:18 3. Light Blue* - 12:53 4. Oska T* - 13:18 5. Four In One* - 14:43 6. Epistrophy* - 2:23 *Big Band **Solo ***Quartet Track Listing 1964 LP # "I Mean You" – 12:42 # "Evidence" – 12:38 # "(When It's) Darkness On The Delta" (Al Neiburg, Jerry Livingston, Marty Symes) – 5:03 # "Oska T." – 9:20 # ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Reflections (Steve Lacy Album)
''Reflections'' (subtitled ''Steve Lacy Plays Thelonious Monk'') is the second album by Steve Lacy which was released on the Prestige label in 1959. It features performances of Thelonious Monk's compositions by Lacy, Mal Waldron, Buell Neidlinger and Elvin Jones. (According to biographer Robin Kelley, this was the first album devoted entirely to Monk's music recorded by another artist.) Reception The Allmusic review by Scott Yanow stated: "All of soprano saxophonist Steve Lacy's early recordings are quite fascinating, for during 1957-1964, aspects of his style at times hinted at Dixieland, swing, Monk, and Cecil Taylor, sometimes at the same time. For this CD reissue (a straight reproduction of the original New Jazz LP), Lacy teams up with pianist Mal Waldron, bassist Buell Neidlinger, and drummer Elvin Jones for seven Thelonious Monk compositions. The typical standbys (such as 'Round Midnight,' 'Straight No Chaser,' and 'Blue Monk') are avoided in favor of more complex works such ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Gil Evans
Ian Ernest Gilmore Evans (né Green; May 13, 1912 – March 20, 1988) was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis. Early life Gil Evans was born in Toronto, Canada on May 13, 1912 to Margaret Julia McConnachy. Little is known about Evans' biological father, although a family friend said that he was a doctor who had died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in Saskatchewan, British Columbia, Washington, Idaho, Montana, and Oregon, migrating to wherever Evans' father could find work. Eventually, the family ended up in California, first in Berkeley, where Evans attended the ninth and t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Newport Jazz Festival
The Newport Jazz Festival is an annual American multi-day jazz music festival held every summer in Newport, Rhode Island. Elaine Lorillard established the festival in 1954, and she and husband Louis Lorillard financed it for many years. They hired George Wein to organize the first festival and bring jazz to Rhode Island. Most of the early festivals were broadcast on Voice of America radio, and many performances were recorded and released as albums. In 1972, the Newport Jazz Festival was moved to New York City. In 1981, it became a two-site festival when it was returned to Newport while continuing in New York. From 1984 to 2008, the festival was known as the JVC Jazz Festival; in the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion. The festival is hosted in Newport at Fort Adams State Park. It is often held in the same month as the Newport Folk Festival. Festival's establishment at Newport 1950s In 1954, the first Newport Jazz F ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Jazz Advance
''Jazz Advance'' is the debut album by pianist Cecil Taylor, recorded for the Transition label in September 1956. The album features performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy. Music The album contains three Taylor originals, three standards, and one standard-to-be, Thelonious Monk's "Bemsha Swing", first recorded only four years before Taylor's version. This track is played "cryptically and succinctly, the lines breaking up into jagged fragments and jutting chords". "Charge 'Em Blues" is in 4/4 time. The chords and light treble playing towards the beginning of "Azure" are similar to the sound of Abdullah Ibrahim, but then "the cross-rhythmic improvised piano patterns clattering chords typical of later Taylor emerge". Reception ''The Penguin Guide to Jazz'' selected the album as part of its suggested "Core Collection", stating "Taylor's first record remains one of the most extraordinary debuts in jazz, and for 1956 it's an incredible effort." ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Jimmy Rushing
James Andrew Rushing (August 26, 1901 – June 8, 1972) was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948. Rushing was known as " Mr. Five by Five" and was the subject of an eponymous 1942 popular song that was a hit for Harry James and others; the lyrics describe Rushing's rotund build: "he's five feet tall and he's five feet wide". He joined Walter Page's Blue Devils in 1927 and then joined Bennie Moten's band in 1929. He stayed with the successor Count Basie band when Moten died in 1935. Rushing said that his first time singing in front of an audience was in 1924. He was playing piano at a club when the featured singer, Carlyn Williams, invited him to do a vocal. "I got out there and broke it up. I was a singer from then on," he said. Rushing was a powerful singer who had a range from baritone to tenor. He has sometimes been classified as a blues shouter. He could project ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Dicky Wells
William Wells (June 10, 1907 – November 12, 1985), known professionally as Dicky Wells (sometimes Dickie Wells), was an American jazz trombonist. Career Dickie Wells is believed to have been born on June 10, 1907 in Centerville, Tennessee, United States. His brother was trombonist Henry Wells. He moved to New York City in 1926, and became a member of the Lloyd Scott band. He played with Count Basie between 1938–1945 and 1947–1950. He also played with Cecil Scott, Spike Hughes, Fletcher Henderson, Benny Carter, Teddy Hill, Jimmy Rushing, Buck Clayton and Ray Charles. In the middle years of the 1960s, Wells toured and performed extensively, and the onset of alcoholism caused him personal problems which led to his semi-retirement. Publication of his autobiography in 1973 helped to steer Wells back to his profession. In his later years, Wells suffered a severe beating during a mugging that affected his memory, but he recovered and continued to perform. He played frequentl ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian's Cotton Club, who taugh ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]