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René Hérent
René Hérent (born Cambrai 16 May 1897, died Paris January 1966) was a French tenor whose career was centred on the Opéra-Comique in Paris, where he played supporting roles for many years, and left several recordings.Kutsch KJ, Riemens L. René Hérent. In : ''Unvergängliche Stimmen: Sängerlexikon.'' Francke Verlag, Bern and Munchen, 1982. Life and career Hérent made his debut on 17 August 1918 as Guillot de Morfontaine in Massenet's ''Manon''. At the Opéra-Comique he created many roles, either in Paris or world premieres, including Mercure in ''Amphytrion 38'', the dancing master in ''Ariadne auf Naxos'', Un valet in ''Don Quichotte'', le vieillard and la rainette in ''L'enfant et les sortilèges'', Mémucan-Aman in ''Esther de Carpentras'', Ouf 1er in '' L'étoile'', Prince de Chabran in ''Femme nue'', Vašek in '' La fiancée vendue'', Galipot in ''Frasquita'', Lubin in ''Georges Dandin'', Betto in ''Gianni Schicchi'', Mouzzafer in ''Le Hulla'', Madame Poiretapée in ''Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambrai
Cambrai (, ; pcd, Kimbré; nl, Kamerijk), formerly Cambray and historically in English Camerick or Camericke, is a city in the Nord (French department), Nord Departments of France, department and in the Hauts-de-France Regions of France, region of France on the Scheldt river, which is known locally as the Escaut river. A Subprefectures in France, sub-prefecture of the department, Cambrai is a town which had 32,501 inhabitants in 2018. It is in the heart of the urban unit of Cambrai with 46,772 inhabitants. Its functional area (France), functional area, a more extensive range, included 94,576 inhabitants in 2018.Comparateur de territoire: Aire d'attraction des villes 2020 de Cambra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanély Revoil
Fanély Revoil, born Marseille 25 September 1906, died Annonay 31 January 1999, was a French singer who had a major career in opera and operetta between the 1930s and 1989.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 22.03.10. She was married to theater director Robert Ancelin from 1937 to 1942. Career After starting work as a secretary Revoil followed courses in singing and acting at the Marseille Conservatoire, making her debut in Montpellier in 1928 in ''Gillette de Narbonne'' (which also marked her farewell to the stage in 1957), then appeared in Mulhouse in '' Comtesse Maritza'', before joining the company in Le Havre, singing in operettas from both the Paris and Vienna traditions (including the French premiere of ''Frasquita''), as well as in '' Carmen''.Gourret J. ''Dictionnaire des cantatrices de l'Opera de Paris.'' Editions Albatros, Paris, 1987. In 1933, she made her fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Mogador
Théâtre Mogador, founded in 1913 with design by Bertie Crewe, is a Parisian music hall theatre located at 25, rue de Mogador in the 9th district. It seats 1,800 people on three tiers. In 1913 financier Sir Alfred Butt rented an area in Paris. Built according to English music hall principles and style during World War I, the theatre was originally named the "Palace Theatre", after the like-named one in London, in order to appeal to British soldiers. The name was shortly thereafter changed to "Théâtre Mogador", Mogador being the old name of the town of Essaouira in Morocco. The inauguration guests include President Wilson, in France to negotiate the Treaty of Versailles. It was inaugurated by US president to be Franklin Delano Roosevelt April 1919. From 1920 it was a Cine-variety, and gained fame with the performances of Sergei Diaghilev's Ballets Russes, and with the ''Thés Mogador'' – performances of operettas and plays in the afternoon. Until the seventies, the Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Marigny
The Théâtre Marigny is a theatre in Paris, situated near the junction of the Champs-Élysées and the Avenue Marigny in the 8th arrondissement. It was originally built to designs of the architect Charles Garnier for the display of a panorama, which opened in 1883. The panorama was converted to the Théâtre Marigny in 1894 by the architect Édouard Niermans and became a home to operetta and other musical theatre. Panorama An earlier theatre on the site, the Salle Lacaze, became known in 1855, as the home of Jacques Offenbach's Théâtre des Bouffes-Parisiens, where he first built his reputation as a theatre composer. In 1864 this became the Théâtre des Folies-Marigny, which was demolished in 1881, giving way to a panorama built by Charles Garnier. In 1885, dioramas on Paris through the ages by Theodor Josef Hubert Hoffbauer (1839–1922), and on Jerusalem on the day of the death of Christ, by Olivier Pichat, were displayed. Theatre In 1894, Édouard Niermans converted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pré Aux Clercs
''Le pré aux clercs'' (''The Clerks' Meadow'') is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's ''Chronique du temps de Charles IX'' of 1829.Pougin A. Hérold, biographie critique illustrée', Henri Laurens, Paris, 1906, p. 122 Performance history ''Le pré aux clercs'' was premiered in Paris by the Opéra-Comique company at the Salle de la Bourse on 15 December 1832. After the first performance the leading lady, Madame Casimir, refused – after unsuccessfully demanding more money – to sing in the subsequent performances, and Mlle Dorus of the Opéra was coached by Hérold over five days to take over the role of Isabelle. According to Hérold's biographer Arthur Pougin, this incident exacerbated the composer's ill-health, leading to his death five weeks after the premiere. The opera, Hérold's last completed one, was very successful, inaugurating the new Salle Favart in 1840, and enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Médecin Malgré Lui (opera)
(''The Doctor in spite of himself''; sometimes also called ''The Mock Doctor'') is an opéra comique in three acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré after Molière's play, also entitled ''Le Médecin malgré lui''. Performance history It premiered at the Théâtre Lyrique, Paris, on 15 January 1858. As the work uses spoken dialogue and verse taken directly from Molière's play, the Comédie-Française tried unsuccessfully to block performance of the opera.Haubner, ''Grove'', 1997 It was revived at the Opéra-Comique in 1872, 1886, 1902 and 1938; was seen in Hamburg, Stockholm and Warsaw in 1862; and in England between 1865 and 1891. On 25 November 1978 the opera received its 100th performance at the Opéra-Comique, conducted by Sylvain Cambreling and with Jean-Philippe Lafont, Jocelyne Taillon and Jules Bastin among the cast. In June 1923, Sergei Diaghilev commissioned Erik Satie to compose recitatives to replace the spoken dialogue. Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise (opera)
''Louise'' is a “musical novel,” or “,” in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera ''Julien'', describing the artist's aspirations.) Musically the work is ''verismo'', it marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-Comiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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