|
Rekhta
''Rekhta'' ( ur, ; hi, रेख़्ता ) was the Hindustani language as its dialectal basis shifted to the Delhi dialect. This style evolved in both the Urdu alphabet, Perso-Arabic and Devanagari scripts and is considered an early form of Urdu and Hindi. The 13th century Sufi Muslim poet Amir Khusraw used the term "Hindustani language, Hindavi" (meaning "of Hind or India") for the 'Rekhta' dialect (the ancestor of Modern Urdu), the Persianized offshoot of the Apabharamsa vernacular Old Hindi, towards it's emergence during the era of Delhi Sultanate, and gave shape to it in a handful Islamic literature, thus called "the father of Urdu literature". Other early Sufi poets includes Baba Farid. later from the 18th century, the dialect was became the literary language and was further developed by the poets Mir Taqi Mir, Mir and Mirza Ghalib, Ghalib in the late Mughal empire, Mughal period, and the term eventually fallen out and came to be known as "Urdu", by the end of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Language
Hindustani (; Devanagari: , * * * * ; Perso-Arabic: , , ) is the '' lingua franca'' of Northern and Central India and Pakistan. Hindustani is a pluricentric language with two standard registers, known as Hindi and Urdu. Thus, the language is sometimes called Hindi–Urdu. Despite these standard registers, colloquial speech in Hindustani often exists on a spectrum between these standards. Ancestors of the language were known as ''Hindui'', ''Hindavi'', ''Zabān-e Hind'' (), ''Zabān-e Hindustan'' (), ''Hindustan ki boli'' (), Rekhta, and Hindi. Its regional dialects became known as ''Zabān-e Dakhani'' in southern India, ''Zabān-e Gujari'' () in Gujarat, and as ''Zabān-e Dehlavi'' or Urdu around Delhi. It is an Indo-Aryan language, deriving its base primarily from the Western Hindi dialect of Delhi, also known as Khariboli. Hindustani is a pluricentric language, best characterised as a continuum between two standardised registers: Modern Standard Hindi and Modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Taqi Mir
Mir Muhammad Taqi (February 1723 – 20 September 1810), known as Mir Taqi Mir (also spelled Meer Taqi Meer), was an Urdu poet of the 18th century Mughal era in the Subcontinent and one of the pioneers who gave shape to the Urdu language itself. His father's name was Meer Muttaqi. After his father's death, his step-Brothers took control over his property. His step-uncle took care of him after he was orphaned and after the death of his step-uncle(paternal) his maternal step-uncle took care of him. The part of his poetry is the grief he expresses. He has expressed a lot of grief over the downfall of his city, Delhi. He was one of the principal poets of the Delhi School of the Urdu ''ghazal'' and is often remembered as one of the best poets of the Urdu language. His pen name (''takhallus'') was Mir. He spent the latter part of his life in the court of Asaf-ud-Daulah in Lucknow. Life The main source of information on Mir's life is his autobiography ''Zikr-e-Mir'', which covers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delhi Dialect
Kauravi ( hi, कौरवी, ur, ), also known as Khaṛībolī is a set of Western Hindi varieties of Shauraseni Prakrit mainly spoken in Northwestern Uttar Pradesh. Standard Hindi and Urdu are based on Khariboli, specifically on its Dehlavi dialect(Old Hindi), becoming the Hindustani language of the Ganga-Jamuni Tehzeeb. Hindustani gained prestige when it was accepted along with Persian as a language of the court, before that it was only a sociolect of the ruling classes and a language the Persianate states spoke to their subjects in. Modern Kauravi contains some features, such as gemination, which give it a distinctive sound and differentiates it from Braj, Awadhi and Hindustani. An early form of Kauravi became the main basis of Old Hindi, which subsequently developed into Hindustani and then into Hindi and Urdu. Geographical distribution Khariboli is spoken in the rural surroundings of Delhi and northwestern Uttar Pradesh, as well as in some neighbouring areas of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehlavi Dialect
Kauravi ( hi, कौरवी, ur, ), also known as Khaṛībolī is a set of Western Hindi varieties of Shauraseni Prakrit mainly spoken in Northwestern Uttar Pradesh. Standard Hindi and Urdu are based on Khariboli, specifically on its Dehlavi dialect(Old Hindi), becoming the Hindustani language of the Ganga-Jamuni Tehzeeb. Hindustani gained prestige when it was accepted along with Persian as a language of the court, before that it was only a sociolect of the ruling classes and a language the Persianate states spoke to their subjects in. Modern Kauravi contains some features, such as gemination, which give it a distinctive sound and differentiates it from Braj, Awadhi and Hindustani. An early form of Kauravi became the main basis of Old Hindi, which subsequently developed into Hindustani and then into Hindi and Urdu. Geographical distribution Khariboli is spoken in the rural surroundings of Delhi and northwestern Uttar Pradesh, as well as in some neighbouring areas o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sa'adat Yar Khan 'Rangin'
Nawab Saadat Yaar Khan Rangin ( ur, ) (1757, Sirhind – 1835, Lucknow) was an Urdu poet and prose writer. He is credited with the creating a feminist form of Urdu poetry known as " Rekhti". Background He was born in Sirhind, brought up Delhi, and died in Lucknow. He was the son of Tahmas Khan Beg, a Persian noble. Career He was a disciple of Shah Hatim. The four collections of his poems are – ''Rekhta'', ''Baqiyaa'', ''Aamekhta'' and ''Angekhta'' in which he is seen as a romantic poet whose choice of words was high. He wrote poems describing his amours with courtesans and dancing girls. He also wrote ''Majalis e Rangin'', a critical review of contemporary Urdu poets. Rangin was a mercenary A mercenary, sometimes also known as a soldier of fortune or hired gun, is a private individual, particularly a soldier, that joins a military conflict for personal profit, is otherwise an outsider to the conflict, and is not a member of any o ..., a horse-trader and a poet. Referen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdu Poetry
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sher (poem)
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian And Urdu
The Persian language and Urdu have had an intricate relationship throughout the history of the latter. Persian historically played a significant role in the formation and development of the modern Urdu, and today acts as its prestige language. Modern Persian was brought to the Indian subcontinent by rulers of Turko-Persian origin from Central Asia during the region's medieval period. The large effect of Persian on Urdu is due to its historical status as an official and literary language under many of these rulers, as well as its status as a lingua franca during their reign over the subcontinent. Persian was displaced by Urdu during colonial rule in India, though it remains in use in its native Iran (as Farsi), Afghanistan (as Dari) and Tajikistan (as Tajik). Urdu is currently the official language and lingua franca of Pakistan, and an officially recognized language in the republic of India. Overview Hindustani (sometimes called Hindi–Urdu) is a colloquial language and lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dobhashi
Dobhashi ( bn, দোভাষী, Dobhāṣī, bilingual) is a neologism used to refer to a historical Register (sociolinguistics), register of the Bengali language which borrowed extensively, in all aspects, from Arabic and Persian. It became the most customary form for composing ''puthi'' poetry predominantly using the traditional Bengali alphabet. However, Dobhashi literature has also been produced in the Sylhet Nagri script, as well as in the modified Arabic scripts of Chittagong and Nadia. The standardisation of the modern Bengali language during the colonial period, eventually led to its decline.Thibaut d'Hubert, Alexandre Papas (2018). ''Jāmī in Regional Contexts: The Reception of ʿAbd al-Raḥmān Jāmī’s Works in the Islamicate World, ca. 9th/15th-14th/20th Century''. pp.678. BRILL. Retrieved on 9 September 2020. Name No name has been recorded for this register during its development and practice. In the 19th century, an Anglican priest called James Long coined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C M Naim
Choudhri Mohammed Naim (born 3 June 1936) is an American scholar of Urdu language and literature. He is currently professor emeritus at the University of Chicago. Naim is the founding editor of both ''Annual of Urdu Studies'' and ''Mahfil'' (now ''Journal of South Asian Literature''), as well as the author of the definitive textbook for Urdu pedagogy in English. Biography Naim was born in Barabanki, India, and educated at Lucknow University, Lucknow, Deccan College, Poona, and the University of California, Berkeley. In 1961, he joined the faculty of the Department of South Asian Languages and Civilizations at the University of Chicago, which he chaired from 1985 to 1991. He retired in 2001. He was a national fellow at the Indian Institute of Advanced Study, Shimla, in 2009, and a visiting professor at the Jamia Millia Islamia, New Delhi, in 2003. Bibliography *Urdu Reader (with John Gumperz). Berkeley: Center for South Asia Studies, University of California (1960). *Convers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insha Allah Khan
Insha Allah Khan ( ur, ; c. 1752 Murshidabad –1817), known as Insha, was an Urdu poet in the courts of Lucknow and Delhi in the late eighteenth and early nineteenth century. A multi-talented polyglot, he was the author of the first grammar of the Urdu language, '' Darya-e-Latafat''. Life Insha's father, Sayyid Hakim Mir Masha Allah Khan was a famous physician and aristocrat. During a period of disturbance in Delhi, he moved to Murshidabad in Bengal, where Nawab Siraj-ud-Daula was his patron. His son Insha was born in Murshidabad. During the reign of Shah Alam II, Insha came to Delhi. In 1780, he joined the army of Mirza Najaf Khan, and later gained access to the royal court. His poetic skills and sarcastic wit made him well-known, and also unpopular with the poets of Delhi, such as Mirza Azim Beg. After the decline of Mughal power which led to the blinding of Shah Alam II in 1788, Insha decided to try his luck in Lucknow. In 1791, he joined the court of Mirza Sulaiman Shiko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
