Reflets Dans L'eau
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Reflets Dans L'eau
Claude Debussy's ''Reflets dans l'eau'' ("Reflections in the Water") is the first of three piano pieces from his first volume of ''Images (Debussy compositions for solo piano), Images'', which are frequently performed separately. It was written in 1905. As with much of Debussy's work, it is referred to as Impressionistic, meaning that it expresses emotions and senses by making use of Nonfunctional harmony, non-functional harmony and ambiguous key signatures, its tonality being mainly non-diatonic and usually having a sense of Modality (music), modality. Musical analysis ''Reflets dans l'eau'' opens in a slow tempo (''andantino molto'') (which is repeated through much of the piece) while the right hand is playing a set of chords to Accompaniment, accompany the melody. It shares the main characteristics of French music of this period, similar to works by Ravel such as Jeux d'eau (Ravel), ''Jeux d'eau''. The piece has several brief melody statements and climaxes that are more glimp ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Jeux D'eau (Ravel)
''Jeux d'eau'' () is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing ''Jeux d'eau'', Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. The work is in a single movement, typically lasting between four and half and six minutes in performance. Background and first performances In 1901 Maurice Ravel was aged 26 and had yet to make an impression on the French musical scene. He had failed to win any prizes as a student at the Paris Conservatoire and was expelled on that account. As a former student he was permitted to attend the classes of his teacher Gabriel Fauré, who thought highly of him and encouraged him. Ravel dedicated ''Jeux d'eau'' and his String Quartet "à mon cher maître Gabriel Fauré". ''Jeux d'eau'' represented what Ravel's biographer Gerald Larner calls "a s ...
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Compositions For Solo Piano
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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French Music
''French music'' may refer to: * Music of France, music of the French people in France ''French music'' may also refer to the music of French-speaking countries: *Music of Quebec, music of the French-Canadians in Canada, most often Québécois or Acadians *Music of Belgium *Music of Switzerland *Music of Monaco * Music of Luxembourg ''French styles of music'' may refer to: *French classical music *French opera * French folk music *French popular music *French pop music *French jazz *French electronic music *French house music *French rock *Chanson * Nouvelle Chanson *Bal-musette *Cabaret Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or d ... * Yéyé {{disambiguation ...
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Leo Ornstein
Leo Ornstein (born ''Лев Орнштейн'', ''Lev Ornshteyn''; – February 24, 2002) was an American experimental composer and pianist of the early twentieth century. His performances of works by avant-garde composers and his own innovative and even shocking pieces made him a cause célèbre on both sides of the Atlantic. The bulk of his experimental works were written for piano. Ornstein was the first important composer to make extensive use of the tone cluster. As a pianist, he was considered a world-class talent. By the mid-1920s, he had walked away from his fame and soon disappeared from popular memory. Though he gave his last public concert before the age of forty, he continued writing music for another half-century and beyond. Largely forgotten for decades, he was rediscovered in the mid-1970s. Ornstein completed his eighth and final piano sonata in September 1990 at the age of ninety-four, making him the oldest published composer in history at the time (a mark since ...
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Ampico
American Piano Company (Ampico) was an American piano manufacturer formed in 1908 through the merger of Wm. Knabe & Co., Chickering & Sons, and Foster-Armstrong. They later purchased the Mason & Hamlin piano company as their flagship piano. The merger created one of the largest American piano manufacturers. In 1932, it was merged with the Aeolian Company to form Aeolian-American Co. Reproducing pianos From 1914, American Piano was one of the leading producers of player pianos, most notably their reproducing player known as the Ampico. The Ampico reproducing player piano was able to capture all the expression of the original performance, with dynamics and fine nuances other devices could not reproduce. Their main competitors in reproducing players were the Aeolian Duo-Art (1913) and Welte-Mignon (1905). The player piano and reproducing Ampico mechanism was originally designed by Charles Fuller Stoddard (1876–1958) with Dr. Clarence Hickman joining the company in the mid-1920s ...
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List Of Compositions By Claude Debussy By Genre
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.Lesure, François: ''Catalogue de l'œuvre de Claude Debussy'', Genève: Minkoff (1977) . (The "L¹" and "L²" headers are clickable and doing so will sort the entire list by L¹ or L² number. Clicking that header again will reverse the order; to return to the genre category order, reload the webpage.) List of compositions Notes References External links Catalogue François Lesure des œuvres de Claude Debussyon Musicbrainz (has both versions of Lesure's catalogue, with newer updates to the 2001 version). ''Piano Library: Claude Debussy''Complete list of Debussy piano works with musical extracts, difficulty ratings and recommended editions ...
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Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ...
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Accompaniment
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines simultaneously (chords and a bassline are easier to pla ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Giorgi Latso
Giorgi Latso (born Giorgi Latsabidze, ka, გიორგი ლაცაბიძე, ; 15 April 1978) is a Georgian-American concert pianist, film composer, arranger, adjudicator, improviser and Doctor of Musical Arts. He is listed on the list of famous alumni from USC Thornton School of Music. Latso has won several international piano competitions and awards. He is best known for his interpretations of Chopin and Debussy. His concerts have been broadcast on radio and television in Europe, Asia, and the Americas. Latso has served on the faculty of many of the most prestigious festivals and is increasingly in demand for his insightful masterclasses at leading universities across the globe. Many of his students are prize winners of international piano competitions. He currently resides in Los Angeles, California. Early life and studies Latso was born in Tbilisi (Georgia) where he started studying the piano at the age of six. He made his public debut at age eight. He was admitt ...
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Modality (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation syste ...
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