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List Of Compositions By Claude Debussy By Genre
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.Lesure, François: ''Catalogue de l'œuvre de Claude Debussy'', Genève: Minkoff (1977) . (The "L¹" and "L²" headers are clickable and doing so will sort the entire list by L¹ or L² number. Clicking that header again will reverse the order; to return to the genre category order, reload the webpage.) List of compositions Notes References External links Catalogue François Lesure des œuvres de Claude Debussyon Musicbrainz (has both versions of Lesure's catalogue, with newer updates to the 2001 version). ''Piano Library: Claude Debussy''Complete list of Debussy piano works with musical extracts, difficulty ratings and recommended editions ...
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Claude Debussy Ca 1908, Foto Av Félix Nadar
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also

* Claude's syndrome, a form of brainstem stroke syndrome {{disambig, geo ...
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Jean Roger-Ducasse
Jean Jules Aimable Roger-Ducasse (Bordeaux, 18 April 1873 – Le Taillan-Médoc ( Gironde), 19 July 1954) was a French composer. Biography Jean Roger-Ducasse studied at the Paris Conservatoire with Émile Pessard and André Gedalge, and was the star pupil and close friend of Gabriel Fauré. He succeeded Fauré as professor of composition, and in 1935 he succeeded Paul Dukas as professor of orchestration. His personal style was firmly rooted in the French school of orchestration, in an unbroken tradition from Hector Berlioz through Camille Saint-Saëns. Among his notable pupils were Jehan Alain, Claude Arrieu, Sirvart Kalpakyan Karamanuk, Jean-Louis Martinet, and Francis George Scott. Compositions Roger-Ducasse wrote music in nearly all classical forms, and was particularly known for his operatic stage works and orchestral compositions. These include: *''Au Jardin de Marguerite'', 1901–05 Based on an episode in Goethe's ''Faust'' *''Sarabande'', 1907 Symphonic poem with ...
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Pour Le Piano
''Pour le piano'' (''For the piano''), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement. Regarded as Debussy's first mature piano composition, the suite has frequently been recorded. Bärenreiter published a critical edition in 2018, on the occasion of the centenary of Debussy's death. History Claude Debussy composed the three pieces forming the suite at different times. The second movement, a sarabande, dates to the winter of 1894 when it belonged to the series of ''Images oubliées'', dedicated to Yvonne Lerolle, the daughter of Henry Lerolle. Debussy composed little piano music during the 1890s and focused on opera and orchestral music. He completed the suite in 1901, revising Sarabande. He also dedicated t ...
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Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ...
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Suite Bergamasque
''Suite bergamasque'' ( L. 75) () is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, "Clair de lune", has made it one of the composer's most famous works for piano, as well as one of the most famous musical pieces of all-time.Guo, Shulin. A Study of Claude Debussy's Suite Bergamasque: Prelude, Menuet, Clair de Lune and Passepied'. Diss. University of Kansas, 2019. Web. 19 May 2020. Background The composer was initially unwilling to use these relatively early piano compositions because they were not in his mature style, but in 1905 he accepted the offer of a publisher who thought they would be successful, given the fame Debussy had gained in the intervening fifteen years. While it is not known how much of the ''Suite'' was written in 1890 and how much was written in 1905, it is clear that Debussy changed the names of at least two of the pieces. ...
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Valse Romantique
''Valse romantique'' is a solo piano piece written by the French composer Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most infl ... (1862–1918) in 1890. It is in the key of F minor. The piece is divided in several small parts, in a late romantic style rather than the impressionism for which he is known. External links * Compositions for solo piano Compositions by Claude Debussy 1890 compositions {{classical-composition-stub ...
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Deux Arabesques
The Two Arabesques (''Deux arabesques''), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes throughout both pieces. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. Of the arabesque in baroque music, he wrote: “That was the age of the ‘wonderful arabesque' when music was subject to the laws of beauty inscribed in the movements of Nature herself.” The arabesques The two arabesques are given these tempo marks: # '' Andantino con moto'' # ''Allegretto scherzando'' Arabesqu ...
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Violin Sonata (Debussy)
Claude Debussy's ''Six sonatas for various instruments, composed by Claude Debussy, French musician'' () was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). History From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The First World War, along with the composers Couperin and Rameau, inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled ''Quelques souvenirs d'un éditeur de musique'', wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music. Then, at the Concerts Durand, he heard again the Septet with trumpet by Saint-Saëns and his ...
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Sonata For Flute, Viola And Harp (Debussy)
Claude Debussy's ''Six sonatas for various instruments, composed by Claude Debussy, French musician'' () was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). History From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The First World War, along with the composers Couperin and Rameau, inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled ''Quelques souvenirs d'un éditeur de musique'', wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music. Then, at the Concerts Durand, he heard again the Septet with trumpet by Saint-Saëns and his ...
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Cello Sonata (Debussy)
The Cello Sonata (''Sonate pour violoncelle et piano''), L. 135, is a sonata for cello and piano by Claude Debussy. It was part of his project Six sonatas for various instruments to compose six sonatas for different instruments. It consists of three movements: Prologue, Sérénade and Finale. It was composed and published in 1915. After performances in London and Geneva in 1916, the sonata's official premiere in Paris was played in 1917 by Joseph Salmon and Debussy. It was the first chamber music work in his late style, and became one of the key works in the repertoire from the 20th century. History and background Debussy composed the cello sonata as the first in a project, Six sonatas for various instruments, to compose six sonatas for different instruments. It was prompted by a performance of the Septet by Saint-Saëns, inspiring Debussy to write chamber music again which he had neglected since his string quartet of 1893. Diagnosed with colorectal cancer in 1910, he had not ...
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Syrinx (Debussy)
''Syrinx'', L. 129, is a piece of music for solo flute which Claude Debussy wrote in 1913. It generally takes three minutes or less to perform. It was the first significant piece for solo flute after the Sonata in A minor composed by C. P. E. Bach over 150 years before (1747), and it is the first such solo composition for the modern Böhm flute, developed in 1847. ''Syrinx'' is commonly considered to be an indispensable part of any flutist's repertoire. Many musical historians believe that "Syrinx", which gives the performer generous room for interpretation and emotion, played a pivotal role in the development of solo flute music in the early twentieth century. Some say ''Syrinx'' was originally written by Debussy without barlines or breath marks. The flutist Marcel Moyse may have later added these, and most publishers publish Moyse's edition. The piece is commonly performed off stage, as it is thought when Debussy dedicated the piece to the flutist Louis Fleury, it was for ...
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String Quartet (Debussy)
Claude Debussy completed his String Quartet in G minor, Op. 10 (List of compositions by Claude Debussy, L.91), in 1893 when he was 31 years old. It is Debussy's only string quartet. Background That year Debussy had abandoned the opera ''Rodrigue et Chimène''. He planned to write two string quartets, only one of which materialized. The string quartet was to be dedicated to composer Ernest Chausson, whose personal reservations eventually diverted the composer's original intentions. The quartet received its premiere on December 29, 1893 by the Ysaÿe Quartet (1886), Ysaÿe Quartet at the Société Nationale in Paris to mixed reactions. Analysis The work is in four movements: Its sensuality and impressionistic tonal shifts are emblematic of its time and place while, with its cyclic structure, it constitutes a final divorce from the rules of classical harmony and points the way ahead. After its premiere, composer Guy Ropartz described the quartet as "dominated by the influence of ...
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