|
Red Hot Peppers
Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926–1930. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds. Recordings made by the group in Chicago in 1926–27, such as "Black Bottom Stomp", "Smoke-House Blues" and "Doctor Jazz" set a standard for small group jazz that is still unrivaled. Morton's skills as a composer and arranger are apparent in the structure of the pieces, which combines clarity with variety and manages to maintain a balance between ensemble and solo playing while allowing for a substantial solo from every band member. The quality of the recordings is further enhanced by the band's careful rehearsals, which were unc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of California, Santa Barbara
The University of California, Santa Barbara (UC Santa Barbara or UCSB) is a Public university, public Land-grant university, land-grant research university in Santa Barbara County, California, Santa Barbara, California with 23,196 undergraduates and 2,983 graduate students enrolled in 2021–2022. It is part of the University of California 10-university system. Tracing its roots back to 1891 as an independent teachers' college, UCSB joined the University of California system in 1944, and is the third-oldest undergraduate campus in the system, after University of California, Berkeley, UC Berkeley and University of California, Los Angeles, UCLA. Located on a WWII-era Marine air station, UC Santa Barbara is organized into three undergraduate colleges (UCSB College of Letters and Science, College of Letters and Science, UCSB College of Engineering, College of Engineering, College of Creative Studies) and two graduate schools (Gevirtz Graduate School of Education and Bren School of E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Jazz Ensembles From Illinois
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liederkranz Hall
The Liederkranz of New York City is an organization devoted to cultural and social exchange as well as the sponsorship of musical events. Its activities are dedicated to the support, development and preservation of culture in New York City. Its objective once was to enhance German-American relations. History On January 9, 1847, twenty-five men of German heritage founded the ''Deutscher Liederkranz der Stadt New York'', a male singing society that provided a musical and social outlet for German-American men and also sought to perpetuate the tradition of German music, in both the folk and classical traditions. By 1861, the society was invited to sing with the Philharmonic Society Orchestra, and its performances of Wagner excerpts at the Metropolitan Opera House and in Boston and Philadelphia were among the first performances of Wagner in the United States. The Chorus sang at the World Columbian Exposition in Chicago. Ferrucio Busoni performed piano works at this concert and other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo Pecora
Santo Pecora (born Santo Joseph Pecoraro, March 21, 1902 – May 29, 1984) was an American jazz trombonist known for his longtime association with the New Orleans jazz scene. He was born in New Orleans, Louisiana, United States. Pecora changed his name because his cousin, a drummer, was also named Santo Pecoraro. The two sometimes performed in ensembles together. Pecora began on French horn but settled on trombone as a teenager. He played in orchestras accompanying silent films as well as with the bandleaders Johnny De Droit and Leon Roppolo. He toured with singer Bee Palmer early in the 1920s, then joined the New Orleans Rhythm Kings in the middle of the decade. He moved to Chicago late in the decade, playing both in jazz bands and in theater palaces, then became a big band sideman in the 1930s. He toured with Sharkey Bonano in the 1930s, then played with Wingy Manone in California. In the 1940s he returned to New Orleans, where he continued working with Bonano in addition to r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quinn Wilson
Quinn Brown Wilson (December 26, 1908 – June 14, 1978) was an American jazz bassist and tubist. Wilson played violin as a child, and studied composition and arrangement in his youth. He had his first professional experience in the mid-1920s, playing with Tiny Parham, Walter Barnes, Jelly Roll Morton (1927), Erskine Tate (1928-1931), and Richard M. Jones (1929). In the 1930s he arranged and played bass with Earl Hines from 1931 to 1939, in addition to playing bass on record with Jimmie Noone. In the 1940s he began playing electric bass and started recording with R&B and blues musicians, including Lefty Bates and John Lee Hooker, with whom he played on several albums. He continued to play jazz as well, working with Bill Reinhardt in the 1960s and Joe Kelly in the 1970s. Discography As sideman With John Lee Hooker * '' I'm John Lee Hooker'' (Vee-Jay, 1959) * '' The Folk Lore of John Lee Hooker'' (Vee-Jay, 1961) * ''Rhythm 'n' Blues'' (Disques Vogue, 1969) With others * Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stump Evans
Paul "Stump" Evans (October 18, 1904 – August 29, 1928) was an American musician, who was one of the first jazz saxophonists. Evans experimented with several instruments: alto horn, trombone, and alto saxophone. In the 1920s, he played baritone saxophone in Chicago as a member of the Creole Jazz Band led by King Oliver and the Dixie Syncopators. He played C melody saxophone when he supported singer Priscilla Stewart. With Oliver he played soprano saxophone, then alto saxophone with the Red Hot Peppers led by Jelly Roll Morton. Evans also worked as a sideman for Erskine Tate and Jimmy Wade James F. Wade (c.1895 – 1957) was an American jazz trumpeter and bandleader. Wade began leading groups in the Chicago area about 1916. He played in California and Seattle, Washington with Lucille Hegamin, and then moved with her to New Yo .... He died at the age of 23 from tuberculosis. References 1904 births 1928 deaths 20th-century American saxophonists American jazz saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beale Street Blues
"Beale Street Blues" is a song by American composer and lyricist W.C. Handy. It was named after Beale Street, a center of African-American music in Memphis, Tennessee, and was published in 1917. Background The title refers to Beale Street in Memphis, Tennessee, an entertainment district for the city's African-American population in the early part of the 20th century. Accounts of Handy's inspiration vary: one is that he observed a pianist playing in a cafe on that street; another credits a barber commenting on closing early because no one had been murdered on the street that day. Composition and lyrics "Beale Street Blues" "juxtaposes the 12-bar blues form with an 8-bar counter-theme". The song was published in 1917. Difficulty in securing a good publishing deal meant that Handy published it himself. Early versions The publication of the song coincided with the beginning of jazz recordings. An early version by Earl Fuller's Famous Jazz Band earned Handy's firm $2,857 in royalties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Blues
"Original Jelly Roll Blues", usually shortened to and known as "Jelly Roll Blues", is an Dixieland, early jazz fox-trot composed by Jelly Roll Morton. He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues". It is referenced by name in the 1917 Shelton Brooks composition "Darktown Strutters' Ball". The Red Hot Peppers version is a typical New Orleans jazz presentation where the trumpet, clarinet and trombone play lead melody and counterpoint, with the piano, guitar, string bass and drums providing the rhythmic accompaniment. However, Morton varies and enriches this basic structure by providing many instrumental breaks in suspended rhythm, as well as giving the horns and the piano solo passages. The final chorus is in New Orleans "ride-out" style, where all the instruments play together and vary the melody and chord progression in counterpoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darnell Howard
Darnell Howard (July 25, 1895 in Chicago – September 2, 1966 in San Francisco) was an American jazz clarinetist and violinist. Early life Howard began playing violin at age seven, picking up clarinet and saxophone later in his youth. Career He played professionally with John H. Wickcliffe's Ginger Orchestra from 1913 to 1916, then moved to New York City in 1917, where he played and recorded as a violinist with W. C. Handy. From there he headed to Chicago, where he led his own band, played with Charlie Elgar, and then joined James P. Johnson's Plantation Days Band, which toured London in 1923. The next year he toured Europe again as a member of the Singing Syncopators, and also played in Shanghai with this ensemble later in the decade. While in Chicago he played with Carroll Dickerson, King Oliver, and Erskine Tate. He led a quartet in 1928, and also played with Jimmy Wade's Dixielanders that year. From 1929–1930 he played with Dave Peyton, then worked briefly with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
