|
Jelly Roll Blues
"Original Jelly Roll Blues", usually shortened to and known as "Jelly Roll Blues", is an Dixieland, early jazz fox-trot composed by Jelly Roll Morton. He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues". It is referenced by name in the 1917 Shelton Brooks composition "Darktown Strutters' Ball". The Red Hot Peppers version is a typical New Orleans jazz presentation where the trumpet, clarinet and trombone play lead melody and counterpoint, with the piano, guitar, string bass and drums providing the rhythmic accompaniment. However, Morton varies and enriches this basic structure by providing many instrumental breaks in suspended rhythm, as well as giving the horns and the piano solo passages. The final chorus is in New Orleans "ride-out" style, where all the instruments play together and vary the melody and chord progression in counterpoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gennett Records
Gennett (pronounced "jennett") was an American record company and label in Richmond, Indiana, United States, which flourished in the 1920s. Gennett produced some of the earliest recordings by Louis Armstrong, King Oliver, Bix Beiderbecke, and Hoagy Carmichael. Its roster also included Jelly Roll Morton, Blind Lemon Jefferson, Charley Patton, and Gene Autry. History Gennett Records was founded in Richmond, Indiana, by the Starr Piano Company. It released its first records in October 1917. The company was named for its managers: Harry, Fred and Clarence Gennett. The company had produced early recordings under the Starr Records label. The early issues were vertically cut in the gramophone record grooves, using the hill-and-dale method of a U-shaped groove and sapphire ball stylus, but they switched to the lateral cut method in April 1919. Gennett set up recording studios in New York City and later, in 1921, set up a second studio on the grounds of the piano factory in Richmond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluebird Records
Bluebird Records is a record label best known for its low-cost releases, primarily of kids' music, blues and jazz in the 1930s and 1940s. It was founded in 1932 as a lower-priced RCA Victor subsidiary label of RCA Victor. Bluebird became known for what came to be known as the "Bluebird sound", which influenced rhythm and blues and early rock and roll. It is currently owned by parent company Sony Music Entertainment. History The label was founded in 1932 as a division of RCA Victor by Eli Oberstein, an executive at the company. Bluebird competed with other budget labels at the time. Records were made quickly and cheaply. The "Bluebird sound" came from the session band that was used on many recordings to cut costs. The band included musicians such as Big Bill Broonzy, Roosevelt Sykes, Washboard Sam, and Sonny Boy Williamson. Many blues musicians were signed to RCA Victor and Bluebird by Lester Melrose, a talent scout and producer who had a virtual monopoly on the Chicago blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fox-trot
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richmond, Indiana
Richmond is a city in eastern Wayne County, Indiana. Bordering the state of Ohio, it is the county seat of Wayne County and is part of the Dayton, OH Metropolitan Statistical Area In the 2010 census, the city had a population of 36,812. Situated largely within Wayne Township, its area includes a non-contiguous portion in nearby Boston Township, where Richmond Municipal Airport is currently located. Richmond is sometimes called the "cradle of recorded jazz" because the earliest jazz recordings and records were made at the studio of Gennett Records, a division of the Starr Piano Company. Gennett Records was the first to record such artists as Louis Armstrong, Bix Beiderbecke, Jelly Roll Morton, Hoagy Carmichael, Lawrence Welk, and Gene Autry. The city has twice received the All-America City Award, most recently in 2009. History In 1806 the first European Americans in the area, Quaker families from the state of North Carolina, settled along the East Fork of the Whitewater R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Hot Peppers
Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926–1930. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds. Recordings made by the group in Chicago in 1926–27, such as "Black Bottom Stomp", "Smoke-House Blues" and "Doctor Jazz" set a standard for small group jazz that is still unrivaled. Morton's skills as a composer and arranger are apparent in the structure of the pieces, which combines clarity with variety and manages to maintain a balance between ensemble and solo playing while allowing for a substantial solo from every band member. The quality of the recordings is further enhanced by the band's careful rehearsals, which were unc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shelton Brooks
Shelton Brooks (May 4, 1886September 6, 1975) was a Canadian-born African American composer of popular music and jazz. He was known for his ragtime and vaudeville style, and wrote some of the biggest hits of the first third of the 20th century. Early life and education Brooks was born in Amherstburg, Canada in 1886. His father was a preacher, and Brooks taught himself music on their church's pump organ. His family moved to Detroit, Michigan, in 1901 and that was where Brooks first made a name for himself in music and comedy. While he never learned to read music, his works were highly sought after for their brash style, which contrasted the previous restrictive styles of Victorian era music. Towards the end of his life, his style of music had lost popularity. Career Brooks sang, played piano, and performed on the vaudeville circuit (notably, as a Bert Williams imitator) as well as having a successful songwriting career. His first hit song was "Some of These Days", which he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darktown Strutters' Ball
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball". History Soon after its 1917 publication, "Darktown Strutters' Ball" was included by Sophie Tucker in her Vaudeville routine. The song was recorded on May 9 that year by the Six Brown Brothers. The best-known recording, by the Original Dixieland Jazz Band, which was recorded on May 30, 1917, and released by Columbia Records as catalog number A-2297, was inducted into the Grammy Hall of Fame in 2006. More than three million copies of the sheet music were sold. Recorded versions * American Republic Band (recorded December 1917, released by Pathe Records as catalog number 20282, with the flip side "Homeward Bound"Abrams, Steven and Settlemier, TyronePathe Records in the 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
