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Red Hair (1928 Film)
''Red Hair'' is a 1928 silent film starring Clara Bow and Lane Chandler, directed by Clarence G. Badger, based on a 1905 novel by Elinor Glyn, and released by Paramount Pictures. The film had one sequence filmed in Technicolor, and is now considered a lost film except for the color sequence at the UCLA Film and Television Archive, and a few production stills. Plot A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Cast *Clara Bow as Bubbles McCoy *Lane Chandler as Robert Lennon * William Austin as Dr. Eustace Gill * Jacqueline Gadsden as Minnie Luther *Lawrence Grant as Judge Rufus Lennon *Claude King as Thomas L. Burke * William Irving as Demmy See also * List of lost films *List of early color feature films This is a list of early feature-length color films (including primarily black-and-white films ...
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Clarence G
Clarence may refer to: Places Australia * Clarence County, New South Wales, a Cadastral division * Clarence, New South Wales, a place near Lithgow * Clarence River (New South Wales) * Clarence Strait (Northern Territory) * City of Clarence, a local government body and municipality in Tasmania * Clarence, Western Australia, an early settlement * Electoral district of Clarence, an electoral district in the New South Wales Legislative Assembly Canada * Clarence, Ontario, a hamlet in the city of Clarence-Rockland * Clarence Township, Ontario * Clarence, Nova Scotia * Clarence Islands, Nunavut, Canada New Zealand * Clarence, New Zealand, a small town in Marlborough * Waiau Toa / Clarence River United States * Clarence Strait, Alaska * Clarence, Illinois, an unincorporated community * Clarence, Iowa, a city * Clarence Township, Barton County, Kansas * Clarence, Louisiana, a village * Clarence Township, Michigan * Clarence, Missouri, a city * Clarence, New York, a town ** Clarence (CDP) ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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1920s Color Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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List Of Early Color Feature Films
This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio favorite. About a third of the films are thought to be lost films, with no prints surviving. Some have survived incompletely or only in black-and-white copies made for TV broadcast use in the 1950s. Background The earliest attempts to produce color films involved either tinting the film broadly with washes or baths of dyes, or pains-takingly hand-painting certain areas of each frame of the film with transparent dyes. Stencil-based techniques such as Pathéchrome were a labor-saving alternative if many copies of a film had to be colored: each dye was rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes ...
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List Of Lost Films
For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reasons for loss Films may go missing for a number of reasons. One major contributing factor is the common use of nitrate film until the early 1950s. This type of film is highly flammable, and there have been several devastating fires, such as the Universal Pictures fire in 1924, the 1937 Fox vault fire and the 1965 MGM vault fire. Black-and-white film prints judged to be otherwise worthless were sometimes incinerated to salvage the meager scrap value of the silver image particles in their emulsions. Films have disappeared when production companies went bankrupt. Occasionally, a studio would remake a film and destroy the earlier version. Silent films in particular were once seen as having no further commercial value and were simply junked ...
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William Irving (actor)
William Irving (17 May 1893 – 25 December 1943) was a German-born American film actor. Biography The burly character actor appeared in more than 220 films between 1916 and 1941, often as a "comic heavy" in the comedies of Our Gang or The Three Stooges. Irving also appeared as a cowardly German army cook in ''All Quiet on the Western Front'' (1930). He played mostly supporting roles in the silent era, but after the introduction of sound films his appearances got noticeably smaller and he was often uncredited. On Christmas Day, 1943, Irving was crossing the street at the intersection of Hollywood Boulevard and La Brea Avenue in Los Angeles, California, when he was struck and killed by a hit-and-run driver. His remains were cremated at Pierce Brothers Hollywood. Irving was divorced from his wife, Mildred, at the time of his death. He was survived by a brother. Selected filmography * ''Whose Baby?'' (1917, Short) - Harold Scull - the Rival * ''Till I Come Back to You'' (1918 ...
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Claude King (actor)
Claude Ewart King (15 January 1875 – 18 September 1941) was an English-born character actor and unionist, who appeared in American silent film. With his distinctive wavy hair, King appeared on both stage and screen. He served his country, Great Britain, in World War I in Field Artillery, reaching the rank of Major and surviving the war. He began his stage career in his native country, before emigrating to the US. In 1919, he appeared on Broadway in support of Ethel Barrymore in the play ''Declassee''. Film After gravitating to silent films, King had a key role in Tod Browning's lost silent masterpiece '' London After Midnight'' (1927), starring alongside Lon Chaney. Claude King was later an original member of the first Board of Directors of the Screen Actors' Guild (SAG) in 1933. He is the great-uncle of singer/songwriter Claude King and great-great-uncle of singer/songwriter Chris Aable, both also SAG members.
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Lawrence Grant
Percy Reginald Lawrence-Grant (30 October 1870 in Bournemouth, Hampshire, England – 19 February 1952 in Santa Barbara, California, USA) was an English actor known for supporting roles in films such as ''The Living Ghost'', '' I'll Tell the World'', '' Shanghai Express'', ''The Mask of Fu Manchu'' and ''Son of Frankenstein''. He was host of the 4th Academy Awards ceremonies in 1931. Selected filmography * '' The Eternal City'' (1915) - English Ambassador * ''To Hell with the Kaiser!'' (1918) - The Kaiser / Robert Graubel * ''Someone Must Pay'' (1919) - Walter Hargrave * '' Held In Trust'' (1920) - Dr. Babcock * ''The Chorus Girl's Romance'' (1920) - Jose Brasswine * ''Someone in the House'' (1920) - Walter Hargrave * '' Extravagance'' (1921) - Uncle Mark * '' The Great Impersonation'' (1921) - Emperor William of Germany * ''The Dramatic Life of Abraham Lincoln'' (1924) - Actor at Ford's Theatre * ''Happiness'' (1924) - Mr. Rosselstein * ''His Hour'' (1924) - Stephen Str ...
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Film Still
A film still (sometimes called a publicity still or a production still) is a photograph, taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work. The main purpose of such publicity stills is to help studios advertise and promote their new films and stars. Studios therefore send those photos along with press kits and free passes to as many movie-related publications as possible so as to gain free publicity. Such photos were then used by newspapers and magazines, for example, to w ...
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UCLA Film And Television Archive
The UCLA Film & Television Archive is a visual arts organization focused on the preservation, study, and appreciation of film and television, based at the University of California, Los Angeles (UCLA). Also a nonprofit exhibition venue, the archive screens over 400 films and videos a year, primarily at the Billy Wilder Theater, located inside the Hammer Museum in Westwood, California. (Formerly, it screened films at the James Bridges Theater on the UCLA campus). The archive is funded by UCLA, public and private interests, and the entertainment industry. It is a member of the International Federation of Film Archives. The Archive is a division of the UCLA Library. As of January 2021, its collection hosted more than 500,000 items, including approximately 159,000 motion picture titles and 132,000 television titles, more than 27 million feet of newsreels, more than 222,000 broadcast recordings and more than 9,000 radio transcription discs. History The Archive hosted virtual screenin ...
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Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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