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Rebuild Of Evangelion
''Rebuild of Evangelion'', known in Japan and on Amazon Prime Video as , is a Japanese animated film series and a retelling of the original ''Neon Genesis Evangelion'' anime television series, produced by Studio Khara. Hideaki Anno served as the writer and general manager of the project, with Kazuya Tsurumaki and Masayuki directing the films themselves. Yoshiyuki Sadamoto, Ikuto Yamashita and Shirō Sagisu returned to provide character designs, mechanical designs and music respectively. The film tetralogy uses digital ink and paint, some 3D CG animation, and provides new scenes, settings and characters, with a completely new conclusion in the fourth and final film. Another stated intention of the series is for it to be more accessible to non-fans than the original TV series and films were. Storyline ''Rebuild of Evangelion'' was originally presented as an alternate retelling of the original ''Neon Genesis Evangelion'' anime series: the first three movies were intended to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mecha
In science fiction, or mechs are giant robots or machines controlled by people, typically depicted as humanoid walking vehicles. The term was first used in Japanese (language), Japanese after shortening the English loanword or , but the meaning in Japanese is more inclusive, and or 'giant robot' is the narrower term. Fictional mecha vary greatly in size and shape, but are distinguished from vehicles by their humanoid or Biorobotics, biomorphic appearance, although they are bigger, often much bigger, than human beings. Different Genre#Subgenre, subgenres exist, with varying connotations of realism. The concept of Super Robot and Real Robot are two such examples found in Japanese anime and manga. Real-world piloted humanoid or non-humanoid Robot locomotion, robotic platforms, existing or planned, may also be called "mecha". In Japanese, "mecha" may refer to mobile machinery or vehicles (including aircraft) in general, manned or Mobile robot, otherwise. Characteristics 'Mec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newtype
is a monthly magazine publication originating from Japan, covering anime (and to a lesser extent, tokusatsu, manga, Japanese science fiction, seiyuu, and video games). It was launched by publishing company Kadokawa Shoten on March 8, 1985, with its April issue, and has since seen regular release on the 10th of every month in its home country. ''Newtype Korea'' is published in Korea. Spin-off publications of ''Newtype'' also exist in Japan, such as Newtype Hero/Newtype the Live (which are dedicated to tokusatsu) and ''NewWORDS'' (which is geared toward a more mature adult market), as well as numerous limited-run versions (such as ''Clamp Newtype''). The name of the magazine comes from the "Newtypes" in the Universal Century timeline of the ''Gundam'' series, specifically ''Mobile Suit Gundam'' (1979) and its sequel ''Mobile Suit Zeta Gundam'' (1985). ''Newtype'' magazine launched a week after ''Zeta Gundam'' began airing on March 2, 1985. ''Newtype USA'' was an English language ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O (kana)
In Japanese writing, the kana お (hiragana) and オ (katakana) occupy the fifth place, between え and か, in the modern Gojūon (五十音) system of collating kana. In the Iroha, they occupy the 27th, between の and く. In the table at right (ordered by columns, from right to left), お lies in the first column (あ行, "column A") and the fifth row (お段, "row O"). Both represent . Derivation お and オ originate, via man'yōgana, from the kanji 於. Variant forms Scaled-down versions of the kana (ぉ, ォ) are used to express morae foreign to the Japanese language, such as フォ (fo). Stroke order The hiragana お is made with three stroke A stroke is a medical condition in which poor blood flow to the brain causes cell death. There are two main types of stroke: ischemic, due to lack of blood flow, and hemorrhagic, due to bleeding. Both cause parts of the brain to stop functionin ...s: #A horizontal line from left to right. #A stroke consisting of a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E (kana)
In Japanese writing, the kana え (hiragana) and エ (katakana) (romanised ''e'') occupy the fourth place, between う and お, in the modern Gojūon (五十音) system of collating kana. In the Iroha, they occupy the 34th, between こ and て. In the table at right (ordered by columns, from right to left), え lies in the first column (あ行, "column A") and the fourth row (え段, "row E"). Both represent . Derivation え and エ originate, via man'yōgana, from the kanji 衣 and 江, respectively. The archaic kana ゑ (we), as well as many non-initial occurrences of the character へ (he), have entered the modern Japanese language as え. The directional particle へ is today pronounced "e", though not written as え. Compare this to は (ha) and を (wo), which are pronounced "wa" and "o" when used as grammatical particles. For the kana romanized sometimes as "e", see we (kana). Variant forms Scaled-down versions of the kana (ぇ, ェ) are used to express mora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katakana
is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script (known as rōmaji). The word ''katakana'' means "fragmentary kana", as the katakana characters are derived from components or fragments of more complex kanji. Katakana and hiragana are both kana systems. With one or two minor exceptions, each syllable (strictly mora) in the Japanese language is represented by one character or ''kana'' in each system. Each kana represents either a vowel such as "''a''" (katakana ア); a consonant followed by a vowel such as "''ka''" (katakana カ); or "''n''" (katakana ン), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () or like the nasal vowels of Portuguese or Galician. In contrast to the hiragana syllabary, which is used for Japanese words not covered by kanji and for grammatical inflections, the katakana syllabary usage is comparable to italics in En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
𝄇
In music, a repeat sign is a sign that indicates a section should be repeated. If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on (or stop, if the sign appears at the end of the piece). A corresponding sign facing the other way indicates where the repeat is to begin. These are similar to the instructions da capo and dal segno. Different endings When a repeat calls for a different ending, numbered brackets above the bars indicate which to play the first time (1.), which to play the second time (2.), and so on if necessary. These are called "first-time bars" and "second-time bars", or "first and second endings". They are also known as " volta brackets" and although there are normally 2 volta brackets, there is no limit to how many there can be. In Unicode In Unicode, repeat signs are part of the Musical Symbols and they are coded as follows: Other notation When only standard keyboard characters are available, the punc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repeat Sign
In music, a repeat sign is a sign that indicates a section should be repeated. If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on (or stop, if the sign appears at the end of the piece). A corresponding sign facing the other way indicates where the repeat is to begin. These are similar to the instructions da capo and dal segno. Different endings When a repeat calls for a different ending, numbered brackets above the bars indicate which to play the first time (1.), which to play the second time (2.), and so on if necessary. These are called "first-time bars" and "second-time bars", or "first and second endings". They are also known as " volta brackets" and although there are normally 2 volta brackets, there is no limit to how many there can be. In Unicode In Unicode, repeat signs are part of the Musical Symbols and they are coded as follows: Other notation When only standard keyboard characters are available, the punct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anime News Network
Anime News Network (ANN) is a news website that reports on the status of anime, manga, video games, Japanese popular music and other related cultures within North America, Australia, Southeast Asia and Japan. The website offers reviews and other editorial content, forums where readers can discuss current issues and events, and an encyclopedia that contains many anime and manga with information on the staff, cast, theme music, plot summaries, and user ratings. The website was founded in July 1998 by Justin Sevakis, and operated the magazine ''Protoculture Addicts'' from 2005 to 2008. Based in Canada, it has separate versions of its news content aimed toward audiences in four separate regions: the United States and Canada, Australia and New Zealand, and Southeast Asia. History The website was founded by Justin Sevakis in July 1998. In May 2000, CEO Christopher Macdonald joined the website editorial staff, replacing editor-in-chief Isaac Alexander. On June 30, 2002, Anime News N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
𝄂
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, to the samurai sword art of kenjutsu, to the bamboo sword training art of kendō, and to other martial arts, to dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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