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Rbhus
Ribhus (Sanskrit: ऋभु, ṛbhu, also Arbhu, Rbhus, Ribhuksan) is an ancient Indian word whose meaning evolved over time. In early layers of the Vedic literature, it referred to a sun deity. It evolved to being a wind deity, thereafter referred to three male artisans whose abilities and austerities make them into divinities in later Vedic texts. Their individual names were Ribhu (or Rhibhu), Vaja and Vibhvan (also called Vibhu), but they were collectively called Rhibhus or Ribhus (, pl. ṛbhava, also called Ribhuksan). Their name's meaning is "clever, skillful, inventive, prudent", cognate to Latin ''labor'' and Gothic ''arb-aiþs'' "labour, toil", and perhaps to English ''elf''. Ribhus are depicted in some legends of the Vedic literature as three sons of the goddess of morning light named ''Saranyu'' and Hindu god Indra. In other legends, such as in the Atharvaveda, they are sons of ''Sudhanvan'', which means good archer. In either legends, they are famous for their creative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala 4
The fourth Mandala of the Rigveda has 58 hymns, mainly to Agni and Indra. It is one of the "family books" (mandalas 2–7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The Rigveda Anukramani attributes all hymns in this book to ''Vāmadeva Gautama'' (son of Maharishi Gautama), except for hymns 43 and 44, attributed to ' and '. List of incipits The dedication as given by Griffith is in square brackets 4.1 (297) gni. 4.2 (298) gni. 4.3 (299) gni. 4.4 (300) gni. 4.5 (301) gni. 4.6 (302) gni. 4.7 (303) gni. 4.8 (304) gni. 4.9 (305) gni. 4.10 (306) gni. 4.11 (307) gni. 4.12 (308) gni. 4.13 (309) gni. 4.14 (310) gni. 4.15 (311) gni. 4.16 (312) ndra. 4.17 (313) ndra. 4.18 (314) ndra and Others. 4.19 (315) ndra. 4.20 (316) ndra. 4.21 (317) ndra. 4.22 (318) ndra. 4.23 (319) ndra. 4.24 (320) ndra. 4.25 (321) ndra. 4.26 (322) ndra. 4.27 (323) he Falcon. 4.28 (324) Soma Soma may refer to: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala 1
The first Mandala ("book") of the Rigveda has 191 hymns. Together with Mandala 10, it forms the latest part of the Rigveda. Its composition likely dates to the late vedic period (1000-500 BCE) or the Early Iron Age (around 1000 BCE). Contents Hymn 1.1 is addressed to Agni, arranged so that the name of this god is the first word of the ''Rigveda''. The remaining hymns are mainly addressed to Agni and Indra. Hymns 1.154 to 1.156 are addressed to Vishnu. Hymn 1.3 is dedicated to the Ashvins. Hymn 1.164.46, part of a hymn to the Vishvadevas, is often quoted as an example of emerging monism or monotheism. It forms the basis for the well-known statement "Truth is one, sages call it by various names": :' :' :"They call him Indra, Mitra, Varuna, Agni / and he is heavenly nobly-winged Garutman." :"To what is One, sages give many a title / they call it Agni, Yama, Matarisvan." (trans. Griffith) : – ''Rigveda 1.164.46'' Interpretation Max Muller described the character of the Vedic hym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ribhu Gita
Ribhus (Sanskrit: ऋभु, ṛbhu, also Arbhu, Rbhus, Ribhuksan) is an ancient Indian word whose meaning evolved over time. In early layers of the Vedic literature, it referred to a sun deity. It evolved to being a wind deity, thereafter referred to three male artisans whose abilities and austerities make them into divinities in later Vedic texts. Their individual names were Ribhu (or Rhibhu), Vaja and Vibhvan (also called Vibhu), but they were collectively called Rhibhus or Ribhus (, pl. ṛbhava, also called Ribhuksan). Their name's meaning is "clever, skillful, inventive, prudent", cognate to Latin ''labor'' and Gothic ''arb-aiþs'' "labour, toil", and perhaps to English '' elf''. Ribhus are depicted in some legends of the Vedic literature as three sons of the goddess of morning light named ''Saranyu'' and Hindu god Indra. In other legends, such as in the Atharvaveda, they are sons of ''Sudhanvan'', which means good archer. In either legends, they are famous for their creative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RV 7
The seventh Mandala of the Rigveda ("book 7", "RV 7") has 104 hymns. In the Rigveda Anukramani, all hymns in this book are attributed to ''Vashista''. Hymn 32 is additionally credited to Sakti Vashista, and hymns 101-102 (to Parjanya) are additionally credited to Kumara Agneya. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The hymns are dedicated to Agni, Indra, the Visvadevas, the Maruts, Mitra-Varuna, the Asvins, Ushas (Dawn), Indra-Varuna, Varuna, Vayu (Wind), two each to Sarasvati, Rudra, the Waters, the Adityas, Vishnu, Vastospati, Brhaspati, one each to the Apris, to Vashista, Savitar, Bhaga, the Dadhikras, the Rbhus, Dyaus and Prthivi (Heaven and Earth), Parjanya (Rain) and Indra-Soma. 7.103 is dedicated to the frogs. The rivers mentioned in the 7th Mandala are the Sarasvati, Asikni, Parusni and possibly the Yamuna (in 7.18.19 the name of a helper of Indra, maybe als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala 3
The third Mandala of the Rigveda has 62 hymns, mainly to Agni and Indra. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early Vedic period (1500 - 1000 BCE). Most hymns in this book are attributed to '' '' The verse 3.62.10 gained great importance in Hinduism as the Gayatri Mantra. List of incipits The dedication as given by Griffith is in square brackets 3.1 (235) [ Agni.] 3.2 (236) gni. 3.3 (237) gni. 3.4 (238) [ Apris.] 3.5 (239) gni. 3.6 (240) gni. 3.7 (241) gni. 3.8 (242) acrificial Post. 3.9 (243) gni. 3.10 (244) gni. 3.11 (245) gni. 3.12 (246) [ Indra Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> I ...-Agni.] 3.13 (247) gni. 3.14 (248) gni. 3.15 (249) gni. 3.16 (250) gni. 3.17 (251) gni. 3.18 (252) gni. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aditya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deva (Hinduism)
''Deva'' (; Sanskrit: , ) means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism.Monier Monier-Williams, A Sanskrit-English Dictionary” Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 492 ''Deva'' is a masculine term; the feminine equivalent is '' Devi''. In the earliest Vedic literature, all supernatural beings are called ''Devas''George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pages 90, 112 and '' Asuras''. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as ''Deva-Asuras''. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the ''Devas'' represent the good, and the ''Asuras'' the bad. In some medieval works of Indian literature, ''Devas'' are also referred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranic
Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages,John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Adi Shakti. The Puranic genre of literature is found in both Hinduism and Jainism. The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medicine, astronomy, g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni
Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu temples. In the classical cosmology of the Indian religions, Agni as fire is one of the five inert impermanent elements ('' pañcabhūtá'') along with space (''ākāśa''), water (''ap''), air (''vāyu'') and earth (''pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In Vedic literature, Agni is a major and oft-invoked god along with Indra and Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a '' homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords him as the messenger between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tvashtar
Tvashtr ( sa, त्वष्टृ, Tvaṣṭṛ) is a Vedic artisan god or fashioner. He is also mentioned in later literature of Hinduism like the ''Harivamsa''. Sometimes, Tvashtr is identified with another deity named Vishvakarma. In Hindu Literature In the ''Rigveda'', Tvashtr is stated to be a skillful craftsman who created many implements, including Indra's bolt, the axe of Brahmanaspati, and a cup for divine food and drink. He is stated to be the creator of forms, and is often stated to be the crafter of living beings and wombs. He is also considered a universal father, and an ancestor of humans through his daughter Saranyu. He is the father of Bṛhaspati, and likely Indra's father as well. He wields a metal axe, and rides a chariot pulled by two fallow bay mares. He is the guardian of Soma, and his son Vishvarupa is the guardian of cows. Indra has a conflict with his likely father Tvashtr, with him stealing Tvashtr's soma and trying to possess Vishvarupa’s cattle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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