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Ray Brown With The All-Star Big Band
''Ray Brown with the All-Star Big Band'' is a 1962 album by the jazz double bassist Ray Brown accompanied by a big band featuring the alto saxophonist Cannonball Adderley. Track listing # "Work Song" (Nat Adderley) – 5:17 # "It Happened in Monterey" (Billy Rose, Mabel Wayne) – 3:06 # "My One and Only Love" (Robert Mellin, Guy Wood) – 3:56 # "Tricrotism" (Oscar Pettiford) – 3:54 # "Thumbstring" ( Ray Brown) – 4:42 # "Cannon Bilt" (Brown) – 3:34 # "Two for the Blues" (Neal Hefti, Jon Hendricks) – 4:07 # " Day In, Day Out" (Rube Bloom, Johnny Mercer) – 2:49 # "Baubles, Bangles, & Beads" ( Robert Wright, George Forrest) – 3:29 Personnel * Ray Brown – double bass, cello *Cannonball Adderley – alto saxophone * Sam Jones – double bass *Budd Johnson, Earle Warren, Jerome Richardson, Seldon Powell, Yusef Lateef – woodwind *Britt Woodman, Jimmy Cleveland, Melba Liston, Paul Faulise – trombone *Clark Terry, Ernie Royal, Joe Newman, Nat Adderley – trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for ''The Odd Couple'' movie and TV series and for the ''Batman'' TV series. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He composed and arranged while working as a trumpeter for Woody Herman providing the bandleader with versions of "Woodchopper's Ball" and "Blowin' Up a Storm" and composing "The Good Earth" and "Wild Root". He left Herman's band in 1946. Now concentrating on writing music only, he began an association with Count Basie in 1950. Hefti occasionally led his own bands. Beginnings Neal Paul Hefti was born October 29, 1922, to an impoverished family in Hastings, Nebraska, United States. As a young child, he remembered his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local terr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Warren
Earle Warren (born Earl Ronald Warren; July 1, 1914 – June 4, 1994) was an American saxophonist. He was part of the Count Basie Orchestra from 1937. Early life Warren was born in Springfield, Ohio, on July 1, 1914. "He played piano, banjo, and ukulele in a family band before taking up C-melody, tenor, and finally alto saxophone." Later life and career When Warren became professional in 1930, he added an "e" to the end of his first name to make it different from other jazz musicians named "Earl". In his early career, he toured the Midwest as a sideman, and led his own bands. He joined the Count Basie Orchestra in 1937, playing baritone and alto saxophones initially, and then being lead altoist and occasional clarinettist and vocalist until 1945. He led bands and occasionally reunited with Basie towards the end of the decade. After managing some bands, he joined trumpeter Buck Clayton in 1957. Warren appeared in ''Born to Swing'', the 1972 film about former members of Basie's ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. In the 1950s he led his own group, and did s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Forrest (author)
George Forrest (born George Forrest Chichester Jr., July 31, 1915 – October 10, 1999) was an American writer of music and lyrics for musical theatre best known for the show '' Kismet'', adapted from the works of Alexander Borodin. He was also known professionally at times as Chet Forrest. Biography Throughout his career Forrest worked exclusively with the composer-lyricist Robert Wright. The two men had an affinity for adapting classical music themes and adding lyrics to these themes for the Broadway musical stage and films. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer. While both men were credited equally as composer-lyricists, it was Mr. Forrest who worked with the music. '' ''Kismet'''' was one of several works Forrest created with Wright commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera (LACLO). ''Song of Norway'', ''Gypsy Lady'', '' Magdalena'', and their adaptation of '' The Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wright (writer)
Robert Craig Wright (September 25, 1914 – July 27, 2005) was an American composer-lyricist for Hollywood and the musical theatre, best known for the Broadway musical and musical film '' Kismet'', for which he and his professional and romantic partner George Forrest adapted themes by Alexander Borodin and added lyrics. ''Kismet'' was one of several Wright and Forrest creations that was commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera. ''Song of Norway'', ''Gypsy Lady'', '' Magdalena'', and their adaptation of '' The Great Waltz'' were also commissioned by Lester for the LACLO. The LACLO passed most of these productions to Broadway. Wright was born in Daytona Beach, Florida, United States. Wright and Forrest had an affinity for adapting classical music themes and adding lyrics to these themes for Hollywood and the Broadway musical stage. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baubles, Bangles, & Beads
"Baubles, Bangles & Beads" is a popular song from the 1953 musical '' Kismet'', credited to Robert Wright and George Forrest. Background Like almost all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his '' String Quartet in D.'' The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a harmonic progression from the central major key of one section to the tritone minor key of the following section. 1953 recordings The best-selling version of the song was recorded by Peggy Lee on September 16, 1953 and charted briefly that year. Other versions were recorded that year by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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