Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for ''The Odd Couple'' movie and TV series and for the ''Batman'' TV series. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He composed and arranged while working as a trumpeter for Woody Herman providing the bandleader with versions of "Woodchopper's Ball" and "Blowin' Up a Storm" and composing "The Good Earth" and "Wild Root". He left Herman's band in 1946. Now concentrating on writing music only, he began an association with Count Basie in 1950. Hefti occasionally led his own bands. Beginnings Neal Paul Hefti was born October 29, 1922, to an impoverished family in Hastings, Nebraska, United States. As a young child, he remembered his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local terr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hastings, Nebraska
Hastings is a List of cities in Nebraska, city and the county seat of Adams County, Nebraska, Adams County, Nebraska, United States. The population was 25,152 at the 2020 United States Census, 2020 census. It is known as the town where Kool-Aid was invented by Edwin Perkins (inventor), Edwin Perkins in 1927, and celebrates that event with the Kool-Aid Days festival every August. Hastings is also known for #Fisher Fountain, Fisher Fountain, and during World War II operated the largest Naval Ammunition Depot in the United States. History Hastings was founded in 1872 at the intersection of the Burlington and Missouri River Railroad and the St. Joseph and Denver City Railroad. It was named for Colonel D. T. Hastings of the St. Joseph and Grand Island Railroad, who was instrumental in building the railroad through Adams County. The area was previously open plain: the Donner party passed through on its way to California in 1846 and a pioneer cemetery marker in Hastings bears an inscrip ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sweets Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charlie Spivak
Charlie Spivak (February 17, 1907 – March 1, 1982) was an American trumpeter and bandleader, best known for his big band in the 1940s. Early life The details of Spivak's birth are unclear. Some sources place it in Ukraine in 1907, and that his family emigrated to settle in New Haven, Connecticut while he was a child. According to his personal papers, the former scenario is correct. He learned to play trumpet and played in his high school band, going on to work with local groups before joining Johnny Cavallaro's orchestra. Big band era and style He played with Paul Specht's band for most of 1924 to 1930, then spent time with Ben Pollack (1931–1934), the brothers Tommy Dorsey, Tommy and Jimmy Dorsey (1934–1935), and Ray Noble (musician), Ray Noble (1935–1936). He played on "Solo Hop" in 1935 by Glenn Miller and the Glenn Miller Orchestra. He spent 1936 and 1937 mostly working as a studio musician with Gus Arnheim, Glenn Miller, Raymond Scott's radio orchest ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bobby Byrne (musician)
Robert Byrne (; May 13, 1918 – November 25, 2006) was an American bandleader, trombonist, and music executive. His big band was well regarded. He flew aircraft in World War II, and later became a musical producer for television and albums credited to other artists. Biography Early life and career Byrne was born on May 13, 1918, on a farm near Columbus, Ohio, to Clarence Byrne and his wife. Both of his parents were musicians; his mother was a concert pianist before marriage and, at the time of Byrne's birth, his father was in France with the U.S. Army band. When Byrne was one, the family moved to Detroit so his father could take a position at Cass Technical High School, where he became a music teacher of high repute. Byrne was instructed musically at home by his parents from an early age, as well as at Cass Technical, which he later attended as a student. His father taught him musical technique with a mixture of tough criticism and high praise. In addition to trombone and h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bob Astor
Bob Astor (born Robert E. Dade, October 5, 1915, New Orleans) was an American jazz and dance bandleader and songwriter, principally active in the 1940s. Astor led groups in New Orleans and east Texas before moving to the Los Angeles area at the end of the 1930s. He put together a new ensemble in 1940 in Hermosa Beach, which was, according to big band historian Leo Walker, "perhaps the first West Coast band to feature black musicians". The group toured nationwide and was perhaps more successful in the Eastern US; it also played on radio, including on the program ''The Fitch Bandwagon''. Astor's sidemen included Shelly Manne, Zoot Sims, Les Elgart, Larry Elgart, Illinois Jacquet, Dave Pell, Marty Napoleon, Neal Hefti, Irv Levin, Irv Kluger, and others; Jo Napoleon was a vocalist. He also wrote songs, often as a team with his pianist, George Williams. Astor was in negotiations to record with Decca Records in 1942 when the AFM Musicians' Strike was called; as a result, he never cut any ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when play ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Albert McCarthy
Albert J. McCarthy (1920 – 3 November 1987 London) was an English jazz and blues discographer, critic, historian, and editor. McCarthy began listening to jazz in his teens, and edited publications of the Jazz Sociological Society in the 1940s. He edited the short-lived journal ''Jazz Forum'' until publication ceased in 1947. McCarthy, along with (1914–1999) and Ralph Venables, attempted to catalogue all jazz artists in alphabetical order in the publication ''Jazz Directory''. The first volume was published in 1949, and after several subsequent volumes, the editors found that so much had happened in the intervening years that they needed to revise the volumes already in print before continuing. Because of the size of this task, McCarthy's discography was never completed, though he worked on it for over 20 years. McCarthy edited ''Jazz Monthly'' magazine (later ''Jazz and Blues'') from 1955 to 1972, then started his own magazine, ''Mainstream'', later in the decade. McCarthy a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Money Johnson
Harold "Money" Johnson (February 23, 1918 – March 28, 1978) was an American jazz trumpeter. Early life Johnson was born in Tyler, Texas, on February 23, 1918. He first played trumpet at age 15. Primarily a trumpeter, he also recorded with the trombone in a few instances and subsequently the flugelhorn and flute, respectively. Later life and career He moved to Oklahoma City in 1936 and jammed with Charlie Christian and Henry Bridges before joining Nat Towles's band. He played with Horace Henderson and Bob Dorsey before returning to Towles's band in 1944 in Chicago. He also played with Count Basie, Cootie Williams, Lucky Millinder, and Bull Moose Jackson in the 1940s. His associations in the 1950s included Louis Jordan (1951), Lucky Thompson (1953), Sy Oliver, Buddy Johnson, Cozy Cole, Mercer Ellington, Little Esther (1956), and Panama Francis (for performances in Uruguay in 1953). In the 1960s Johnson played in the house band at the Apollo Theater in New York, and record ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Omaha North High School
Omaha North High Magnet School is a public high school located at 4410 North 36th Street in the city of Omaha, Nebraska. The school is a science, technology, engineering and mathematics (STEM) magnet school in the Omaha Public Schools district. North has won several awards, including being named a 2007 Magnet Schools of America "Magnet School of Excellence". History After a start to construction in 1922 at North 31st and Ames Avenues was hampered by unexpected groundwater, the present North High School was completed in 1924 at North 36th Street and Ames Avenue. Located on four acres, North opened as an eighth through twelfth grade school in September 1924, and had 650 students its first year. The building's first principal was Edward E. McMillan, who served until 1942. The junior high students were moved to other schools by 1929. The school began winning district and state awards in academic and athletic competitions in 1926, and in 1932, North High earned the top place at a nat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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52nd Street (Manhattan)
52nd Street is a -long one-way street traveling west to east across Midtown Manhattan, New York City. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s. Jazz center Following the repeal of Prohibition in 1933, 52nd Street replaced 133rd Street as "Swing Street" of the city. The blocks of 52nd Street between Fifth Avenue and Seventh Avenue became renowned for the abundance of jazz clubs and lively street life. The street was convenient to musicians playing on Broadway and the 'legitimate' nightclubs and was also the site of a CBS studio. Musicians who played for others in the early evening played for themselves on 52nd Street. In the period from 1930 through the early 1950s, 52nd Street clubs hosted such jazz musicians as Louis Prima, Art Tatum, Fats Waller, Billie Holiday, Trummy Young, Harry Gibson, Nat Jaffe, Dizzy Gillespie, Thelonious Monk, Charlie Parker, Miles Davis, Marian McPartland, and many more. Although musici ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''J ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |