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Ratan Thiyam
Ratan Thiyam (born 20 January 1948) is an Indian playwright and theatre director, and the winner of Sangeet Natak Akademi Award in 1987, one of leading figures of the "''theatre of roots''" movement in Indian theatre, which started in the 1970s. Cody, p. 1348 Also known as Thiyam Nemai, Ratan Thiyam is known for writing and staging plays that use ancient Indian theatre traditions and forms in a contemporary context. A former painter, and proficient in direction, design, script and music, Thiyam is often considered one of leading contemporary theatre gurus. He worked as Chairperson of the prestigious National School of Drama from 2013-2017. He had also worked as Vice-Chairman of Sangeet Natak Akademi before joining NSD. He has also worked as Director of National School of Drama from 1987 to 1989. He is also the founder-director of ''Chorus Repertory Theatre'', formed on the outskirts of Imphal, Manipur in 1976. He was awarded the Sangeet Natak Akademi Award in Direction in 1987, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manipur
Manipur () ( mni, Kangleipak) is a state in Northeast India, with the city of Imphal as its capital. It is bounded by the Indian states of Nagaland to the north, Mizoram to the south and Assam to the west. It also borders two regions of Myanmar, Sagaing Region to the east and Chin State to the south. The state covers an area of . Manipur has been at the crossroads of Asian economic and cultural exchange for more than 2,500 years. It connects the Indian subcontinent and Central Asia to Southeast Asia, East Asia, Siberia, regions in the Arctic, Micronesia and Polynesia enabling migration of people, cultures and religions. During the days of the British Indian Empire, the Kingdom of Manipur was one of the princely states. Between 1917 and 1939, some people of Manipur pressed the princely rulers for democracy. By the late 1930s, the princely state of Manipur negotiated with the British administration its preference to continue to be part of the Indian Empire, rather than part of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharat Rang Mahotsav
Bharat Rang Mahotsav (BRM) (भारत रंग महोत्सव) or the National Theatre Festival, started in 1999, is the annual theatre festival organised by National School of Drama (NSD), New Delhi. The festival was started to showcase works of Indian theatre practitioners, and it has grown over the years to attract international performers as well. National School of Drama is India's premier theatre training institute funded by Govt. of India. Originally the festival was national in scope, but has gradually become an international one. The 2009 Festival featured 63 productions, out of which 51 were from India and 12 were overseas plays, over a span of 12 days. Today it is acknowledged as the largest theatre festival of Asia, dedicated solely to theatre 15th Bharat Rang Mahotsav The festival is generally held during the second week of January each year at venues in and around NSD campus, and also in a one "showcase city", where a "Satellite Festival" of Bharat Rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhāsa
Bhāsa is one of the earliest and most celebrated Indian playwrights in Sanskrit, predating Kalidasa. His name was already well-known by the 1st century BCE and he belongs to the late-Mauryan (322-184 BCE) period at the earliest, but the thirteen plays attached to his name are commonly dated closer to the first or second century CE. His plays had been lost for centuries until the manuscripts were rediscovered in 1913 by the Indian scholar Ganapati Shastri. Bhāsa had previously only been known from mentions in other works, like the '' Kavyamimamsa'' on poetics from 880–920 AD. In the Kavyamimamsa, Rajashekhara attributes the play ''Swapnavasavadattam'' to Bhāsa. In the introduction to his first play ''Malavikagnimitram'', Kālidāsa wrote: "Shall we neglect the works of such illustrious authors as Bhāsa, Saumilla, and Kaviputra? Can the audience feel any respect for the work of a modern poet, a Kālidāsa?" Date Bhāsa's date of birth is uncertain, but his name was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urubhangam
''Urubhanga'' or ''Urubhangam'', (Devanagari: ऊरुभङ्गम्), ( en, The Breaking of the Thighs, italic=yes) is a Sanskrit play written by Bhasa in the 2nd or 3rd century CE. Based on the well-known epic, the ''Mahābhārata'', by Vyasa, ''Urubhanga'' focuses on the story of the character Duryodhana during and after his fight with Bhima. Although ''Urubhanga'' contains the same core storyline as that in the ''Mahābhārata'', Bhasa's altering of certain aspects results in a different presentation of the story. The most extreme of these alterations is Bhasa's portrayal of Duryodhana, who, in the ''Mahābhārata'', is viewed as a villain, but in ''Urubhanga'' is given more human qualities. Bhasa's presentation of Duryodhana's side of the tale adds certain tragic elements to the play. Synopsis ''Urubhanga'' is derived from the famous epic ''Mahabharata''. Although portrayed as a villain in the original play, the protagonist Duryodhana is presented in a different lig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thang-Ta
Huyen langlon is an Indian martial art from Manipur. In the Meitei language, means war while or can mean net, knowledge or art. consists of two main components: thang-ta (armed combat) and sarit sarak (unarmed fighting). The primary weapons of huyen langlon are the ''thang'' (sword) and ''ta'' (spear). The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling (''mukna''). Because of Manipur's cultural similarity and geographical proximity with Myanmar, is closely related to Burmese bando and banshay. The thang-ta aspect of can be practiced in three ways: ritual, demonstration, and combat. The first way is related to tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These routines can be converted into actual fighting practices. The third way is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata Muni (Hindi: भरत मुनि) was an ancient sage who the musical treatise '' Natya Shastra'' is traditionally attributed to. The work covers ancient Indian dramaturgy and histrionics, especially Sanskrit theatre. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra Of Bharata
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Economic Times
''The Economic Times'' is an Indian English-language business-focused daily newspaper. It is owned by The Times Group. ''The Economic Times'' began publication in 1961. As of 2012, it is the world's second-most widely read English-language business newspaper, after ''The Wall Street Journal'', with a readership of over 800,000. It is published simultaneously from 14 cities: Mumbai, Bangalore, Delhi, Chennai, Kolkata, Lucknow, Hyderabad, Jaipur, Ahmedabad, Nagpur, Chandigarh, Pune, Indore, and Bhopal. Its main content is based on the Indian economy, international finance, share prices, prices of commodities as well as other matters related to finance. This newspaper is published by Bennett, Coleman & Co. Ltd. The founding editor of the paper when it was launched in 1961 was P. S. Hariharan. The current editor of ''The Economic Times'' is Bodhisattva Ganguli. ''The Economic Times'' is sold in all major cities in India. Other ventures In June 2009, The Economic Times launched a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamani Auditorium
Kamani may refer to: Places * Pobiti Kamani or ''Pobitite Kamani'', a rock phenomenon in Varna Province, Bulgaria * Kamani, Bhamo, a village in north-eastern Burma * Kamani, Iran, a village in Hamadan Province, Iran * Kamani, Georgia, a village in the disputed region of Abkhazia ** Kamani massacre, 1993, during the Georgian-Abkhaz conflict ** Kamani Monastery * Kamani, a village in Suriname People Surname * Kamani (surname) Given name * Kamani Batista, American R&B/pop singer * Kamani Hill, American professional soccer player * Kamani (king), Neo-Hittite king of Carchemish Other uses * Kamani Engineering Corporation, an electric power transmission company in India * ''Calophyllum inophyllum'' or kamani, a species of large evergreen See also * Kaman (other) Kaman may refer to: * Kaman (surname) * Kamein (Kaman), an ethnic group in Burma * Kaman Aircraft, an American aerospace company and helicopter manufacturer * Kaman Music Corporation, a company of several mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govt
A government is the system or group of people governing an organized community, generally a state. In the case of its broad associative definition, government normally consists of legislature, executive, and judiciary. Government is a means by which organizational policies are enforced, as well as a mechanism for determining policy. In many countries, the government has a kind of constitution, a statement of its governing principles and philosophy. While all types of organizations have governance, the term ''government'' is often used more specifically to refer to the approximately 200 independent national governments and subsidiary organizations. The major types of political systems in the modern era are democracies, monarchies, and authoritarian and totalitarian regimes. Historically prevalent forms of government include monarchy, aristocracy, timocracy, oligarchy, democracy, theocracy, and Tyrant, tyranny. These forms are not always mutually exclusive, and mixed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
