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Ranking Junior
Roger Charlery (21 February 1963 – 26 March 2019), known professionally as Ranking Roger,Strong, Martin C. (2002) ''The Great Rock Discography, 6th Edition'', Canongate, , p. 72Huey, Steve " Ranking Roger Biography, Allmusic, retrieved 17 February 2010Jon Pareles, Patricia Romanowski, Holly George-Warren (1997) ''The Rolling Stone Encyclopedia of Rock and Roll'', Pocket Books, Moskowitz, David V. (2006) ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 246 was a British musician. He was a vocalist in the 1980s ska band the Beat (known in North America as the English Beat) and later new wave band General Public. He subsequently was the frontman for a reformed Beat lineup. The "Ranking" moniker is short for "top-ranking" or "high-ranking", and was a titular boast common amongst reggae music MCs. Early life Roger Charlery was born in Birmingham, England, and grew up in the Small Heath area of the city. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godiva Festival
The Godiva Festival is a three-day music festival held each year in the War Memorial Park, Coventry, England, named after the city's famous former inhabitant Lady Godiva. It first appeared as a day-long event in 1997 and became a 3-day event the following year in 1998. It is the largest family music festival in the UK, and is made up of two fields; a Main Field and a Family field, which each offer a different experience. Format The modern three-day music festival is a non-profit making event organised by Coventry City Council. The festival attracted 148,000 visits in 2016 to a site in Coventry's War Memorial Park. The festival includes a dedicated Main Stage which has played host to a wide array of mainstream and independent acts, including Kasabian, Biffy Clyro, The Charlatans, The Boomtown Rats, Scouting For Girls, The Wombats, Don Broco, Embrace, Fun Lovin' Criminals, the Buzzcocks, the Happy Mondays and The Enemy. The other large stage on the Main Field is the Rock/R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toasting (Jamaican Music)
Toasting (rap in other parts of the Anglo Caribbean), or deejaying is the act of talking or chanting, usually in a monotone melody, over a rhythm or beat by a reggae deejay. It can either be improvised or pre-written. Toasting developed in the United States and carried its form to the music of Jamaica, such as ska, reggae, dancehall, and dub. It also exists in grime music and is traditionally in hip hop. Toasting is also often used in soca and bouyon music. The African American oral tradition of toasting, a mix of talking and chanting, influenced the development of MCing in US hip hop music and in Jamaican toasting. The combination of singing and toasting is known as singjaying. In the late 1950s in Jamaica, deejay toasting was sedby Count Matchuki. He conceived the idea from listening to disc jockeys on American radio stations. He would do African American jive over the music while selecting and playing R&B music. Deejays like Count Machuki working for producers woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexys Midnight Runners
Dexys Midnight Runners (currently officially Dexys, their former nickname, styled without an apostrophe) are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. "Come On Eileen" also topped the US ''Billboard'' Hot 100, and with extensive airplay on MTV they are associated with the Second British Invasion. During the late 1970s and early 1980s, Dexys went through numerous personnel changes over the course of three albums and 13 singles, with only singer/songwriter/co-founder Kevin Rowland remaining in the band through all of the transitions and only Rowland and "Big" Jim Paterson (trombone) appearing on all of the albums. By 1985, the band consisted only of Rowland and long-standing members Helen O'Hara (violin) and Billy Adams (gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock The Casbah
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982. The song was released as the second single from their fifth album, ''Combat Rock''. It reached number eight on the ''Billboard'' Hot 100 chart in the US (their only top 10 single in the United States) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart. Recording "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with. Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself. This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer– Mick Jones songwriting partnership. Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Jones (The Clash Guitarist)
Michael Geoffrey Jones (born 26 June 1955) is a British musician, singer, songwriter, and record producer best known as the lead guitarist, co-lead vocalist, co-founder and songwriter for the Clash until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James (formerly of Generation X and Sigue Sigue Sputnik) since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band. Early life Michael Geoffrey Jones was born on 26 June 1955 in Wandsworth, London, England, to a Welsh father, Tommy Jones, and a Russian Jewish mother, Renee Zegansky. Jones' maternal grandmother Stella was born in 1899 to Jewish parents in Russia and escaped the Russian pogroms by migrating to the United Kingdom. He spent much of his early life living with his maternal grandmother, Stella Class, in South London. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Strummer
John Graham Mellor (21 August 1952 – 22 December 2002), known professionally as Joe Strummer, was a British singer, musician and songwriter. He was the co-founder, lyricist, rhythm guitarist and co-lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second album ''Give 'Em Enough Rope'' (1978) reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with ''London Calling'' (1979) and peaking with '' Combat Rock'' (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude had a far-reaching influence on rock music in general, especially alternative rock. Their music incorporated reggae, ska, dub, funk, rap and rockabilly. Strummer's other career highlights included stints with the 101ers, the Latino Rockabilly War, the Mescaleros, and the Pogues, as well as solo music. His work as a musician allowed him to explore oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock's Backpages
Rock's Backpages is an online archive of music journalism, sourced from contributions to the music and mainstream press from the 1950s to the present day. The articles are full text and searchable, and all are reproduced with the permission of the copyright holders. The database was founded in 2000 by British music journalist Barney Hoskyns. As of November 2018 its database contains over 37,000 articles, including interviews, features and reviews, which covered popular music from blues and soul up to the present date. . Rock's Backpages. Rock's Backpages also features over 600 audio interviews with musicians from Jimi Hendrix and Johnny Cash to Kate Bush and Kurt Cobain. The articles are sourced from magazines including '' |
Creem
''Creem'' (often stylized in all caps) is a monthly American music magazine, based in Detroit, whose main print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, ''Creem'' was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition. The magazine is noted for having been an early champion of various heavy metal, punk rock, new wave and alternative bands, especially bands based in Detroit. The term "punk rock" was coined in the May 1971 issue of ''Creem,'' in Dave Marsh's ''Looney Tunes'' column about ? and the Mysterians. That same issue is sometimes credited with having originated the term "heavy metal" as well; in fact, the term had been used earlier, though ''Creem'' did help to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaican English
Jamaican English, including Jamaican Standard English, is a variety of English native to Jamaica and is the official language of the country. A distinction exists between Jamaican English and Jamaican Patois (or Creole), though not entirely a sharp distinction so much as a gradual continuum between two extremes. Jamaican English tends to follow British English spelling conventions. Sociolinguistics Jamaican Standard English is a type of International Standard English ( English language in England). There are several language varieties that have significantly impacted this dialect of English. English was introduced into Jamaica in 1655, because of the colonisation by Britain. British English was spread through post-primary education, and through British teachers that immigrated to Jamaica. Standard English in Jamaica conflated with the British Standard. Individuals who speak the standard variety are often considered to be of a higher social class. Also, American English has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Special Beat Service
''Special Beat Service'' is the third studio album by British ska band the Beat, released on 1 October 1982 by Go-Feet Records. Like the rest of their material, it was released in the US under the name "the English Beat". It peaked at No. 39 on the ''Billboard'' 200 album chart in 1983 on the strength of two singles, " I Confess" and "Save It for Later," the music videos for which received modest airplay on the fledgling MTV video network. Critical reception The ''Spin Alternative Record Guide'' wrote that "'Save It for Later' and 'End of the Party' are romantic, piano-driven pop gems." ''Rolling Stone'' said that "'Special Beat Service' sparkles with surprising touches" Track listing Personnel Credits are adapted from the ''Special Beat Service'' liner notes. The Beat * Ranking Roger – toasting; vocals; percussion * Dave Wakeling – vocals; guitar * David Steele – bass; banjo * Andy Cox – guitar; mandolin * Everett Morton – drums * Saxa – saxophone * Wesley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wha'ppen?
''Wha'ppen?'' is the second studio album by British ska band the Beat (credited on the US release as the English Beat), released in 1981 via Go-Feet Records in the United Kingdom and Sire Records in the United States. After the critical and commercial success of ''I Just Can't Stop It'' (1980), which mixed ska, reggae and punk rock with social lyrics, the band changed direction on ''Wha'ppen?'', taking influence from many other musical styles which were intriguing the band, including African, steel band and dub music, while keeping reggae at its core. The fast pace of the band's previous work is also exchanged for a slower, mid-tempo pace. Accompanying the music is the socially conscious and political lyrics. The band recorded the record at Roundhouse Studios with producer Bob Sargeant. Released in May 1981, ''Wha'ppen?'' was a commercial success, peaking at No. 3 on the UK Albums Chart, though its singles were the least commercially successful the band had released up to that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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