Ralph Wormeley Curtis
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Ralph Wormeley Curtis
Ralph Wormeley Curtis (August 28, 1854 – February 4, 1922) was an American painter and graphic artist in the Impressionist style. He spent most of his life in Europe, where he was a close associate of his distant cousin, John Singer Sargent, and James McNeill Whistler. He painted in a variety of genres, but was known mostly for landscapes and urban scenes; especially of Venice. Early life Curtis was born in Boston on August 28, 1854. His father was the prominent lawyer and banker, Daniel Sargent Curtis and his mother was Ariana Randolph Wormeley (1834-1922), a sister of Elizabeth Wormeley Latimer, both descendants of John Randolph (1727–1784). His maternal grandfather, Ralph Randolph Wormeley, born in Virginia to loyalist parents, was raised in London and joined the Royal Navy, rising to the rank of admiral, while his grandmother, Caroline Preble, was from a venerable Boston family. His mother was therefore born and raised in London and returned to the United States in ...
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Ralph Curtis
Second Lieutenant Ralph Luxmore Curtis (19 March 1898 – 21 September 1917) was a World War I British flying ace credited with fifteen aerial victories. He died from wounds sustained when he engaged in aerial combat with Hermann Göring, commander of Jasta 27. The aviator was interred twice in Belgian cemeteries, and was also commemorated on the Rainham War Memorial. Background Ralph Luxmore Curtis, son of William Curtis and his wife Amy Augusta (May) Curtis, was born on 19 March 1898 in Rainham, Essex, England. His father was a farmer, and the family lived at Berwick Pond/Berwick Manor in Rainham. Military career Ralph Curtis received his aviator's certificate on 17 February 1917 at the London and Provincial School in Hendon, Greater London, England. However, he did so by falsifying his date of birth, claiming to have been born on 19 March 1896 and, therefore, two years older than his actual age of eighteen. He served with No. 48 Squadron of the Royal Flying Corps as a ...
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The Harvard Lampoon
''The Harvard Lampoon'' is an undergraduate humor publication founded in 1876 by seven undergraduates at Harvard University in Cambridge, Massachusetts. Overview The ''Harvard Lampoon'' publication was founded in 1876 by seven undergraduates at Harvard University in Cambridge, Massachusetts who were inspired by popular magazines like ''Punch'' (1841) and '' Puck'' (1871). ''The Harvard Lampoon'' is the world's third longest-running continually published humor magazine, after the Swedish '' Blandaren'' (1863) and the Swiss ''Nebelspalter'' (1875). The organization also produces occasional humor books (the best known being the 1969 J. R. R. Tolkien parody ''Bored of the Rings'') and parodies of national magazines such as ''Entertainment Weekly'' and ''Sports Illustrated''. Much of the organization's capital is provided by the licensing of the "Lampoon" name to '' National Lampoon'', begun by ''Harvard Lampoon'' graduates in 1970. The ''Lampoon'' publishes five issues annually. ...
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Manchester Art Gallery
Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry. Both Barry's buildings are listed. The building that links them was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions. It opened in 2002 following a major renovation and expansion project undertaken by the art gallery. Manchester Art Gallery is free to enter and open six days a week, closed Mondays It houses many works of local and international significance and has a collection of more than 25,000 objects. More than half a million people visited the museum in the period of a year, according to figures released in April 2014. History Royal Manchester Institution The Royal Manchester Institution was a scholarly s ...
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Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ...
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Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ...
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Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Scheveningen
Scheveningen is one of the eight districts of The Hague, Netherlands, as well as a subdistrict (''wijk'') of that city. Scheveningen is a modern seaside resort with a long, sandy beach, an esplanade, a pier, and a lighthouse. The beach is popular for water sports such as windsurfing and Kitesurfing, kiteboarding. The harbour is used for both fishing and tourism. History The earliest reference to the name ''Sceveninghe'' goes back to around 1280. The first inhabitants may have been Anglo-Saxons. Other historians favour a Norsemen, Scandinavian origin. Fishing was the main source of food and income. The Battle of Scheveningen was fought between English and Dutch fleets off the coast of the village on 10 August 1653. Thousands of people gathered on the shore to watch. Edward Montagu, 1st Earl of Sandwich, Montagu's flagship picked up the English king at Scheveningen in order to accomplish the Restoration (England), Restoration. A road to neighbouring The Hague was const ...
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Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals
iat the Netherlands Institute for Art History
Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ...
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Palazzo Barbaro
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis."Venice on foot, with the itinerary of the Grand Canal and several direct routes to useful places” Hugh A Douglas, C. Scribner's Sons, 1907, pg. 282 It is one of the least altered of the Gothic palaces of Venice.“Encyclopedia of Italian Renaissance & Mannerist art, Volume 1”
Jane Turner, New York, 2000, pg. 112J
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Carolus-Duran
Charles Auguste Émile Durand, known as Carolus-Duran (Lille 4 July 1837 – 17 February 1917 Paris), was a French painter and art instructor. He is noted for his stylish depictions of members of high society in Third Republic France. Biography He was the son of a hotel owner. His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800–?) at the Académie de Lille; then took up painting with François Souchon, a student of Jacques Louis David. He went to Paris in 1853, where he adopted the name "Carolus-Duran". In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861. One of his early influences was the Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Velázquez. Upon returning to France, he ...
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