|
Raja Harishchandra
''Raja Harishchandra'' () is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. ''Raja Harishchandra'' features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke, and Gajanan Vasudev Sane and is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles. Phalke decided to make a feature film after watching '' The Life of Christ'' (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film ''Ankurachi Wadh'' (''Growth of a Pea Plant'') to attract investors for his venture. He published advertisements in various newspapers calling for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Cinematograph And Variety Hall
Coronation Cinematograph and Variety Hall was a hall in the Girgaon area of south Mumbai, India used for variety entertainment shows, dramas and to screen movies. The first full-length Indian feature film, ''Raja Harischandra'', was screened here, thus heralding the birth of the Indian film industry. Location and ownership Coronation cinema, built in 1912 was located at Narayan chawl at the junctions of Sandhurst road and Khetwadi road in the Girgaum area of Mumbai. It was one of the so-called "Sandhurst road cinemas" of the 1910-1917 Bombay cinema era, during which this area hosted a number of cinema houses including Coronation, the American-India, the Olympia and the New Alhambra. The theatre was managed by Narayan Govind Chitre, a friend of the film maker Dadasaheb Torne. The screening of Raja Harischandra ''Further information : Raja Harischandra (Movie)'' On 3 May 1913 Raja Harishchandra (राजा हरिश्चंद्र), a silent Indian film directed and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadasaheb Phalke
Dhundiraj Govind Phalke (Pronunciation: Help:IPA/Marathi, [d̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke]), popularly known as Dadasaheb Phalke () (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema". His debut film, ''Raja Harishchandra'', was the first Indian movie released in 1913, and is now known as India's first full-length feature film. He made 95 feature-length films and 27 short films in his career, spanning 19 years, until 1937, including his most noted works: ''Mohini Bhasmasur'' (1913), ''Satyavan Savitri'' (1914), ''Lanka Dahan'' (1917), ''Shri Krishna Janma'' (1918) and ''Kaliya Mardan'' (1919). The Dadasaheb Phalke Award, awarded for lifetime contribution to cinema by the Government of India, is named in his honour. Early life and education Dhundiraj Phalke was born on 30 April 1870 at Trimbak, Bombay Presidency into a Marathi language, Marathi-speaking Chitpavan Brahmin family. His father, Govind Sadashiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti
In Hinduism, especially Shaktism (a theological tradition of Hinduism), Shakti (Devanagari: शक्ति, IAST: Śakti; lit. "Energy, ability, strength, effort, power, capability") is the primordial cosmic energy, female in aspect, and represents the dynamic forces that are thought to move through the universe. She is thought of as creative, sustaining, as well as destructive, and is sometimes referred to as auspicious source energy. Shakti is sometimes personified as the creator goddess, and is known as "Adi Shakti" or "Adi Parashakti" ("inconceivableprimordial energy"). In Shaktism, Adi Parashakti is worshipped as the Supreme Being. On every plane of creation, energy manifests itself into all forms of matter; these are all thought to be infinite forms of Parashakti. She is described as ''anaadi'' (with no beginning, no ending) and ''nitya'' (forever). Origins One of the oldest representations of the goddess in India is in a triangular form. The Baghor stone, found in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guṇa
( sa, गुण) is a concept in Hinduism, Jainism and Sikhism, which can be translated as "quality, peculiarity, attribute, property".guna Monier Williams' Sanskrit-English Dictionary, Cologne Digital Sanskrit Lexicon, GermanyguNa Sanskrit-English Dictionary, Koeln University, Germany The concept is originally notable as a feature of philosophy. The gunas are now a key concept in nearly all schools of |
Yajna
Yajna ( sa, यज्ञ, yajña, translit-std=IAST, sacrifice, devotion, worship, offering) refers in Hinduism to any ritual done in front of a sacred fire, often with mantras.SG Nigal (1986), Axiological Approach to the Vedas, Northern Book, , pages 80–81 Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire (Agni). Yajna rituals-related texts have been called the ''Karma-kanda'' (ritual works) portion of the Vedic literature, in contrast to ''Jnana-kanda'' (knowledge) portion contained in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāś and Śutudrī rivers (modern Beas and Sutlej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rohitashva
Rohitashva or Lohithashva is a mythologicalHenk W Wagenaar and S S Parikh. "Rohitashva" in ''Allied Chambers Transliterated Hindi-Hindi-English Dictionary''. Allied Publishers. 1993Page 1018/ref> prince in Hinduism. His father was Harishchandra Harishchandra () is a legendary king of the Solar dynasty, who appears in several legends in texts such as the ''Aitareya Brahmana'', ''Mahabharata'', the ''Markandeya Purana'', and the ''Devi Bhagavata Purana''. The most famous of these storie .... References *The Ananda-Vana of Indian mythology Art: Dr. Anand Krishna Felicitation Volume. Indica Books. 2004. Pages 345 and 346Google Books Characters in Hindu mythology {{Hinduism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Harishchandra- 1913- India's First Silent Film
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the Raja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of India
The Government of India (ISO: ; often abbreviated as GoI), known as the Union Government or Central Government but often simply as the Centre, is the national government of the Republic of India, a federal democracy located in South Asia, consisting of 28 union states and eight union territories. Under the Constitution, there are three primary branches of government: the legislative, the executive and the judiciary, whose powers are vested in a bicameral Parliament, President, aided by the Council of Ministers, and the Supreme Court respectively. Through judicial evolution, the Parliament has lost its sovereignty as its amendments to the Constitution are subject to judicial intervention. Judicial appointments in India are unique in that the executive or legislature have negligible say. Etymology and history The Government of India Act 1833, passed by the British parliament, is the first such act of law with the epithet "Government of India". Basic structure The gover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shree Pundalik
''Shree Pundalik'', which was released on 18 May 1912 at the Coronation Cinematograph, Girgaum, Mumbai, is sometimes considered the first feature-length Indian film by a minority. The government of India and most scholarly sources consider ''Raja Harishchandra'' to be the first Indian feature film, and detractors argue ''Pundalik'' was only a photographic recording of a popular play. It was produced and directed by Dadasaheb Torne. History ''Shree Pundalik'' was a silent film without dialogue. Torne and his colleagues Nanasaheb Chitre and Ramrao Kirtikar wrote the shooting script. ''Shree Pundalik'' was sent overseas for processing by Dadasaheb Torne. Torne's ''Pundalik'' was about 1,500 feet or about 22 minutes long. The film had a shooting script, was shot with a camera, and its negatives were sent to London for processing. Positives were produced and finally released at Coronation Cinematograph, Girgaum. The film ran for two weeks. Debates about the film Some writers, fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadasaheb Torne
Ramchandra Gopal Torne () (13 April 1890 – 19 January 1960), also known as Dadasaheb Torne was an Indian director and producer, best known for making the first feature film in India, ''Shree Pundalik''. This historic record is well established by an advertisement in ''The Times of India'' published on 25 May 1912. Several leading reference books on cinema including ''The Guinness Book of Movie Facts & Feats'', ''A Pictorial History of Indian Cinema'' and ''Marathi Cinema : In Restrospect'' amply substantiate this milestone achievement of the pioneer Indian feature-filmmaker. He is considered the "Father of Indian cinema." Although Torne made his first film, ''Shree pundalik'' (पुंडलिक, 1912) just under a year before Dhundiraj Govind "Dadasaheb" Phalke made his, it is the latter who is regarded as the father of Indian cinema. The distinction may lie with the fact that, unlike Phalke, Torne sent his film overseas for processing. Moreover, Torne's ''Pundalik'' wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyavadi Raja Harishchandra
''Satyavadi Raja Harishchandra'' ( mr, सत्यवादी राजा हरिश्चंद्र; en, Truthful King Harishchandra) is a 1917 silent black and white Indian short film directed and produced by Dhundiraj Govind Phalke. The film is a shorter version of the first Indian feature film, ''Raja Harishchandra'' (1913), also directed and produced by Phalke. The intertitles used in the film were in Marathi language as the film was a silent film. The film is based on the mythological story of a Hindu King Harishchandra, the 36th king of the Solar Dynasty, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage Vishvamitra in the dream. Plot The film depicts the story of a Hindu King Harishchandra, the 36th king of the Solar Dynasty. The Hindu sage Vishwamitra reminds Harishchandra of his promise of donating his kingdom, given to the sage in his dream. Known for abiding his promises, Harishchandra donates as desired ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
